Embodied Image
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| Author | : Juhani Pallasmaa |
| Publisher | : John Wiley & Sons |
| Total Pages | : 155 |
| Release | : 2011-05-16 |
| Genre | : Architecture |
| ISBN | : 0470711906 |
The Embodied Image The Embodied Image: Imagination and Imagery in Architecture Juhani Pallasmaa All artistic and architectural effects are evoked, mediated and experienced through poeticised images. These images are embodied and lived experiences that take place in ‘the flesh of the world’, becoming part of us, at the same time that we unconsciously project aspects of ourselves on to a conceived space, object or event. Artistic images have a life and reality of their own and they develop through unexpected associations rather than rational and causal logic. Images are usually thought of as retinal pictures but profound poetic images are multi-sensory and they address us in an embodied and emotive manner. Architecture is usually analysed and taught as a discipline that articulates space and geometry, but the mental impact of architecture arises significantly from its image quality that integrates the various aspects and dimensions of experience into a singular, internalised and remembered entity. The material reality is fused with our mental and imaginative realm. The book is organised into five main parts that look at in turn: the image in contemporary culture; language, thought and the image; the many faces of the image; the poetic image; and finally the architectural image. The Embodied Image is illustrated with over sixty images in pairs, which are diverse in subject. They range from scientific images to historic artistic and architectural masterpieces. Artworks span Michelangelo and Vermeer to Gordon Matta- Clark and architecture takes in Modern Masters such as Mies van der Rohe, Le Corbusier and Alvar Aalto, as well as significant contemporary works by Steven Holl and Daniel Libeskind.
| Author | : Robert E. Harrist |
| Publisher | : |
| Total Pages | : 480 |
| Release | : 1999-03 |
| Genre | : Architecture |
| ISBN | : |
Chinese painting, sculpture, ceramics, and other art have gradually become familiar to many Western viewers, but calligraphy, the art most valued in China, remains little known. The Embodied Image accompanies an exhibition of one of the most outstanding and comprehensive collections of Chinese calligraphy ever assembled outside Asia, the John B. Elliott Collection at The Art Museum, Princeton University. Encompassing works of calligraphy from the fourth through the twentieth centuries, the collection illustrates the extraordinary variety of formats and styles that makes calligraphy one of the most visually exciting of all artistic traditions. Reflecting the latest trends in art history, The Embodied Image carries the study of Chinese calligraphy beyond issues of style and connoisseurship to interpret this art as an integral part of Chinese culture. Nine scholarly essays written by a team of distinguished American and Chinese scholars examine the complex relationship between calligraphy and religion, politics, and literature.
| Author | : Joy Schaverien |
| Publisher | : Jessica Kingsley Publishers |
| Total Pages | : 274 |
| Release | : 2021-11-18 |
| Genre | : Psychology |
| ISBN | : 1839974311 |
Schaverien painstakingly describes and defines "processes which have so far only been intuitively known to art therapists" (p6) by introducing and elaborating the psychoanalytical concepts of transference and countertransference in relation to the use of visual art objects. The authors stated intention in this book is "to attempt to bridge the perceived gap between the practice of art therapy and analytical forms of psychotherapy..."(p 229) The epistemological base of this venture includes the fields of philosophy, anthropology, and aesthetics, as well as psychoanalysis. Schaverien suggests that analytical art psychotherapy is a way of working analytically with patients who are unsuitable, or unready, for psychotherapy, giving examples of psychotic and borderline patients, children, and patients in psychiatric settings. This is primarily a book about an analytical approach within art therapy, which may be of interest in itself. The material also raises issues of interest to analysts and psychotherapists, whether or not they work with art in the clinical setting. The book clarifies areas of similarity between the disciplines, and also makes areas of difference apparent. For example, most analysts would agree that visual art, like dream material, and other non-verbal representations of the inner world, can at times articulate and communicate meanings which for one reason or another cannot be verbally articulated at the time, and that this can be pertinent to the aim of analysis. However, I think few analysts would include facilities in their consulting rooms for the kind of art processes described in the book. When the analyst is working with materials in this form, the book will be extremely helpful in sorting out the complexity of the transference situation and the role of interpretation. The book is so strongly grounded in experiences emerging in the presence of actual art processes and objects that I think it will be of most interest to those who are interested in the specific clinical issues involved in relating to the making and use of actual art objects within the setting. Schaverien not only describes the processes involved in detail, but also presents technical approaches to the making and handling of art objects within the setting which will inform the capacity of those who are not trained as art therapists to relate to this kind of material in the consulting room.'
| Author | : Gregg R. Allison |
| Publisher | : Baker Books |
| Total Pages | : 272 |
| Release | : 2021-05-11 |
| Genre | : Religion |
| ISBN | : 1493430238 |
We rarely give thought to our bodies until faced with a physical challenge or crisis. We have somehow internalized the unbiblical idea that the immaterial aspect of our being (our soul or spirit) is inherently good while the material aspect (our body) is at worst inherently evil and at best neutral--just a vehicle for our souls to get around. So we end up neglecting or disparaging our bodies, seeing them as holding us back from spiritual growth and longing for the day we will be free of them. But the thing is, we don't have bodies; we are our bodies. And God created us that way for a reason. With Scripture as his guide, theologian Gregg Allison presents a holistic theology of the human body from conception through eternity to equip us to address pressing contemporary issues related to our bodies, including how we express our sexuality, whether gender is inherent or constructed, the meaning of suffering, body image, end of life questions, and how to live as whole people in a fractured world.
| Author | : Robert E. Harrist |
| Publisher | : |
| Total Pages | : 476 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : |
The Embodied image new perspectives on the beauty, offers power, and art of the written word in China. Containing many never-before-published masterpieces from the third century to the modern period, all from the premier John B. Elliott Collection, this volume accompanies the most comprehensive exhibition of Chinese calligraphy ever seen outside China. Whether brushed on silk, cast on bronze, or engraved in stone, Chinese calligraphy evokes the forces of nature, promotes social ideals, and asserts the creativity of individual artists. Scholarly essays by distinguished Chinese and American scholars examine the complex relationships between calligraphy and religion, poetry, and literature. The Embodied Image makes a landmark contribution to the understanding of Chinese calligraphy and civilization.
| Author | : Niva Piran |
| Publisher | : Oxford University Press |
| Total Pages | : 465 |
| Release | : 2019-04-02 |
| Genre | : Psychology |
| ISBN | : 0190841885 |
For five decades, negative body image has been a major focus of study due to its association with psychological and social morbidity, including eating disorders. However, more recently the body image construct has broadened to include positive ways of living in the body, enabling greater understanding of embodied well-being, as well as protective factors and interventions to guide the prevention and treatment of eating disorders. Handbook of Positive Body Image and Embodiment is the first comprehensive, research-based resource to address the breadth of innovative theoretical concepts and related practices concerning positive ways of living in the body, including positive body image and embodiment. Presenting 37 chapters by world-renowned experts in body image and eating behaviors, this state-of-the-art collection delineates constructs of positive body image and embodiment, as well as social environments (such as families, peers, schools, media, and the Internet) and therapeutic processes that can enhance them. Constructs examined include positive embodiment, body appreciation, body functionality, body image flexibility, broad conceptualization of beauty, intuitive eating, and attuned sexuality. Also discussed are protective factors, such as environments that promote body acceptance, personal safety, diversity, and activism, and a resistant stance towards objectification, media images, and restrictive feminine ideals. The handbook also explores how therapeutic interventions (including Acceptance and Commitment Therapy, Cognitive Dissonance, and many more) and public health and policy initiatives can inform scholarly, clinical, and prevention-based work in the field of eating disorders.
| Author | : Joan C. Chrisler |
| Publisher | : |
| Total Pages | : 265 |
| Release | : 2017 |
| Genre | : Body image in women |
| ISBN | : 9781433827419 |
Using various psychological theories, this book examines women's complex relations with their bodies and how attitudes toward the body affect women's sense of self. It also suggests ways to achieve a positive embodied self
| Author | : Lars C. Grabbe |
| Publisher | : Büchner-Verlag |
| Total Pages | : 244 |
| Release | : 2016-10-24 |
| Genre | : Social Science |
| ISBN | : 394131078X |
In the new media environment, how are bodies and images related? How can, in other words, the human body be integrated with and reformulated in relation to the sensory and perceptual dimension? In response to this question, Image Embodiment looks not just to images and surface appearences but addresses at a deeper level the media that act as the supports for aesthetics. To think about visual culture in the twenty-first century necessarily implies the thinking of the specific role of media technologies. A view to media not only teases out the technical infrastructure of images but brings with it the potential for addressing the different sense modalities and realities of the human body. Recent theories of the sensory turn are effectively highlighting innovative approaches for an autonomous image science and media theory in general. Image Embodiment provides one part of the discourse to synchronize the concepts of image and body, which is then able to connect the perspectives of philosophy of mind, perceptual theory and media as well as image science. This volume monitors and discusses the relation of media and the human body and refers to images, embodiment and the sensory turn within the perspective of an autonomous image science.
| Author | : Andrea Gilroy |
| Publisher | : Jessica Kingsley Publishers |
| Total Pages | : 220 |
| Release | : 2011-06-09 |
| Genre | : Psychology |
| ISBN | : 0857005812 |
Including contributions from some of the leading art therapists in Britain, this important book addresses the key issues in the theory and practice of art therapy. The fundamental significance of the art in art therapy practice permeates the book, close attention being paid by several writers to the art-making process and the aesthetic responses of therapist and client. Other authors explore the tensions between art and therapy, images and speech, subjectivity and objectivity, arguing that the dynamic interplay between these elements is inherent to the practice of art therapy. The role of containment is another theme that is explored by contributors in a variety of ways to highlight the importance not only of the therapeutic containment of the client by the therapist, but also the containment of the therapist. The physical contexts of the session, within an art room and within the larger working environment, are identified as important arenas where conflict and tension is experienced and must be explored if art therapy is to continue to develop.
| Author | : Mary Ann Mattoon |
| Publisher | : Daimon |
| Total Pages | : 640 |
| Release | : 1999 |
| Genre | : Psychology |
| ISBN | : 385630584X |
The Fourteenth Congress for Analytical Psychology was held August 23-28, 1998 in the ancient city of Florence, Italy. The theme, "Destruction and Creation: Personal and Cultural Transformations," is especially appropriate to the Italian setting, with that nation’s history of destruction, both from nature and from human activity, and its tradition – especially in Florence – of creative individuals and institutions. The theme is fitting, also, to the context of Jungian psychology, with its emphasis on these and other pairs of opposites, with their integral role in psychic wholeness. Acknowledging, also, that destruction is indispensable to creation, some Jungians prefer the term "creative unconscious" to the traditional "collective unconscious."
