Emblematic Monsters
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Author | : A.W. Bates |
Publisher | : BRILL |
Total Pages | : 340 |
Release | : 2016-08-29 |
Genre | : Medical |
ISBN | : 9004332995 |
In early modern Europe, monstrous births were significant events that were seen alive by many people, and dissected, embalmed and collected after death. Emblematic Monsters is a social history of monstrous births as seen through popular print, scholarly books and the proceedings of learned societies. Representations of monsters are considered in the context of their roles as wonders and emblems, and studies of the anatomy of monsters are discussed along with contemporary theories of their origin. By approaching accounts of monstrous births not only as a literary form but also as descriptions of real-life cases, similarities between the pre-scientific recording of wonders and the scientific case report can be explored. Most impressively, A.W. Bates draws upon his own experience of diagnosis of birth defects to summarise more than two hundred original descriptions of monstrous births and compare them with modern diagnostic categories. Emblematic Monsters is an up-to-date approach to a classical yet under-explored subject: gruesome, compelling and monstrous.
Author | : Alan W. Bates |
Publisher | : Rodopi |
Total Pages | : 348 |
Release | : 2005 |
Genre | : History |
ISBN | : 9789042018624 |
Emblematic Monsters is a social history of monstrous births as seen through popular print, scholarly books and the proceedings of learned societies.
Author | : Jeffrey Andrew Weinstock |
Publisher | : McFarland |
Total Pages | : 244 |
Release | : 2022-11-10 |
Genre | : Performing Arts |
ISBN | : 1476647844 |
An indispensable resource for students and researchers of paranormal myth and media, this book explores the undead and unholy in literature, film, television, and popular culture. Following an introduction to frightful manifestations in media, sections address ghosts, vampires, and monsters individually, and each section includes a broad consideration of the ghost, vampire or monster in American culture. The section dedicated to ghosts examines the "spectral turn" of popular culture and the ghost's relation to justice and mourning, with particular attention to Toni Morrison and Herman Melville. In the vampires section, the author considers the undead bloodsucker's relationship to anti-Semitism, suicide, and cinema. The third section discusses monsters in relation to topics such as global pandemics, terrorism, mass shootings, "stranger danger," and social otherness, with attention to a range of popular culture texts including the films IT and It Follows.
Author | : Pam Lieske |
Publisher | : Taylor & Francis |
Total Pages | : 264 |
Release | : 2024-10-28 |
Genre | : History |
ISBN | : 1040247970 |
Gives readers an understanding of midwives, midwifery students, and women in labour. This twelve-volume collection comprises pamphlets, treatises, lectures for midwifery students, texts on the establishment of lying-in hospitals, and catalogues of obstetrical apparatuses collected by male-midwives.
Author | : Fabian Kraemer |
Publisher | : JHU Press |
Total Pages | : 342 |
Release | : 2023-04-25 |
Genre | : Literary Criticism |
ISBN | : 1421446316 |
A nuanced reframing of the dual importance of reading and observation for early modern naturalists. Historians traditionally argue that the sciences were born in early modern Europe during the so-called Scientific Revolution. At the heart of this narrative lies a supposed shift from the knowledge of books to the knowledge of things. The attitude of the new-style intellectual broke with the text-based practices of erudition and instead cultivated an emerging empiricism of observation and experiment. Rather than blindly trusting the authority of ancient sources such as Pliny and Aristotle, practitioners of this experimental philosophy insisted upon experiential proof. In A Centaur in London, Fabian Kraemer calls a key tenet of this master narrative into question—that the rise of empiricism entailed a decrease in the importance of reading practices. Kraemer shows instead that the early practices of textual erudition and observational empiricism were by no means so remote from one another as the traditional narrative would suggest. He argues that reading books and reading the book of nature had a great deal in common—indeed, that reading texts was its own kind of observation. Especially in the case of rare and unusual phenomena like monsters, naturalists were dependent on the written reports of others who had experienced the good luck to be at the right place at the right time. The connections between compiling examples from texts and from observation were especially close in such cases. A Centaur in London combines the history of scholarly reading with the history of scientific observation to argue for the sustained importance of both throughout the Renaissance and provides a nuanced, textured portrait of early modern naturalists at work.
Author | : Brian Regal |
Publisher | : Johns Hopkins University Press |
Total Pages | : 160 |
Release | : 2019-07-30 |
Genre | : History |
ISBN | : 1421436353 |
A product of innuendo and rumor, as well as scandal and media hype, the Jersey Devil enjoys a rich history involving land grabs, astrological predictions, mermaids and dinosaur bones, sideshows, Napoleon Bonaparte's brother, a cross-dressing royal governor, and Founding Father Benjamin Franklin.
Author | : |
Publisher | : BRILL |
Total Pages | : 365 |
Release | : 2020-02-17 |
Genre | : History |
ISBN | : 9004284826 |
When, why and how was it first believed that the corpse could reveal ‘signs’ useful for understanding the causes of death and eventually identifying those responsible for it? The Body of Evidence. Corpses and Proofs in Early Modern European Medicine, edited by Francesco Paolo de Ceglia, shows how in the late Middle Ages the dead body, which had previously rarely been questioned, became a specific object of investigation by doctors, philosophers, theologians and jurists. The volume sheds new light on the elements of continuity, but also on the effort made to liberate the semantization of the corpse from what were, broadly speaking, necromantic practices, which would eventually merge into forensic medicine.
Author | : Lawrence Buck |
Publisher | : Penn State Press |
Total Pages | : 396 |
Release | : 2014-02-22 |
Genre | : Religion |
ISBN | : 1612481078 |
In December 1495 the Tiber River flooded the city of Rome causing extensive drowning and destruction. When the water finally receded, a rumor began to circulate that a grotesque monstrosity had been discovered in the muddy detritus—the Roman monster. The creature itself is inherently fascinating, consisting of an eclectic combination of human and animal body parts. The symbolism of these elements, the interpretations that religious controversialists read into them, and the history of the image itself, help to document antipapal polemics from fifteenth-century Rome to the Elizabethan religious settlement. This study examines the iconography of the image of the Roman monster and offers ideological reasons for associating the image with the pre-Reformation Waldensians and Bohemian Brethren. It accounts for the reproduction and survival of the monster's image in fifteenth-century Bohemia and provides historical background on the topos of the papal Antichrist, a concept that Philip Melanchthon associated with the monster. It contextualizes Melanchthon’s tract, “The Pope-Ass Explained,” within the first five years of the Lutheran movement, and it documents the popularity of the Roman monster within the polemical and apocalyptic writings of the Reformation. This is a careful examination and interpretation of all relevant primary documents and secondary historical literature in telling the story of the origins and impact of the most famous monstrous portent of the Reformation era.
Author | : Frederika Elizabeth Bain |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 313 |
Release | : 2020-11-23 |
Genre | : History |
ISBN | : 1501513230 |
The medieval and early modern English imaginary encompasses a broad range of negative and positive dismemberments, from the castration anxieties of Turk plays to the elite practices of distributive burial. This study argues that representations and instances of bodily fragmentation illustrated and performed acts of exclusion and inclusion, detaching not only limbs from bodies but individuals from identity groups. Within this context it examines questions of legitimate and illegitimate violence, showing that such distinctions largely rested upon particular acts’ assumed symbolic meanings. Specific chapters address ways dismemberments manifested gender, human versus animal nature, religious and ethnic identity, and social rank. The book concludes by examining the afterlives of body parts, including relics and specimens exhibited for entertainment and education, contextualized by discussion of the resurrection body and its promise of bodily reintegration. Grounded in dramatic works, the study also incorporates a variety of genres from midwifery manuals to broadside ballads.
Author | : Joel Elliot Slotkin |
Publisher | : Springer |
Total Pages | : 295 |
Release | : 2017-06-22 |
Genre | : Literary Criticism |
ISBN | : 3319527975 |
This engrossing volume studies the poetics of evil in early modern English culture, reconciling the Renaissance belief that literature should uphold morality with the compelling and attractive representations of evil throughout the period’s literature. The chapters explore a variety of texts, including Spenser’s Faerie Queene, Shakespeare’s Richard III, broadside ballads, and sermons, culminating in a new reading of Paradise Lost and a novel understanding of the dynamic interaction between aesthetics and theology in shaping seventeenth century Protestant piety. Through these discussions, the book introduces the concept of “sinister aesthetics”: artistic conventions that can make representations of the villainous, monstrous, or hellish pleasurable.