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Author | : V. S. Naipaul |
Publisher | : New York Review of Books |
Total Pages | : 92 |
Release | : 2000-02-28 |
Genre | : Biography & Autobiography |
ISBN | : 9780940322387 |
I was eleven, no more, when the wish came to me to be a writer; and then very soon it was a settled ambition. But for the young V. S. Naipaul, there was a great distance between the wish and its fulfillment. To become a writer, he would have to find ways of understanding three very different cultures: his family's half-remembered Indian homeland, the West Indian colonial society in which he grew up, and the wholly foreign world of the English novels he read. In this essay of literary autobiography, V. S. Naipaul sifts through memories of his childhood in Trinidad, his university days in England, and his earliest attempts at writing, seeking the experiences of life and reading that shaped his imagination and his growth as a writer. He pays particular attention to the traumas of India under its various conquerors and the painful sense of dereliction and loss that shadows writers' attempts to capture the country and its people in prose. Naipaul's profound reflections on the relations between personal or historical experience and literary form, between the novel and the world, reveal how he came to discover both his voice and the subjects of his writing, and how he learned to turn sometimes to fiction, sometimes to the travel narrative, to portray them truthfully. Along the way he offers insights into the novel's prodigious development as a form for depicting and interpreting society in the nineteenth century and its diminishing capacity to do the same in the twentiethÑa task that, in his view, passed to the creative energies of the early cinema. As a child trying to read, I had felt that two worlds separated me from the books that were offered to me at school and in the libraries: the childhood world of our remembered India, and the more colonial world of our city. ... What I didn't know, even after I had written my early books of fiction ... was that those two spheres of darkness had become my subject. Fiction, working its mysteries, by indirections finding directions out, had led me to my subject. But it couldn't take me all the way. -V.S. Naipaul, from Reading & Writing
Author | : Kathy Acker |
Publisher | : Grove Press |
Total Pages | : 212 |
Release | : 1986 |
Genre | : Fiction |
ISBN | : 9780802131928 |
Facing the trauma of an abortion, a young woman mentally escapes by setting out on a series of adventures as Don Quixote.
Author | : Dorothy Bryant |
Publisher | : Feminist Press at CUNY |
Total Pages | : 276 |
Release | : 1997 |
Genre | : Fiction |
ISBN | : 9781558611757 |
A version of "The Women's Room," "Ella Price's Journal" presented a re-entry woman before the term was even invented.
Author | : Maria DiBattista |
Publisher | : Princeton University Press |
Total Pages | : 208 |
Release | : 2009 |
Genre | : Biography & Autobiography |
ISBN | : 0691138125 |
Answers the question, 'how does one read an author', by undertaking an experiment in critical biography. This book provides an original way of reading, one that captures with variety and subtlety the personality that exists only in Woolf's works and in the minds of her readers
Author | : Tabitha Tenney |
Publisher | : |
Total Pages | : 86 |
Release | : 1825 |
Genre | : |
ISBN | : |
Author | : Dacia Maraini |
Publisher | : University of Chicago Press |
Total Pages | : 172 |
Release | : 1998-02-28 |
Genre | : Literary Criticism |
ISBN | : 9780226504308 |
Although many writers blend autobiography and fiction, few have been so forthright in admitting it as Gustave Flaubert. In reference to his legendary novel and protagonist, he wrote: "Madame Bovary, c'est moi." Madame Bovary has become an icon for casual readers and feminists alike, but, as Dacia Maraini argues, she is one of the most problematic, though fascinating, female protagonists in modern literature. In this lively, learned, and very personal study, Maraini explores the profound and contradictory relationship between the writer Flaubert and the character his readers have grown to love. Maraini argues that in their desire to claim Emma Bovary as a standard-bearer of revolt, women have often overlooked the bitter, pitiless way in which Flaubert evokes Emma's insignificance and vulgarity. Searching for Emma guides the reader through Flaubert's novel and many of his letters, seeking out the sources of his obsessive cruelty toward Emma. Maraini relates Flaubert's contempt for Emma to his relationship with his mistress, Louise Colet, to his general terror of women, and to his own self-loathing. It was entirely in spite of himself, Maraini writes, that Flaubert created the female Don Quixote so admired for her restlessness and determination. Searching for Emma offers a novelist's insight into the complex relationship between author and character, and into the deepest motivations of fiction.
Author | : Rita Felski |
Publisher | : University of Chicago Press |
Total Pages | : 205 |
Release | : 2003-07 |
Genre | : Language Arts & Disciplines |
ISBN | : 0226241157 |
Recent commentators have portrayed feminist critics as grim-faced ideologues who are destroying the study of literature. Feminists, they claim, reduce art to politics and are hostile to any form of aesthetic pleasure. Literature after Feminism is the first work to comprehensively rebut such caricatures, while also offering a clear-eyed assessment of the relative merits of various feminist approaches to literature. Spelling out her main arguments clearly and succinctly, Rita Felski explains how feminism has changed the ways people read and think about literature. She organizes her book around four key questions: Do women and men read differently? How have feminist critics imagined the female author? What does plot have to do with gender? And what do feminists have to say about the relationship between literary and political value? Interweaving incisive commentary with literary examples, Felski advocates a double critical vision that can do justice to the social and political meanings of literature without dismissing or scanting the aesthetic.
Author | : Joan Douglas Peters |
Publisher | : |
Total Pages | : 249 |
Release | : 2002-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780813024318 |
Peters' groundbreaking study focuses on women as narrators in six British novels to show that the strategic use of women's narratives was intrinsic to the formation of the Western novel as a literary form and in fact has come to define what we now understand as novelistic even in non-canonical works. The book makes an original contribution to the scholarship of the history of British fiction by breaking away from the widely held critical position that women's narratives were outside and against the history of the genre. In her analysis of dual-voiced works from the eighteenth through the early twentieth centuries, Peters shows that women's metafictional discourse within the novel did not emerge as a late-twentieth-century reaction to the canon but has been present from the novel's beginnings. She also introduces a new level of academic discourse to feminist narratology as an approach to literary works by focusing attention on the dynamics of structure at the level of text, separate from the fiction. Peters' selection of novels by both male and female authors is a distinguishing feature of the book; the result is a rich and original description of how gender and genre interact in
Author | : Charles Dudley Warner |
Publisher | : |
Total Pages | : 680 |
Release | : 1917 |
Genre | : Literature |
ISBN | : |
Author | : Charlotte Smith |
Publisher | : |
Total Pages | : 276 |
Release | : 1822 |
Genre | : |
ISBN | : |