Eleven Headed Avalokitesvara
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| Author | : Tove E. Neville |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 1999 |
| Genre | : Literary Collections |
| ISBN | : |
Illustrations: Numerous B/w Illustrations Description: The Eleven-Headed Avalokitesvara is a study of the many origins that may have played a part in arriving at this number of heads, based on forms and powers male and female forms, origins based on name, in scriptural evidence and images, as well as Hindu deities, and finally origin seen in Rock-cut litanies in caves of India. Manifold as the sources are, they led to consideration of this Bodhisattva as the highest form of compassion in the widest sense of the word, the savior for humanity of eight to ten dreads, which assail and defeat humankind, especially for exposed travelers, be they pilgrims going to visit and pray at Buddhist shrines, or monks seeking new temples or to find new masters to teach them. This essay weaves together a panorama in South Asia, moving up to Central Asia and Chinese cultures who contributed their own examples from caves in China (Tun Huang) that also held depositories of paintings brought back to modern cultures for study in Paris and London, long scrolls such as the Yunan Tali Kingdom's treasure from the late Sung period, all told tales of Buddhist iconography and styles that most often harked back to earlier Indian models. Korea found influence from China and Japan had the Eleven Headed in Metal and also of lacquer and wood in splendid examples from seventh and eight centuries on. Still, most astounding is a theory weaving the thread back to the Indian cave litanies, showing how the Bodhisattva as savior caused in practice of art to furnish the model for how the ten scenes of dreads plus the great Avalokitesvara's own face led to an eleven-headed giants seen in Indian Gupta styles.
| Author | : Ryûichi Abé |
| Publisher | : Columbia University Press |
| Total Pages | : 620 |
| Release | : 1999-06-28 |
| Genre | : Religion |
| ISBN | : 9780231528870 |
The great Buddhist priest Kûkai (774-835) is credited with the introduction and establishment of tantric -or esoteric -Buddhism in early ninth-century Japan. In Ryûichi Abé examines this important religious figure -neglected in modern academic literatu
| Author | : Alice Getty |
| Publisher | : Courier Corporation |
| Total Pages | : 350 |
| Release | : 1988-01-01 |
| Genre | : Art |
| ISBN | : 9780486255750 |
Invaluable reference covers names, attributes, symbolism, representations of deities in Mahayana pantheon of China, Japan, Tibet, etc. 185 illus.
| Author | : |
| Publisher | : Motilal Banarsidass Publishe |
| Total Pages | : 410 |
| Release | : 2007 |
| Genre | : Bodhisattvas |
| ISBN | : 9788120820487 |
The Inquiry of Ugra (Ugrapariprccha) is one of the most influential Mahayana sutras, preserved and transmitted in both India and China over many centuries and actively quoted in treatises on the bodhisattva path. It is, nevertheless, one of the most neglected texts in Western treatments of Buddhism. The Ugra appers to be one of the earliest bodhisattva scriptures to come down to us, and as such it offers a particularly valuable window on the process by which the bodhisattva path came to be seen as a distinct vocational alternative within certain Indian Buddhist communities. The Bodhisattva Path is a study and translation of the Ugra that will fundamentally alter previous perceptions of the way in which Mahayana was viewed and practiced by its earliest adherents. To achieve a better understanding of the universe of ideas, activities, and institutional structures within which early self-proclaimed bodhisattvas lived, the author first considers the Ugra as a literary document, employing new methodological tools to examine the genre to which it belong, the age of its extant versions, and their relationships to one another. She goes on to challenge the dominant notions that the Mahayana emerged as a reform of earlier Buddhism and offered lay people an easier option. On the contrary, the picture that emerges is of the early Mahayana as a more difficult and demanding vocation, initially limited to a small contingent of monastic males. Combining a detailed critical study and translation of an important Buddhist scripture with a sweeping re-examination of the relationship between the Buddha and the practitioners alike and other interested in the history of Indian Buddhism and the formation of Mahayana.
| Author | : Lokesh Chandra |
| Publisher | : Abhinav Publications |
| Total Pages | : 338 |
| Release | : 1988 |
| Genre | : Religion |
| ISBN | : 9788170172475 |
A Fundamental Work Based On Original Sanskrit, Chinese, Korean, Japanese, The Lost Iranian Language Sogdian And Tibetan Works-On The Origin Of Avalokitesvara. It Indentifies The Several Prevalent Folk-Deities Which Were Assimilated Into The Iconographical Form. The Worship Of Avalokitesvara Was Accompanied By A Dharani (Recited Hymn). This Work Describes Five Versions Of Thedharani. The Dharani Is An Essential Part Of The Zen Repertoire Of Sutras. It Was Transliterated Into Chinese Eight Times Over A Span Of Eight Enturies: From The 7 Th To The 14 Th Century. The Present Edition Is Not Only A Reconstruction Of The Original Sanskrit Text Of The Hymn, But A Detailed Study With The Texts Of Bhagavad-Dharma Amoghavajra, Vajrabodhi And Chih-T Ung In Chinese Characters. The Korean, Sogdian, And Tibetan Texts Are Also Given In Their Indigenous Scripts. Siddham Manuscripts From Korea And Japan Have Been Done In Facsimile. Popular Iconic Vocabulary Becomes The Essence Of Ever-Renewing Theogony. From An Attendant Acolyte Of Amitabha In The Sukhavativyuha, Avalokita Gained Independence As A Separate Deity In His Own Right. The System Of Iconographic Classification Of 33 Types, With Their Symbols, Bijas And Mudras Presents A New Model For Buddhist Iconographic Studies. The Chinese, Korean, Japanese, Tibetan And Sogdian Transliterations Of Sanskrit Hymns To The Thousand-Eyed, Thousand-Armed Avalokitesvara Have The Attributes Of Hari And Hara And Have The Faces Of Narasimha And Varaha. In Reconstructing These Versions It Became Imperative That Sanskrit Texts Bearing On Harihara Be Consulted And The Iconography Of Harihara Be Analysed With Precision. The 36 Orphological Types Of Harihara Have Been Defined In A Succinct Manner On The Principles Of Icono-Taxonomy. A Novel Departure In The Study Of The History Of Art. Comparison Has Resulted In The Discovery Of The Mythogenesis Of Primal Arya Avalokitesvara, As Well As His Form With A Thousand Arms, With A Thousand Eyes On Each Of The Thousand Palms. The Emergence Of The Thousand Armed Avalokitesvara Is Linked With The Interiorisation Of Isvara-Siva Into Avalokita As Visvarupa. Amoghavajra S Version Indicates The Connection Of The Thousand-Armed Thousand-Eyed Avalokitesvara With The Security Of The State. New New Readings Of The Dharant That Emerge Out Of Comparative Exegesis Are Refreshing Like The Ozone-Laden Morning Air, With A Distinct Character, With Poetic Profundity And Devotional Fervour. While This Volume Resurrects The Dharani, It Traces The Very Origins Of The First Avalokita-Svara, And The Continuous And Perplexing Processes Of Assimilation That Travel Into A Phantasmagoria Of Universes. Avalokita Becomes A Wave Of Many Waves.
| Author | : Benoytosh Bhattacharyya |
| Publisher | : |
| Total Pages | : 426 |
| Release | : 1924 |
| Genre | : Art |
| ISBN | : |
| Author | : Chün-fang Yü |
| Publisher | : Columbia University Press |
| Total Pages | : 657 |
| Release | : 2001-03-22 |
| Genre | : Religion |
| ISBN | : 0231502753 |
By far one of the most important objects of worship in the Buddhist traditions, the bodhisattva Avalokitesvara is regarded as the embodiment of compassion. He has been widely revered throughout the Buddhist countries of Asia since the early centuries of the Common Era. While he was closely identified with the royalty in South and Southeast Asia, and the Tibetans continue to this day to view the Dalai Lamas as his incarnations, in China he became a she—Kuan-yin, the "Goddess of Mercy"—and has a very different history. The causes and processes of this metamorphosis have perplexed Buddhist scholars for centuries. In this groundbreaking, comprehensive study, Chün-fang Yü discusses this dramatic transformation of the (male) Indian bodhisattva Avalokitesvara into the (female) Chinese Kuan-yin—from a relatively minor figure in the Buddha's retinue to a universal savior and one of the most popular deities in Chinese religion. Focusing on the various media through which the feminine Kuan-yin became constructed and domesticated in China, Yü thoroughly examines Buddhist scriptures, miracle stories, pilgrimages, popular literature, and monastic and local gazetteers—as well as the changing iconography reflected in Kuan-yin's images and artistic representations—to determine the role this material played in this amazing transformation. The book eloquently depicts the domestication of Kuan-yin as a case study of the indigenization of Buddhism in China and illuminates the ways this beloved deity has affected the lives of all Chinese people down the ages.
| Author | : Martin Willson |
| Publisher | : Wisdom Publications |
| Total Pages | : 0 |
| Release | : 2000-03-01 |
| Genre | : Art |
| ISBN | : 9780861710980 |
An extraordinary encyclopedia of Buddhist icons. Illustrating the Rin 'byung brgya rtsa, the Nar thang brgya rtsa, and the Vajravali, the book is based on a collection of over five hundred images of Tibetan deities. The images, presented in the book at full scale, were originally created by a master artist in the early nineteenth century to serve as initiation cards (tsakli). The original tsakli were woodblock prints, hand colored at the request of a Ch'ing Dynasty nobleman who had received the initiations. Such cards are used in ceremonies to introduce the practitioner to the deity and his or her practice. The paintings are housed in the Ethnographic Museum of the University of Zurich. Deities of Tibetan Buddhism is also an indispensable reference tool for Tibetologists, students of Mahayana Buddhism, and museum curators. Its extensive supplementary materials include English translations of the basic invocation texts; the associated visualization with descriptions of the deities' postures, attributes, and colors; and the dharanis and mantras used in their invocation. Co-editor Martin Willson spent more than a decade translating and documenting this work. He has provided detailed explanations of technical terms, enlightening explanatory notes, and glossaries documenting the discrepancies in the depictions. The extensive pictorial index, featuring drawings and text by Robert Beer, explains the symbolic meaning behind the deities' implements and adornments. The cross-referenced indices for Tibetan, Sanskrit, Mongolian, and English names and terms provide quick access to vast amounts of information. Co-editor Martin Brauen and the technical staff of the Ethnographic Museum of the University of Zurich have documented the relationship between this and other sets of initiation cards that exist elsewhere, as well as detailing the construction materials and methods involved in producing this set. Deities of Tibetan Buddhism is a reference book without peer, essential for any serious student of Tibetan and East Asian art and religion.
| Author | : Sherry D. Fowler |
| Publisher | : University of Hawaii Press |
| Total Pages | : 457 |
| Release | : 2016-11-30 |
| Genre | : Art |
| ISBN | : 0824856252 |
Buddhists around the world celebrate the benefits of worshipping Kannon (Avalokiteśvara), a compassionate savior who is one of the most beloved in the Buddhist pantheon. When Kannon appears in multiple manifestations, the deity’s powers are believed to increase to even greater heights. This concept generated several cults throughout history: among the most significant is the cult of the Six Kannon, which began in Japan in the tenth century and remained prominent through the sixteenth century. In this ambitious work, Sherry Fowler examines the development of the Japanese Six Kannon cult, its sculptures and paintings, and its transition to the Thirty-three Kannon cult, which remains active to this day. An exemplar of Six Kannon imagery is the complete set of life-size wooden sculptures made in 1224 and housed at the Kyoto temple Daihōonji. This set, along with others, is analyzed to demonstrate how Six Kannon worship impacted Buddhist practice. Employing a diachronic approach, Fowler presents case studies beginning in the eleventh century to reinstate a context for sets of Six Kannon, the majority of which have been lost or scattered, and thus illuminates the vibrancy, magnitude, and distribution of the cult and enhances our knowledge of religious image-making in Japan. Kannon’s role in assisting beings trapped in the six paths of transmigration is a well-documented catalyst for the selection of the number six, but there are other significant themes at work. Six Kannon worship includes significant foci on worldly concerns such as childbirth and animal husbandry, ties between text and image, and numerous correlations with Shinto kami groups of six. While making groups of Kannon visible, Fowler explores the fluidity of numerical deity categorizations and the attempts to quantify the invisible. Moreover, her investigation reveals Kyushu as an especially active site in the history of the Six Kannon cult. Much as Kannon images once functioned to attract worshippers, their presentation in this book will entice contemporary readers to revisit their assumptions about East Asia’s most popular Buddhist deity.
| Author | : Har Dayal |
| Publisher | : Motilal Banarsidass Publ. |
| Total Pages | : 424 |
| Release | : 1970 |
| Genre | : Bodhisattva (The concept) |
| ISBN | : 9788120812574 |
The present work consists of seven chapters that deal with the Bodhisattva doctrine as expounded in the principal Buddhist Sanskrit Literature. Chapter 1 describes the nature of the Bodhisattva doctrine with particular stress on the distinct chatacteristics of arhat, Bodhisattva and sravaka. Chapter II recounts the different factors including the influence Persian religio-cult, Greek art and Christian ethics that contributed to the rise and growth of the Boddhisattva doctrine. Chapter III expounds the production of the thought of Enlightenment for the welfare and liberation of all creatures. Chapters IV describes thirty-seven practices and principles conducive to the attainment of Enlightenment. Chapter V expalins the ten perfections that lead to welfare, rebirth, serenity, spiritual cultivation, and supreme knowledge. Chapter VI states different stages of spiritual progress in the aspirant`s long journey to the goal of final emancipation and Chapter VII relates the events of the Gautama Buddha`s past lives as Bodhisattva. The book contains comprehensive notes and references besides a general index appended at the end. It is written in a very lucid style that speaks of the writer`s scholarly acumen and mastry of literary art.
