Digital Prepress for Comic Books

Digital Prepress for Comic Books
Author: Kevin Tinsley
Publisher:
Total Pages: 0
Release: 1999
Genre: Computers
ISBN: 9780967542300

This critically acclaimed desktop publishing how-to guide gives instructions on computer coloring, lettering, and comic production. "Recommended for anyone working in comics! Four stars."QComputer Publishing Magazine.

Electronic Prepress

Electronic Prepress
Author: Bill Parsons
Publisher: Cengage Learning
Total Pages: 196
Release: 1995
Genre: Art
ISBN: 9780827364493

Electronic Prepress: A Hands on Introduction brings the power of the desktop to your workspace. In this one volume you'll learn the basics of scanning, image manipulation, page layout and more.

Electronic Prepress Using Photoshop 4.0

Electronic Prepress Using Photoshop 4.0
Author: Jerry Waite
Publisher: Cengage Learning
Total Pages: 586
Release: 1997
Genre: Art
ISBN: 9780827384972

This book explores how prepress technicians may best utilize Photoshop 4.0. It thoroughly reviews the use of Photoshop for color correction, tone targeting, and image manipulation, as well as methods for saving images in TIFF and EPS formats. Using Photoshop 4.0, this book discusses features such as the Navigator palette, recording and using Actions, the Type and Type Mask tool and Adjustment layers as important topics to the student studying prepress technologies.

Exploring Digital PrePress

Exploring Digital PrePress
Author: Reid Anderson
Publisher: Course Technology
Total Pages: 376
Release: 2007
Genre: Art
ISBN:

Ready to take on the challenges of print production without fear? There is no better source for understanding how to properly prepare electronic files for printing than Exploring Digital Prepress. An organized, linear format follows the print production process, taking readers step-by-step through simple, straightforward methods for producing the highest-quality printed artwork once an image is created on screen. Coverage explores the best type of software to use for optimal results at each stage of the prepress process, the advantages and disadvantages of different proofing methods, steps designers can take to ensure that their artwork prints correctly, and much more. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

Digital Prepress Complete

Digital Prepress Complete
Author: Donnie O'Quinn
Publisher: New Riders
Total Pages: 800
Release: 1996
Genre: Computers
ISBN:

Prepress and production issues can be costly and frustrating for operators and managers. This book provides them with a complete reference and an issues-oriented, troubleshooting, problem-solving approach that concentrates on getting the job done and keeping an eye on the bottom line.-- Focuses on saving time and money by doing things right the first time-- Integrates coverage of color, prelighting, and output issues at every step of the process-- Illustrates key information with lively anecdotes and first-hand experience

Digital Prepress for Comic Books

Digital Prepress for Comic Books
Author: Kevin Tinsley
Publisher: Stickman Graphics
Total Pages: 242
Release: 2009
Genre: Comics & Graphic Novels
ISBN: 0967542383

Covers software developments and features sections on PDF generation and InDesign. With instructions and 300 color illustrations, this manual provides the answers and solutions you need to successfully print a magazine or graphic novel.

Electronic Prepress

Electronic Prepress
Author: Bill Parsons
Publisher: Cengage Learning
Total Pages: 0
Release: 1995
Genre: Desktop publishing
ISBN: 9780827364493

Electronic Prepress: A Hands on Introduction brings the power of the desktop to your workspace. In this one volume you'll learn the basics of scanning, image manipulation, page layout and more.

A History of the Book in America

A History of the Book in America
Author: David Paul Nord
Publisher: UNC Press Books
Total Pages: 637
Release: 2015-12-01
Genre: History
ISBN: 1469625830

The fifth volume of A History of the Book in America addresses the economic, social, and cultural shifts affecting print culture from World War II to the present. During this period factors such as the expansion of government, the growth of higher education, the climate of the Cold War, globalization, and the development of multimedia and digital technologies influenced the patterns of consolidation and diversification established earlier. The thirty-three contributors to the volume explore the evolution of the publishing industry and the business of bookselling. The histories of government publishing, law and policy, the periodical press, literary criticism, and reading--in settings such as schools, libraries, book clubs, self-help programs, and collectors' societies--receive imaginative scrutiny as well. The Enduring Book demonstrates that the corporate consolidations of the last half-century have left space for the independent publisher, that multiplicity continues to define American print culture, and that even in the digital age, the book endures. Contributors: David Abrahamson, Northwestern University James L. Baughman, University of Wisconsin-Madison Kenneth Cmiel (d. 2006) James Danky, University of Wisconsin-Madison Robert DeMaria Jr., Vassar College Donald A. Downs, University of Wisconsin-Madison Robert W. Frase (d. 2003) Paul C. Gutjahr, Indiana University David D. Hall, Harvard Divinity School John B. Hench, American Antiquarian Society Patrick Henry, New York City College of Technology Dan Lacy (d. 2001) Marshall Leaffer, Indiana University Bruce Lewenstein, Cornell University Elizabeth Long, Rice University Beth Luey, Arizona State University Tom McCarthy, Beirut, Lebanon Laura J. Miller, Brandeis University Priscilla Coit Murphy, Chapel Hill, N.C. David Paul Nord, Indiana University Carol Polsgrove, Indiana University David Reinking, Clemson University Jane Rhodes, Macalester College John V. Richardson Jr., University of California, Los Angeles Joan Shelley Rubin, University of Rochester Michael Schudson, University of California, San Diego, and Columbia University Linda Scott, University of Oxford Dan Simon, Seven Stories Press Ilan Stavans, Amherst College Harvey M. Teres, Syracuse University John B. Thompson, University of Cambridge Trysh Travis, University of Florida Jonathan Zimmerman, New York University