Electrified Voices
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| Author | : Dmitri Zakharine |
| Publisher | : V&R unipress GmbH |
| Total Pages | : 418 |
| Release | : 2013 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3847100246 |
The aim of this book is to explore the phenomenon of the electrified voice through interdisciplinary approaches such as media and technology studies, social history, and comparative cultural studies. The book focuses on three problem clusters: reflections on the societal level about the task of electronic voice transmission; the mediation of gender- and occupation-specific vocal stereotypes in audio and audio-visual formats; and the genesis of such vocal stereotypes in national radio and film cultures. Such a historicizing approach to societal experience in the field of voice mediation, including the use and interpretation of voice media, is today of great relevance in light of the collective learning processes currently triggered by rapid advances in technology.
| Author | : Kerim Yasar |
| Publisher | : Columbia University Press |
| Total Pages | : 202 |
| Release | : 2018-10-23 |
| Genre | : Social Science |
| ISBN | : 0231547021 |
Long before karaoke’s ubiquity and the rise of global brands such as Sony, Japan was a place where new audio technologies found eager users and contributed to new cultural forms. In Electrified Voices, Kerim Yasar traces the origins of the modern soundscape, showing how the revolutionary nature of sound technology and the rise of a new auditory culture played an essential role in the formation of Japanese modernity. A far-reaching cultural history of the telegraph, telephone, phonograph, radio, and early sound film in Japan, Electrified Voices shows how these technologies reshaped the production of culture. Audio technologies upended the status of the written word as the only source of prestige while revivifying traditional forms of orality. The ability to reproduce and transmit sound, freeing it from the constraints of time and space, had profound consequences on late nineteenth-century language reform; twentieth-century literary, musical, and cinematic practices; the rise of militarism and nationalism in the 1920s and 30s; and the transition to the postwar period inaugurated by Emperor Hirohito’s declaration of unconditional surrender to Allied forces—a declaration that was recorded on a gramophone record and broadcast throughout the defeated Japanese empire. The first cultural history in English of auditory technologies in modern Japan, Electrified Voices enriches our understanding of Japanese modernity and offers a major contribution to sound studies and global media history.
| Author | : Kerim Yasar |
| Publisher | : Studies of the Weatherhead East Asian Institute, Columbia University |
| Total Pages | : 304 |
| Release | : 2018 |
| Genre | : Communication |
| ISBN | : 9780231187121 |
Kerim Yasar traces the origins of the modern soundscape, showing how the revolutionary nature of sound technology and the rise of a new auditory culture played an essential role in the formation of Japanese modernity. Electrified Voices is a far-reaching cultural history of the telegraph, telephone, phonograph, radio, and early sound film in Japan.
| Author | : Trace Reddell |
| Publisher | : U of Minnesota Press |
| Total Pages | : 602 |
| Release | : 2018-10-16 |
| Genre | : Performing Arts |
| ISBN | : 1452957363 |
A groundbreaking approach to sound in sci-fi films offers new ways of construing both sonic innovation and science fiction cinema Including original readings of classics like The Day the Earth Stood Still, 2001: A Space Odyssey, Star Wars, and Blade Runner, The Sound of Things to Come delivers a comprehensive history of sound in science fiction cinema. Approaching movies as sound objects that combine cinematic apparatus and consciousness, Trace Reddell presents a new theory of sonic innovation in the science fiction film. Reddell assembles a staggering array of movies from sixty years of film history—including classics, blockbusters, B-movies, and documentaries from the United States, Britain, France, Germany, Japan, and the Soviet Union—all in service to his powerful conception of sound making as a speculative activity in its own right. Reddell recasts debates about noise and music, while arguing that sound in the science fiction film provides a medium for alien, unknown, and posthuman sound objects that transform what and how we hear. Avoiding genre criticism’s tendency to obsess over utopias, The Sound of Things to Come draws on film theory, sound studies, and philosophies of technology to advance conversations about the avant-garde, while also opening up opportunities to examine cinematic sounds beyond the screen.
| Author | : Jacob Smith |
| Publisher | : Univ of California Press |
| Total Pages | : 268 |
| Release | : 2016-07-19 |
| Genre | : Biography & Autobiography |
| ISBN | : 0520285328 |
"This collection of essays examines one of the most important, yet understudied, media authors of all time--Norman Corwin--using him as a critical lens to consider the history of multimedia authorship, particularly in the realm of sound. Known for seven decades as the 'poet laureate' of radio, Corwin is most famous for his radio dramas, which reached tens of millions of listeners around the world and contributed to radio drama's success as a mass media form in the 1930s and 1940s. But Corwin was a pioneer in multiple media, including cinema, theater, TV, public service broadcasting, journalism, and even cantata. In each of these areas, Corwin had a distinctive approach to sonic aesthetics and mastery of multiple aspects of media production, relying in part on his inventive atmospheric effects in the studio both prerecorded, and, more impressively, live in real time. From the front lines of World War II to his role as Chief of Special Projects for United Nations Radio and his influence on media today, the political and social aspect of Corwin's work is woven into these essays. With a foreword by Michele Hilmes and contributions from Thomas Doherty, Mary Ann Watson, Shawn VanCour, David Ossman and others, this volume cements Corwin's reputation as perhaps the greatest writer in the history of radio, while also showing that his long career is a neglected model of multimedia authorship."--Provided by publisher.
| Author | : Angela Bradford Giberson |
| Publisher | : Tate Publishing & Enterprises |
| Total Pages | : 0 |
| Release | : 2013-06 |
| Genre | : |
| ISBN | : 9781625101921 |
In Electric Voices, these loveable electrodes begin a life at Captain Gray's Electric Company. Trouble begins to brew when a villain named Wayne seeks to monopolize all electric power. Meanwhile, the Voltoids - the largest transformers - have decided to wage war against the Electric Beings. Captain Gray suspects that the Voltoids are responsible for sending large bolts of electricity down the electric lines, blowing up small friendly transformers. Two teenagers named Jackson and Alary get zapped by electricity and are able to understand the Electric Beings. This unique relationship will become stronger as they rely on each other in dangerous circumstances. Let your imaginations come alive as Captain Gray introduces Alary and Jackson to many different electric characters such as the Dumb Dogs, Comical Clowns, Beeping Aliens, and the Light-Up Fairies. They all come together for a time of war when evil is zapped as the Electric Beings find their inner strength and unite to victory.
| Author | : Jens Gerrit Papenburg |
| Publisher | : MIT Press |
| Total Pages | : 447 |
| Release | : 2016-03-11 |
| Genre | : Science |
| ISBN | : 0262334283 |
Scholars consider sound and its concepts, taking as their premise the idea that popular culture can be analyzed in an innovative way through sound. The wide-ranging texts in this book take as their premise the idea that sound is a subject through which popular culture can be analyzed in an innovative way. From an infant's gurgles over a baby monitor to the roar of the crowd in a stadium to the sub-bass frequencies produced by sound systems in the disco era, sound—not necessarily aestheticized as music—is inextricably part of the many domains of popular culture. Expanding the view taken by many scholars of cultural studies, the contributors consider cultural practices concerning sound not merely as semiotic or signifying processes but as material, physical, perceptual, and sensory processes that integrate a multitude of cultural traditions and forms of knowledge. The chapters discuss conceptual issues as well as terminologies and research methods; analyze historical and contemporary case studies of listening in various sound cultures; and consider the ways contemporary practices of sound generation are applied in the diverse fields in which sounds are produced, mastered, distorted, processed, or enhanced. The chapters are not only about sound; they offer a study through sound—echoes from the past, resonances of the present, and the contradictions and discontinuities that suggest the future. Contributors Karin Bijsterveld, Susanne Binas-Preisendörfer, Carolyn Birdsall, Jochen Bonz, Michael Bull, Thomas Burkhalter, Mark J. Butler, Diedrich Diederichsen, Veit Erlmann, Franco Fabbri, Golo Föllmer, Marta García Quiñones, Mark Grimshaw, Rolf Großmann, Maria Hanáček, Thomas Hecken, Anahid Kassabian, Carla J. Maier, Andrea Mihm, Bodo Mrozek, Carlo Nardi, Jens Gerrit Papenburg, Thomas Schopp, Holger Schulze, Toby Seay, Jacob Smith, Paul Théberge, Peter Wicke, Simon Zagorski-Thomas
| Author | : Iris Haukamp |
| Publisher | : Taylor & Francis |
| Total Pages | : 363 |
| Release | : 2022-08-22 |
| Genre | : Music |
| ISBN | : 1000686884 |
This book examines the meanings, uses, and agency of voice, noise, sound, and sound technologies across Asia. Including a series of wide-ranging and interdisciplinary case studies, the book reveals sound as central to the experience of modernity in Asia and as essential to the understanding of the historical processes of cultural, social, political, and economic transformation throughout the long twentieth century. Presenting a broad range of topics – from the changing sounds of the Kyoto kimono making industry to radio in late colonial India – the book explores how the study of Asian sound cultures offers greater insight into historical accounts of local and global transformation. Challenging us to rethink and reassemble important categories in sound studies, this book will be a vital resource for students and scholars of sound studies, Asian studies, history, postcolonial studies, and media studies.
| Author | : Eileen Day McKusick |
| Publisher | : St. Martin's Essentials |
| Total Pages | : 225 |
| Release | : 2021-01-26 |
| Genre | : Body, Mind & Spirit |
| ISBN | : 1250262151 |
Tap into the extraordinary power of electricity to heal your body and empower your life Everything is electric. This seemingly simple observation has transformational repercussions on the way we think about and approach physical, mental, and emotional health. Electric Body, Electric Health is a manifesto for personal empowerment based on an electrical view of life. Author of Tuning the Human Biofield, Eileen Day McKusick is an expert in the emerging field of electric health and has taught thousands how to transform effortlessly through learning to “think electrically.” By illuminating the biological nature of our electrical bodies, McKusick empowers readers to clear the static, noise, and resistance from this system and experience greater energy, clarity, and order. Electric Body, Electric Health makes use of simple, easy-to-implement practices such as: - Awareness practices - Perspective shifts - Breathing practices - Simple lifestyle changes - Improved emotional management - and more... in order to help readers improve their health and enhance their daily lives. It will give you the tools to transform your relationship with your body, your mind, your emotions, and the electrical world around you.
| Author | : Jeremy Barham |
| Publisher | : Taylor & Francis |
| Total Pages | : 842 |
| Release | : 2023-12-22 |
| Genre | : Music |
| ISBN | : 0429997019 |
In a major expansion of the conversation on music and film history, The Routledge Companion to Global Film Music in the Early Sound Era draws together a wide-ranging collection of scholarship on music in global cinema during the transition from silent to sound films (the late 1920s to the 1940s). Moving beyond the traditional focus on Hollywood, this Companion considers the vast range of cinema and music created in often-overlooked regions throughout the rest of the world, providing crucial global context to film music history. An extensive editorial Introduction and 50 chapters from an array of international experts connect the music and sound of these films to regional and transnational issues—culturally, historically, and aesthetically—across five parts: Western Europe and Scandinavia Central and Eastern Europe North Africa, The Middle East, Asia, and Australasia Latin America Soviet Russia Filling a major gap in the literature, The Routledge Companion to Global Film Music in the Early Sound Era offers an essential reference for scholars of music, film studies, and cultural history.
