El Arte En Mexico
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Author | : María Izquierdo |
Publisher | : University of Washington Press |
Total Pages | : 140 |
Release | : 1996 |
Genre | : Art |
ISBN | : |
This volume documents the first international retrospective of one of Mexico's greatest artists, Maria Izquierdo. Trained privately, as was common for women of good social standing, she was unusual in also studying at the Escuela Nacional de Bellas Artes in Mexico City, where she was first a disciple of Diego Rivera and then developed intellectual bonds with Rufino Tamayo. Her work was included with theirs in a 1930 show of Mexican painting at the Metropolitan Museum of Art. In 1936, Antonin Artaud visited Mexico seeking "a perfect example of primitive civilizations with a magical spirit", which he found in Izquierdo's paintings.
Author | : Olivier Debroise |
Publisher | : UNAM |
Total Pages | : 482 |
Release | : 2006 |
Genre | : Art |
ISBN | : 9789703238293 |
"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among many others. The edition is illustrated with 612 full-colorplates of the art produced during these last three decades of the twentieth century reflect the social, political and technical developments in Mexico and ranged from painting andphotography to poster design, installation, performance, experimental theatre, super-8 cinema, video, music, poetry and popular culture like the films and ephemeral actionsof 'Panic' by Alejandro Jodorowsky, Pedro Friedeberg's pop art, the conceptual art, infrarrealists and urban independent photography, artists books, the development ofcontemporary political photography, the participation of Mexican artists in Fluxus in the seventies and the contribution of Ulises Carrión to the international artist book movement and popular rock music, the pictorial battles of the eighties and the emergence of a variant of neo-conceptual art in 1990. The exhibition is curated by Olivier Debroise, Pilar García de Germenos, Cuauhtémoc Medina, Álvaro Vázquez Mantecón"--Provided by vendor.
Author | : ALBERTO EDITOR RUY SANCHEZ |
Publisher | : |
Total Pages | : 0 |
Release | : 1999 |
Genre | : Architecture |
ISBN | : 9789686533941 |
Author | : |
Publisher | : |
Total Pages | : 88 |
Release | : 1961 |
Genre | : Art |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 112 |
Release | : 2005 |
Genre | : Ceramic sculpture |
ISBN | : |
Author | : Earl Shorris |
Publisher | : W. W. Norton & Company |
Total Pages | : 801 |
Release | : 2005-12-27 |
Genre | : History |
ISBN | : 0393327671 |
Reveals the long, tumultuous history of Mexico in a narrative account of its historical changes, art, politics, religion, and people.
Author | : Karen Cordero Reiman |
Publisher | : Yale University Press |
Total Pages | : 97 |
Release | : 2018-11-27 |
Genre | : History |
ISBN | : 0300238703 |
An outstanding exploration of a photographer, educator, and curator whose work both documented and created change in post-Revolutionary Mexico This stunning and lyrical volume highlights the personal work of Lola Álvarez Bravo (1903–1993), one of Mexico’s foremost photographers. Álvarez Bravo worked as a photojournalist, commercial photographer, portraitist, and educator and played a critical role in her country’s cultural renaissance. In the years following the Mexican Revolution, she captured a profoundly transformative moment for the country’s land, architecture, and people. She remains best known for these works and for her portraits of prominent modernists working in Mexico, including Frida Kahlo, Diego Rivera, and David Alfaro Siqueiros. Lola Álvarez Bravo delves into a lesser-known body of work, in which attention to pattern, light, and abstraction guides the artist’s depictions of urban and rural landscapes and their inhabitants. It also addresses her role in building and securing the legacy of the post-Revolutionary period, her dialogue with modernist photographers, and her place within the broader cultural sphere, offering new insight into the mutual influence she shared with prominent painters, filmmakers, and literary figures of her time.
Author | : Margarita de Orellana |
Publisher | : |
Total Pages | : 0 |
Release | : 2008 |
Genre | : Architects |
ISBN | : 9789706833396 |
Author | : K. Mitchell Snow |
Publisher | : University Press of Florida |
Total Pages | : 284 |
Release | : 2022-11-29 |
Genre | : Art |
ISBN | : 0813072735 |
Honorable Mention, Latin American Studies Association Mexico Section Best Book in the Humanities A Revolution in Movement is the first book to illuminate how collaborations between dancers and painters shaped Mexico’s postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dance—the emulation of Diaghilev’s Ballets Russes in the 1920s, the adoption of U.S.-style modern dance in the 1940s, and the creation of ballet-inspired folk dance in the 1960s. Snow describes the appearances in Mexico by Russian ballerina Anna Pavlova and Spanish concert dancer Tortóla Valencia, who helped motivate Mexico to express its own national identity through dance. He discusses the work of muralists and other visual artists in tandem with Mexico’s theatrical dance world, including Diego Rivera’s collaborations with ballet composer Carlos Chávez; Carlos Mérida’s leadership of the National School of Dance; José Clemente Orozco’s involvement in the creation of the Ballet de la Ciudad de México; and Miguel Covarrubias, who led the “golden age” of Mexican modern dance. Snow draws from a rich trove of historical newspaper accounts and other contemporary documents to show how these collaborations produced an image of modern Mexico that would prove popular both locally and internationally and continues to endure today.
Author | : Thomas Philip Terry |
Publisher | : |
Total Pages | : 928 |
Release | : 1909 |
Genre | : Mexico |
ISBN | : |