Ekranisasi Awal
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| Author | : Christopher A. Woodrich |
| Publisher | : UGM PRESS |
| Total Pages | : 129 |
| Release | : 2018-05-29 |
| Genre | : Literary Collections |
| ISBN | : 6023862624 |
In the early 20th century, the Dutch East Indies was a colony in flux. Greater access to education meant an increasingly literate financial elite and, thus, a burgeoning literary industry. The lower class, meanwhile, found its entertainment in stage performances—oral literature often loosely adapted from famous novels. The film industry itself was attempting to find a successful formula, and in its early years faced heavy competition from the theatre. Educated women called for women’s rights and protection of women’s welfare as the economy began to transform from one based on the production of raw goods to one based in manufacturing. In this turbulent background, the social act of adapting films from novels emerged. This phenomenon began in 1927 with the adaptation of Eulis Atjih by G. Krugers and ended in 1942—before the Japanese occupation—with the adaptation of Siti Noerbaja by Lie Tek Swie. A total of eleven films were adapted from eight novels in the Indies. Only one author had multiple works adapted, and two novels were adapted more than once. The nine producers and directors involved in adapting novels came from a variety of ethnicities. The works adapted, meanwhile, were generally popular in wide society—though often best known through stage performances and adaptations. The adaptation process from this period has been little understood, yet important for understanding the history of screen adaptations, which are quickly becoming the most lucrative type of film in Indonesia. This exciting new contribution sheds light on the obscure history of film adaptation in Indonesia and lays the groundwork for further research. [UGM Press, UGM, Gadjah Mada University Press]
| Author | : Sigit Prawoto |
| Publisher | : European Alliance for Innovation |
| Total Pages | : 277 |
| Release | : 2022-07-29 |
| Genre | : Social Science |
| ISBN | : 1631903594 |
The goal of ICOLLEC 2021 is to provide an academic forum for disseminating diverse scholarly, analytical, and practical perspectives on the tenets and nexuses through interdisciplinary dialog in the realms of humanities, education, and the arts. The topic for this year is "The Dynamics of Language, Literature, Education, Art, and Culture of a Changing Society in the Age of Disruption." We pledge to capture a vivid portrayal and a picturesque sphere for the various cutting-edge phenomena in language, literature, education, art, and culture. While the contributions and passion shown throughout the conference have far surpassed our expectations. As a result, we are overwhelmed with a sense of triumph and enlightenment. It is a great accomplishment for us to present the conference proceedings as the remembrance of the authors and delegates of ICOLLEC 2021 in a permanent record of what was presented. The proceedings are organized into three sections: language, literature, and culture. We collected 35 remarkable manuscripts in the discussion from around 60 papers presented. Hopefully, you will find it insightful, fascinating, and inspirational. This proceeding also includes two submissions from representatives of notable keynote speakers. For the subtheme in Representation of the Disruption Era in Literature, Prof. Dr. Sharmani Patricia Gabriel has written a piece titled: The Humanities in an Age of Neoliberal Disruption. For the sub-theme of Local Culture in Global Society, Dr. Hippolytus Kewwel, M. Hum., wrote an article entitled: Hermeneutic Dilemma in the Indonesian Interfaith Dialogue Program. Unfortunately, several manuscripts were not accepted due to reviewing results and capacity limits. We would like to extend our sincere gratitude and appreciation to distinguished reviewers for a thorough process in ensuring we obtain exceptional content for manuscripts published in EUDL proceedings. Finally, we would also like to acknowledge, with much appreciation, the organizing committee for their efforts and dedication.
| Author | : Karl G. Heider |
| Publisher | : University of Hawaii Press |
| Total Pages | : 172 |
| Release | : 1991-04-01 |
| Genre | : Performing Arts |
| ISBN | : 9780824813673 |
A film-goer accustomed to the typical Hollywood movie plot would feel uneasy watching an Indonesian movie. Contrary to expectations, good guys do not win, bad guys are not punished, and individuals do not reach a new self-awareness. Instead, by the end of the movie order is restored, bad guys are converted, and families are reunited. Like American movies, Indonesian films reflect the understandings and concerns of the culture and era in which they are made. Thus Indonesian preoccupations with order and harmony, national unity, and modernization motivate the plots of many films. Cinema has not traditionally been within the purview of anthropologists, but Karl Heider demonstrates how Indonesian movies are profoundly Indonesian. Produced in the national language by Indonesians from various regions, the films are intended for audiences across the diverse archipelago. Heider examines these films to identify pan-Indonesian cultural patterns and to show how these cultural principles shape the movies and, sometimes, how the movies influence the culture. This anthropological approach to Indonesian film opens up the medium of Asian cinema to a new group of scholars. "Indonesian Cinema" should be of interest to social scientists, Asianists, film scholars, and anyone concerned with the role of popular culture in developing countries.
| Author | : Gillespie, Marie |
| Publisher | : McGraw-Hill Education (UK) |
| Total Pages | : 216 |
| Release | : 2006-05-01 |
| Genre | : Social Science |
| ISBN | : 0335218865 |
Provides an introduction to analysing media texts. This book with its award winning DVD, helps students learn how to do semiotic, genre and narrative analysis, content and discourse analysis, and engage with debates about the politics of representation.
| Author | : Luitgard Mols |
| Publisher | : |
| Total Pages | : 192 |
| Release | : 2017-07-15 |
| Genre | : History |
| ISBN | : 9789087282592 |
In the late nineteenth and early twentieth century Dutch diplomats, scholars and travellers assembled unique collections in Jeddah, Mecca and Medina. The Dutch presence in Arabia, where they established a consulate in Jeddah, was intimately connected with the supervision of the annual pilgrimage to Mecca from the Netherlands East Indies, present-day Indonesia. Notable guests at this consulate included the formidable Dutch Islamicist Christiaan Snouck Hurgronje, visiting Arabia in 1884-1885. With the invaluable help of local Muslims, Dutch collectors tried to capture the essence of what they regarded as an 'authentic' Oriental culture in a period when Arabia was already looking towards modernity. 0These extensive collections are now preserved at the Leiden Museum of Ethnology (Museum Volkenkunde, est. 1837) and Leiden University (founded 1575). Together, they allow a glimpse into a colourful and vibrant society, one virtually vanished today under ever-growing numbers of pilgrims, changing political and religious allegiances and sudden economic prosperity. 0.
| Author | : Katinka van Heeren |
| Publisher | : BRILL |
| Total Pages | : 253 |
| Release | : 2012-01-01 |
| Genre | : History |
| ISBN | : 9004253475 |
This highly informative book explores the world of Post-Soeharto Indonesian audio-visual media in the exiting era of Reform. From a multidisciplinary approach it considers a wide variety of issues such as mainstream and alternative film practices, ceremonial and independent film festivals, film piracy, history and horror, documentary, television soaps, and Islamic films, as well as censorship from the state and street. Through the perspective of discourses on, and practices of film production, distribution, and exhibition, this book gives a detailed insight into current issues of Indonesia’s social and political situation, where Islam, secular realities, and ghosts on and off screen, mingle or clash.
| Author | : Elsbeth Locher-Scholten |
| Publisher | : Amsterdam University Press |
| Total Pages | : 256 |
| Release | : 2000 |
| Genre | : Social Science |
| ISBN | : 9789053564035 |
Woman and the Colonial State deals with the ambiguous relationship between women of both the European and the Indonesian population and the colonial state in the former Netherlands Indies in the first half of the twentieth century. Based on new data from a variety of sources: colonial archives, journals, household manuals, children's literature, and press surveys, it analyses the women-state relationship by presenting five empirical studies on subjects, in which women figured prominently at the time: Indonesian labour, Indonesian servants in colonial homes, Dutch colonial fashion and food, the feminist struggle for the vote and the intense debate about monogamy of and by women at the end of the 1930s. An introductory essay combines the outcomes of the case studies and relates those to debates about Orientalism, the construction of whiteness, and to questions of modernity and the colonial state formation.
| Author | : Thomas Leitch |
| Publisher | : JHU Press |
| Total Pages | : 369 |
| Release | : 2007-06-15 |
| Genre | : Performing Arts |
| ISBN | : 0801891876 |
Most books on film adaptation—the relation between films and their literary sources—focus on a series of close one-to-one comparisons between specific films and canonical novels. This volume identifies and investigates a far wider array of problems posed by the process of adaptation. Beginning with an examination of why adaptation study has so often supported the institution of literature rather than fostering the practice of literacy, Thomas Leitch considers how the creators of short silent films attempted to give them the weight of literature, what sorts of fidelity are possible in an adaptation of sacred scripture, what it means for an adaptation to pose as an introduction to, rather than a transcription of, a literary classic, and why and how some films have sought impossibly close fidelity to their sources. After examining the surprisingly divergent fidelity claims made by three different kinds of canonical adaptations, Leitch's analysis moves beyond literary sources to consider why a small number of adapters have risen to the status of auteurs and how illustrated books, comic strips, video games, and true stories have been adapted to the screen. The range of films studied, from silent Shakespeare to Sherlock Holmes to The Lord of the Rings, is as broad as the problems that come under review.
| Author | : Deborah Cartmell |
| Publisher | : John Wiley & Sons |
| Total Pages | : 450 |
| Release | : 2014-08-25 |
| Genre | : Literary Criticism |
| ISBN | : 1118917537 |
This is a comprehensive collection of original essays that explore the aesthetics, economics, and mechanics of movie adaptation, from the days of silent cinema to contemporary franchise phenomena. Featuring a range of theoretical approaches, and chapters on the historical, ideological and economic aspects of adaptation, the volume reflects today’s acceptance of intertextuality as a vital and progressive cultural force. Incorporates new research in adaptation studies Features a chapter on the Harry Potter franchise, as well as other contemporary perspectives Showcases work by leading Shakespeare adaptation scholars Explores fascinating topics such as ‘unfilmable’ texts Includes detailed considerations of Ian McEwan’s Atonement and Conrad’s Heart of Darkness
| Author | : Laurie Jo Sears |
| Publisher | : Duke University Press |
| Total Pages | : 372 |
| Release | : 1996 |
| Genre | : Social Science |
| ISBN | : 9780822316961 |
Presenting dialogues between prominent scholars of and from Indonesia and Indonesian women working in professional, activist, religious, and literary domains, the book dissolves essentialist notions of "women" and "Indonesia" that have arisen out of the tensions of empire.
