Eighteenth-Century Women Dramatists

Eighteenth-Century Women Dramatists
Author: Mary Pix
Publisher: Oxford University Press
Total Pages: 449
Release: 2008-11-13
Genre: Drama
ISBN: 0199554811

"First published as an Oxford World's Classics paperback 2001"--T.p

Popular Plays by Women in the Restoration and Eighteenth Century

Popular Plays by Women in the Restoration and Eighteenth Century
Author: Tanya M. Caldwell
Publisher: Broadview Press
Total Pages: 300
Release: 2011-06-30
Genre: Drama
ISBN: 1770482830

This anthology offers a selection of popular dramatic works by female playwrights from Aphra Behn in the 1670s through Hannah Cowley in the later eighteenth century. These plays were successful as plays of their time, not just as plays by women, together providing evidence that women dramatists often managed better than their male counterparts to please diverse audiences, who were notoriously fickle as well as predisposed to oppose them. Accessible to both graduates and undergraduates, Popular Plays by Women shows how these playwrights captured audiences through wit, social awareness, and dramatic dexterity. As well as including the prologues and epilogues of the four plays presented, this anthology provides additional materials in which female playwrights discuss the prejudices and special difficulties they face.

Living by the Pen

Living by the Pen
Author: Cheryl Turner
Publisher: Routledge
Total Pages: 273
Release: 2002-09-11
Genre: Literary Criticism
ISBN: 1134832338

Living by the Pen traces the pattern of the development of women's fiction from 1696 to 1796 and offers an interpretation of its distinctive features. It focuses upon the writers rather than their works, and identifies professional novelists. Through examination of the extra-literary context, and particularly the publishing market, the book asks why and how women earned a living by the pen. Cheryl Turner has researched and lectured widely in the field of eighteenth-century women's writing.

Eighteenth-Century Women Playwrights, vol 1

Eighteenth-Century Women Playwrights, vol 1
Author: Derek Hughes
Publisher: Taylor & Francis
Total Pages: 295
Release: 2024-11-01
Genre: Literary Criticism
ISBN: 1040281192

This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn. It includes the work of Catherine Trotter, Mary Pix, Eliza Haywood and Elizabeth Griffith.

The Matrimonial Trap

The Matrimonial Trap
Author: Laura E. Thomason
Publisher: Bucknell University Press
Total Pages: 217
Release: 2013-12-05
Genre: Literary Criticism
ISBN: 1611485274

Mary Delany’s phrase “the matrimonial trap” illuminates the apprehension with which genteel women of the eighteenth century viewed marriage. These women were generally required to marry in order to secure their futures, yet hindered from freely choosing a husband. They faced marriage anxiously because they lacked the power either to avoid it or to define it for themselves. For some women, the written word became a means by which to exercise the power that they otherwise lacked. Through their writing, they made the inevitable acceptable while registering their dissatisfaction with their circumstances. Rhetoric, exercised both in public and in private, allowed these women to define their identities as individuals and as wives, to lay out and test the boundaries of more egalitarian spousal relationships, and to criticize the traditional marriage system as their culture had defined it.

Eighteenth-century Women Writers and the Gentleman's Liberation Movement

Eighteenth-century Women Writers and the Gentleman's Liberation Movement
Author: Megan A. Woodworth
Publisher: Ashgate Publishing, Ltd.
Total Pages: 242
Release: 2011
Genre: Literary Criticism
ISBN: 1409427803

In her study of late eighteenth-century women novelists, Woodworth argues that women writers' ideas about their own liberty are present not only in their portrayal of heroines but also in their treatment of male characters. She suggests that Frances Burney, Charlotte Smith, Jane West, Maria Edgeworth and Jane Austen all used their creative powers to liberate men from the very institutions and ideas about power, society and gender that promote the subjection of women.

Eighteenth-Century Women Dramatists

Eighteenth-Century Women Dramatists
Author: Mary Pix
Publisher: Oxford University Press
Total Pages: 449
Release: 2008-11-13
Genre: Drama
ISBN: 0192656511

Mary Pix: The Innocent Mistress (1697) Susanna Centlivre: The Busy-Body (1709) Elizabeth Griffith: The Times (1779) Hannah Cowley: The Belle's Stratagem (1780) Oxford English Drama offers plays from the sixteenth to the early twentieth centuries in selections that make available both rarely printed and canonical works. The texts are freshly edited using modern spelling. Critical introductions, wide-ranging annotation, and informative bibliographies illuminate the plays' cultural contexts and theatrical potential for reader and performer alike. 'The series should reshape the canon in a number of signficant areas. A splendid and imaginative project' Professor Anne Barton, Cambridge University ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Professionalization of Women Writers in Eighteenth-Century Britain

The Professionalization of Women Writers in Eighteenth-Century Britain
Author: Betty A. Schellenberg
Publisher: Cambridge University Press
Total Pages: 388
Release: 2005-06-16
Genre: Literary Criticism
ISBN: 1107320801

The Professionalisation of Women Writers in Eighteenth Century Britain is a full study of a group of women who were actively and ambitiously engaged in a range of innovative publications at the height of the eighteenth century. Using personal correspondence, records of contemporary reception, research into contemporary print culture and sociological models of professionalisation, Betty A. Schellenberg challenges oversimplified assumptions of women's cultural role in the period, focusing on those women who have been most obscured by literary history, including Frances Sheridan, Frances Brooke, Sarah Fielding and Charlotte Lennox.

Eighteenth-Century Authorship and the Play of Fiction

Eighteenth-Century Authorship and the Play of Fiction
Author: Emily Hodgson Anderson
Publisher: Routledge
Total Pages: 370
Release: 2009-05-15
Genre: Literary Criticism
ISBN: 1135838682

This study looks at developments in eighteenth-century drama that influenced the rise of the novel; it begins by asking why women writers of this period experimented so frequently with both novels and plays. Here, Eliza Haywood, Frances Burney, Elizabeth Inchbald, Maria Edgeworth, and Jane Austen explore theatrical frames--from the playhouse, to the social conventions of masquerade, to the fictional frame of the novel itself—that encourage audiences to dismiss what they contain as feigned. Yet such frames also, as a result, create a safe space for self-expression. These authors explore such payoffs both within their work—through descriptions of heroines who disguise themselves to express themselves—and through it. Reading the act of authorship as itself a form of performance, Anderson contextualizes the convention of fictionality that accompanied the development of the novel; she notes that as the novel, like the theater of the earlier eighteenth century, came to highlight its fabricated nature, authors could use it as a covert yet cathartic space. Fiction for these authors, like theatrical performance for the actor, thus functions as an act of both disclosure and disguise—or finally presents self-expression as the ability to oscillate between the two, in "the play of fiction."

Women Writers and Old Age in Great Britain, 1750-1850

Women Writers and Old Age in Great Britain, 1750-1850
Author: Devoney Looser
Publisher: JHU Press
Total Pages: 253
Release: 2008-08-01
Genre: Literary Criticism
ISBN: 0801887054

This groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century. Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim -- despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions. Though these remarkable women wrote and published well into old age, Looser sees in their late careers the necessity of choosing among several different paths. These included receding into the background as authors of "classics," adapting to grandmotherly standards of behavior, attempting to reshape masculinized conceptions of aged wisdom, or trying to create entirely new categories for older women writers. In assessing how these writers affected and were affected by the culture in which they lived, and in examining their varied reactions to the prospect of aging, Looser constructs careful portraits of each of her Subjects and explains why many turned toward retrospection in their later works. In illuminating the powerful and often poorly recognized legacy of the British women writers who spurred a marketplace revolution in their earlier years only to find unanticipated barriers to acceptance in later life, Looser opens up new scholarly territory in the burgeoning field of feminist age studies.