Eighteenth Century French Lifedrawing
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French Genre Painting in the Eighteenth Century
Author | : Philip Conisbee |
Publisher | : Ngw-Stud Hist Art |
Total Pages | : 328 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
"Fifteen international scholars present their latest research into the contexts and meanings of French genre painting of the eighteenth century, from Jean-Antoine Watteau to Louis-Leopold Boilly. The essays represent a wide range of critical and historical perspectives, from traditional archival research to postructuralist criticism."--Page 4 de la couverture
Artists and Amateurs
Author | : Perrin Stein |
Publisher | : Yale University Press |
Total Pages | : 247 |
Release | : 2013-10-29 |
Genre | : Art |
ISBN | : 0300197004 |
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 1, 2013-January 5, 2014.
Eighteenth-century French Drawings in New York Collections
Author | : Perrin Stein |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 257 |
Release | : 1999 |
Genre | : Drawing |
ISBN | : 0870998927 |
Henri Bertin and the Representation of China in Eighteenth-Century France
Author | : John Finlay |
Publisher | : Routledge |
Total Pages | : 227 |
Release | : 2020-07-09 |
Genre | : Art |
ISBN | : 1315467356 |
This is an in-depth study of the intellectual, technical, and artistic encounters between Europe and China in the late eighteenth century, focusing on the purposeful acquisition of information and images that characterized a direct engagement with the idea of "China." The central figure in this story is Henri-Léonard Bertin (1720–1792), who served as a minister of state under Louis XV and, briefly, Louis XVI. Both his official position and personal passion for all things Chinese placed him at the center of intersecting networks of like-minded individuals who shared his ideal vision of China as a nation from which France had much to learn. John Finlay examines a fascinating episode in the rich history of cross-cultural exchange between China and Europe in the early modern period, and this book will be an important and timely contribution to a very current discussion about Sino-French cultural relations. This book will be of interest to scholars in art history, visual culture, European and Chinese history.
Enlightened Animals in Eighteenth-Century Art
Author | : Sarah Cohen |
Publisher | : Bloomsbury Publishing |
Total Pages | : 273 |
Release | : 2021-02-11 |
Genre | : Art |
ISBN | : 1350203602 |
How do our senses help us to understand the world? This question, which preoccupied Enlightenment thinkers, also emerged as a key theme in depictions of animals in eighteenth-century art. This book examines the ways in which painters such as Chardin, as well as sculptors, porcelain modelers, and other decorative designers portrayed animals as sensing subjects who physically confirmed the value of material experience. The sensual style known today as the Rococo encouraged the proliferation of animals as exemplars of empirical inquiry, ranging from the popular subject of the monkey artist to the alchemical wonders of the life-sized porcelain animals created for the Saxon court. Examining writings on sensory knowledge by La Mettrie, Condillac, Diderot and other philosophers side by side with depictions of the animal in art, Cohen argues that artists promoted the animal as a sensory subject while also validating the material basis of their own professional practice.
Femininity and Masculinity in Eighteenth-century Art and Culture
Author | : Gillian Perry |
Publisher | : Manchester University Press |
Total Pages | : 276 |
Release | : 1994 |
Genre | : Arts, Modern |
ISBN | : 9780719042287 |
Focusing on the visual arts and written texts, this book explores the nature of femininity and masculinity in 18th-century Britain and France. The activities and collective conditions of women as producers of art and culture are investigated, together with analysis of representation and the ways in which it might be gendered. This illustrated book should make an important contribution to debates on representation, constructions of sexuality and women as producers.
Eighteenth-century French Life-drawing
Author | : James Henry Rubin |
Publisher | : Princeton University Press |
Total Pages | : 103 |
Release | : 1977-01-01 |
Genre | : Drawing |
ISBN | : 9780691039268 |
The Male Nude
Author | : Emmanuelle Brugerolles |
Publisher | : Paul Holberton Publishing |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Drawing, French |
ISBN | : 9780900785689 |
"Painting in eighteenth century France was centered on the Acad©♭mie Royale de Peinture et de Sculpture in Paris, where the drawing of the male human figure was at the core of the curriculum. Only after mastering the copying of drawings and engravings, and then casts of antique sculptures, would the student be allowed to progress to drawing the nude figure in the life class. Made by the finest artists of the time, competing to show off their virtuosity, these 'academies', as they were known, are essential to the history of French art. Accompanying an exhibition at the Wallace Collection, this publication includes remarkable drawings by Rigaud, Boucher, Nattier, Pierre, Carle van Loo, Gros and Jean-Baptiste Isabey. All the drawings have been generously lent by the ©9cole nationale sup©♭rieure des Beaux-Arts, Paris."--Page 4 de la couverture.
Watteau and the Cultural Politics of Eighteenth-Century France
Author | : Julie Anne Plax |
Publisher | : Cambridge University Press |
Total Pages | : 274 |
Release | : 2000-08-15 |
Genre | : Art |
ISBN | : 9780521642682 |
In Watteau and the Cultural Politics of Eighteenth-Century France, Julie Anne Plax engages in an interdisciplinary examination of several categories of Watteau's paintings--theatrical, military, fetes, and the art dealer. Arguing that Watteau consistently applied coherent strategies of representation aimed at subverting high art, she shows how his paintings toyed ironically with conventions and genres and confounded traditional categories. Plax connects these strategies to broader cultural themes and political issues that Watteau's art addressed throughout his career, thereby revealing the substantial unity of his oeuvre.