Eighteenth Century French Furniture Objets Dart Ebenisterie Of The Louis Xiv Regence Louis Xv Louis Xvi Periods Carvings In Ivory Agate Jade Porcelains Other Objects
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Author | : Inc Anderson Galleries |
Publisher | : Hassell Street Press |
Total Pages | : 66 |
Release | : 2021-09-09 |
Genre | : |
ISBN | : 9781014501615 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Anderson Galleries, Inc |
Publisher | : |
Total Pages | : 49 |
Release | : 1928 |
Genre | : |
ISBN | : |
Author | : Gillian Wilson |
Publisher | : Getty Publications |
Total Pages | : 289 |
Release | : 2002-03-07 |
Genre | : Design |
ISBN | : 089236632X |
J. Paul Getty had a passion for the exquisitely made furniture and decorative objects of eighteenth-century France, which he began collecting in the 1930s. Gillian Wilson, curator of decorative arts since 1971, has broadened and strengthened the collection, adding Boulle furniture, mounted oriental porcelain, tapestries, clocks, ceramics, and more. In the 1980s and 1990s the Museum continued to enlarge its decorative arts holdings, creating a European sculpture department in 1984 and adding glass, maiolica, goldsmiths’ work, pietre dure, and furniture from Italy and Northern Europe. This book is a revised and expanded edition of Decorative Arts: An Illustrated Summary Catalogue of the Collection of the J. Paul Getty Museum (1993). In addition to more than forty recent acquisitions—among these four wall sconces from Versailles that once belonged to Marie Antoinette and an elaborate upholstered bed from the collection of Karl Lagerfeld—it includes the results of years of research. Designed for scholars, students, and devotees of the decorative arts, this volume provides a comprehensive look at the Getty's fine collection.
Author | : Patricia Spencer-Silver |
Publisher | : |
Total Pages | : 412 |
Release | : 1993 |
Genre | : Biography & Autobiography |
ISBN | : |
George Myers was one of the great Master Builders of the Victorian Age. Born in 'Hull in 1803, he gained renown as 'Pugin's Builder' and - from his workshops in Hull and then in London - directed a nationwide contracting business. Myers executed many of Pugin's buildings, such as cathedrals in Newcastle, Birmingham, Nottingham and Southwark and the Medieval Court for the Great Exhibition of 1851. In fact Myers undertook work for nearly 100 other architects. This included the original camp at Aldershot, military hospitals and the Staff College, Broadmoor Hospital and restoration work at the Guildhall, the Towers of London, Windsor Castle and extensive work for the Rothschilds. He died in London in 1875. This book, based on original research, provides a fascinating account of mid-19th century England and some of its most interesting figures. It contains hitherto unpublished drawings by Pugin.
Author | : Jean Paul Getty |
Publisher | : Getty Publications |
Total Pages | : 90 |
Release | : 2011 |
Genre | : Antiques & Collectibles |
ISBN | : 1606060872 |
Originally published: New York: Hawthorn Books, 1965.
Author | : Wend Graf Kalnein |
Publisher | : Yale University Press |
Total Pages | : 317 |
Release | : 1995-01-01 |
Genre | : Architecture |
ISBN | : 0300060130 |
Architecture in France in the Eighteenth Century Wend von Kalnein French architecture of the eighteenth century - which exhibited great technical ability and refined taste - influenced architectural style throughout Europe. This handsome book is a survey of the French architecture of the period. It begins with the origins of the 'style moderne' under the last years of Louis XIV, discusses the end of Rococo and the return to antiquity, and concludes with the Revolutionary architecture and the house of Madame Récamier. Kalnein describes the development of palace and hôtel architecture by the two great architects de Cotte and Boffrand, discussing such large urban projects as the reconstruction of Rennes and the Places Royales. He traces the return to antiquity (which began when the scholars of the Académie d'Architecture were sent to Rome), the revolutionary architecture with its grand, but never executed, projects, and the shift from neoclassicism to early romanticism. Kalnein also examines the decorative arts of the period, which became even more important than architecture in the Rococo period. Focusing on such architects as Boffrand, Gabriel, and Redoux, he shows how a study of their building decoration illuminates the evolution of 'style moderne,' the battle between Rococo and Neoclassicism, and the dissemination of French styles throughout Europe.
Author | : Pierre Verlet |
Publisher | : University of Virginia Press |
Total Pages | : 390 |
Release | : 1991 |
Genre | : Antiques & Collectibles |
ISBN | : |
The late Pierre Verlet, conservateur en chef du Departement des Objets d'Art at the Louvre, was the unquestioned expert on pre-Revolutionary French decorative arts. His definitive book French Furniture of the 18th Century (Les Meubles Francais du XVIIIe Siecle) has now been translated into English for the first time by Penelope Hunter-Stiebel, noted specialist in 18th century French furniture and former student of Verlet. The book contains a vast amount of information on the art of furniture in 18th century France. It examines the tools and techniques used in furniture making during that period; defines the various types of furniture developed; explores the organisation of the furniture industry, the working of the guilds and the relationships among makers, dealers, and clients; lists the outstanding makers and reproduces their marks; and discusses the market, restoration, forgeries, and the growth of public collections. Since the book was first published in 1955, previously unknown pieces of furniture have been discovered, and new documents and analyses have been taken into account in this augmented text.The book is enhanced by 16 pages of full colour and 174 black-and-white illustrations. The illustrations range broadly to allow for the juxtaposition of elegant and simple furniture and to include a variety of types, forms and decorations. This book is a valuable research tool for all curators, collectors, dealers, and art historians.
Author | : Charles B. Wrightsman |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 478 |
Release | : 1966 |
Genre | : Art |
ISBN | : 0870990128 |
Volume Five: This catalogue of a private collection includes works by such artists as Vermeer, Rubens, Renoir, La Tour, the Tiepolos, El Greco, Canaletto, and Van Dyck. -- Metropolitan Museum of Art website.
Author | : Hugh Honour |
Publisher | : London : Weidenfeld and Nicolson |
Total Pages | : 320 |
Release | : 1971 |
Genre | : Art metal-workers |
ISBN | : 9780297003441 |
Studies of 50 goldsmiths and silversmiths from 10 countries and 11 centuries.
Author | : Peter Fusco |
Publisher | : Getty Publications |
Total Pages | : 130 |
Release | : 1997-11-13 |
Genre | : Art |
ISBN | : 0892365137 |
The J. Paul Getty Museum’s collection of European sculpture featured in this volume ranges in date from the late fifteenth century to the very early twentieth and includes a wide variety of media: marble, bronze, alabaster, terracotta, plaster, wood, ivory, and gold. The earliest sculpture represented is the mysterious Saint Cyricus by Francesco Laurana; the latest is a shield-like portrait of Medusa by the eccentric Italian sculptor Vincenzo Gemito. Among the more than forty works included in this handsomely illustrated volume are sculptures by Antico (Bust of a Young Man); Cellini (a Satyr designed for Fontainebleau); Giambologna (a Female Figure that may represent Venus); Bernini (Boy with a Dragon); and Carpeaux (Bust of Jean-Léon Gérôme). Well represented here is the Museum’s splendid collection of Mannerist and early Baroque bronzes, including such masterpieces as Johann Gregor van der Schardt’s Mercury and two superb works by Adriaen de Vries: Juggling Man and Rearing Horse. These works are indicative of the extraordinary quality of the J. Paul Getty Museum’s collection of post-Classical European sculpture.