Eighteenth Century French Furniture
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Author | : Pierre Verlet |
Publisher | : University of Virginia Press |
Total Pages | : 390 |
Release | : 1991 |
Genre | : Antiques & Collectibles |
ISBN | : |
The late Pierre Verlet, conservateur en chef du Departement des Objets d'Art at the Louvre, was the unquestioned expert on pre-Revolutionary French decorative arts. His definitive book French Furniture of the 18th Century (Les Meubles Francais du XVIIIe Siecle) has now been translated into English for the first time by Penelope Hunter-Stiebel, noted specialist in 18th century French furniture and former student of Verlet. The book contains a vast amount of information on the art of furniture in 18th century France. It examines the tools and techniques used in furniture making during that period; defines the various types of furniture developed; explores the organisation of the furniture industry, the working of the guilds and the relationships among makers, dealers, and clients; lists the outstanding makers and reproduces their marks; and discusses the market, restoration, forgeries, and the growth of public collections. Since the book was first published in 1955, previously unknown pieces of furniture have been discovered, and new documents and analyses have been taken into account in this augmented text.The book is enhanced by 16 pages of full colour and 174 black-and-white illustrations. The illustrations range broadly to allow for the juxtaposition of elegant and simple furniture and to include a variety of types, forms and decorations. This book is a valuable research tool for all curators, collectors, dealers, and art historians.
Author | : Giacomo Wannenes |
Publisher | : |
Total Pages | : 0 |
Release | : 2000 |
Genre | : Furniture |
ISBN | : 9780970016805 |
This guide discusses the period from the Regence to Neoclassicism. Its clear language and comprehensive coverage enables newcomers to identify the differenc styles at once with all the assurance of an expert. Giacomo Wannenes examines over a thousand pieces used in their construction, decorative elements, marquetry and stylistic variations. For each piece he provides an overall valuation taking account of both its commercial and aesthetic worth He also considers the problem of fakes, describing the tricks, modifications and copies that may deceive even the most keen of collectors.
Author | : Dena Goodman |
Publisher | : Taylor & Francis |
Total Pages | : 262 |
Release | : 2007 |
Genre | : Art |
ISBN | : 041594953X |
Author | : Harold Koda |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 130 |
Release | : 2006 |
Genre | : Clothing and dress |
ISBN | : 0300107145 |
An alluring look at the relationship of clothing and interior design in 18th-century France
Author | : John Whitehead |
Publisher | : Penguin Putnam |
Total Pages | : 264 |
Release | : 1993 |
Genre | : Architecture |
ISBN | : |
Author | : Gillian Wilson |
Publisher | : J. Paul Getty Museum |
Total Pages | : 0 |
Release | : 2021-03-30 |
Genre | : Design |
ISBN | : 9781606066300 |
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
Author | : Mary L. Myers |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 258 |
Release | : 1991 |
Genre | : Architectural drawing |
ISBN | : 0870996258 |
Author | : Yannick Chastang |
Publisher | : |
Total Pages | : 126 |
Release | : 2001 |
Genre | : Antiques & Collectibles |
ISBN | : |
Essential general survey for enthusiasts and specialist alike. Superb colour illustrations. Will provide many insights to the neglected area of art history
Author | : Madeleine Dobie |
Publisher | : Cornell University Press |
Total Pages | : 356 |
Release | : 2010 |
Genre | : History |
ISBN | : 9780801476099 |
Dobie explores the place of the colonial world in the culture of the French Enlightenment, tracing the displacement of colonial questions onto two familiar aspects of Enlightenment thought: Orientalism and fascination with Amerindian cultures.
Author | : Daniëlle O. Kisluk-Grosheide, |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 300 |
Release | : 2006-05-30 |
Genre | : Design |
ISBN | : 0300104847 |
This beautifully produced volume is the first to survey the Metropolitan Museum's world-renowned collection of European furniture. One hundred and three superb examples from the Museum's vast holdings are featured. They originated in workshops in England, France, Germany, Italy, the Netherlands, Austria, Russia, or Spain and date from the Renaissance to the late nineteenth century. A number of them belonged to such important historical figures as Pope Urban VIII, Louis XIV, Madame de Pompadour, and Napoleon. The selection includes chairs, tables, beds, cabinets, commodes, settees and sofas, bookcases and standing shelves, desks, fire screens, athéniennes, coffers, chests, mirrors and frames, showcases, and lighting equipment. There is also one purely decorative piece, a superb vase made for a Russian noble family who, according to one awestruck viewer, "owned all the malachite mines in the world." The makers of some of the objects are unknown, but most of the pieces can be identified by label, documentation, or style as the work of an outstanding European designer-craftsman, such as André-Charles Boulle, Thomas Chippendale, David Roentgen, or Karl Friedrich Schinkel.