A History of Eighteenth-Century British Literature

A History of Eighteenth-Century British Literature
Author: John Richetti
Publisher: John Wiley & Sons
Total Pages: 429
Release: 2017-10-05
Genre: Literary Criticism
ISBN: 1119082129
GET BOOK

A History of Eighteenth-Century British Literature is a lively exploration of one of the most diverse and innovative periods in literary history. Capturing the richness and excitement of the era, this book provides extensive coverage of major authors, poets, dramatists, and journalists of the period, such as Dryden, Pope and Swift, while also exploring the works of important writers who have received less attention by modern scholars, such as Matthew Prior and Charles Churchill. Uniquely, the book also discusses noncanonical, working-class writers and demotic works of the era. During the eighteenth-century, Britain experienced vast social, political, economic, and existential changes, greatly influencing the literary world. The major forms of verse, poetry, fiction and non-fiction, experimental works, drama, and political prose from writers such as Montagu, Finch, Johnson, Goldsmith and Cowper, are discussed here in relation to their historical context. A History of Eighteenth-Century British Literature is essential reading for advanced undergraduates and graduate students of English literature. Topics covered include: Verse in the early 18th century, from Pope, Gay, and Swift to Addison, Defoe, Montagu, and Finch Poetry from the mid- to late-century, highlighting the works of Johnson, Gray, Collins, Smart, Goldsmith, and Cowper among others, as well as women and working-class poets Prose Fiction in the early and 18th century, including Behn, Haywood, Defoe, Swift, Richardson, Fielding, and Smollett The novel past mid-century, including experimental works by Johnson, Sterne, Mackenzie, Walpole, Goldsmith, and Burney Non-fiction prose, including political and polemical prose 18th century drama

Eighteenth-Century British Literature and Postcolonial Studies

Eighteenth-Century British Literature and Postcolonial Studies
Author: Suvir Kaul
Publisher: Edinburgh University Press
Total Pages: 208
Release: 2009-02-25
Genre: Literary Criticism
ISBN: 0748634568
GET BOOK

'This book convincingly challenges both the extremely short historical memory of most postcolonial work and the all-too-insularly English world still conjured by period specialists. Hogarthian whores and Grub Street hacks, coffee houses and fashionable pastimes, and the burgeoning of print culture all stand revealed as intimately bound to portents of plantation insurgency, agitation for abolition, and the vast fortunes produced by the labouring bodies of the poor, the colonized, and the enslaved. Eighteenth-century studies has never appeared in a more engaged and fascinating light.'Professor Donna Landry, University of KentIn this volume Suvir Kaul addresses the relations between literary culture, English commercial and colonial expansion, and the making of 'Great Britain' in the late seventeenth and eighteenth centuries. He argues that literary writing played a crucial role in generating the vocabulary of British nationalism, both in inter-national terms and in attempts to realign political and cultural relations between England, Scotland, and Ireland. The formal innovations and practices characteristic of eighteenth-century English literature were often responses to the worlds brought into view by travel writers, merchants, and colonists. Writers (even those suspicious of mercantile and colonial expansion) worked with a growing sense of a 'national literature' whose achievements would provide the cultural capital adequate to global imperial power, and would distinguish Great Britain for its twin success in 'arms and arts'. The book ranges from Davenant's theatre to Smollet's Roderick Random to Phillis Wheatley's poetry to trace the impact of empire on literary creativity.Key Features*An introduction to the impact of mercantilism and empire on the crafting of eighteenth-century British literature*Encourages students to examine the key formal innovations that define eighteenth-century British literary history as they were produced by writers who redefined

Literary Historicity

Literary Historicity
Author: Ruth Mack
Publisher: Stanford University Press
Total Pages: 241
Release: 2009
Genre: Literary Criticism
ISBN: 0804759111
GET BOOK

Literary Historicity explores how eighteenth-century British writers considered the past as an aspect of experience. Mack moves between close examinations of literature, historiography, and recent philosophical writing on history, offering a new view of eighteenth-century philosophies of history in Britain. Such philosophies, she argues, could be important literarily without being focused, as has been assumed, on questions of fact and fiction. Eighteenth-century writers—like many twentieth-century philosophers—often used literary form not in order to exhibit a work's fictional status but in order to consider what the relation between the past and present might be. Literary Historicity portrays a British Enlightenment that both embraces the possibility of historical experience and interrogates the terms for such experience, one deeply engaged with historical consciousness not as an inevitability of the modern world, but as something to be understood within it.

Novel Beginnings

Novel Beginnings
Author: Patricia Meyer Spacks
Publisher: Yale University Press
Total Pages: 320
Release: 2008-10-01
Genre: Literary Criticism
ISBN: 0300128339
GET BOOK

In this study intended for general readers, eminent critic Patricia Meyer Spacks provides a fresh, engaging account of the early history of the English novel. Novel Beginnings departs from the traditional, narrow focus on the development of the realistic novel to emphasize the many kinds of experimentation that marked the genre in the eighteenth century before its conventions were firmly established in the nineteenth. Treating well-known works like Tom Jones and Tristram Shandy in conjunction with less familiar texts such as Sarah Fielding’s The Cry (a kind of hybrid novel and play) and Jane Barker’s A Patch-Work Screen for the Ladies (a novel of adventure replete with sentimental verse and numerous subnarratives), the book evokes the excitement of a multifaceted and unpredictable process of growth and change. Investigating fiction throughout the 1700s, Spacks delineates the individuality of specific texts while suggesting connections among novels. She sketches a wide range of forms and themes, including Providential narratives, psychological thrillers, romans à clef, sentimental parables, political allegories, Gothic romances, and many others. These multiple narrative experiments show the impossibility of thinking of eighteenth-century fiction simply as a precursor to the nineteenth-century novel, Spacks shows. Instead, the vast variety of engagements with the problems of creating fiction demonstrates that literary history—by no means inexorable—might have taken quite a different course.

The Printed Reader

The Printed Reader
Author: Amelia Dale
Publisher: Rutgers University Press
Total Pages: 231
Release: 2019-06-21
Genre: Literary Criticism
ISBN: 168448104X
GET BOOK

Shortlisted for the 2021 BARS First Book Prize (British Association for Romantic Studies)​ The Printed Reader explores the transformative power of reading in the eighteenth century, and how this was expressed in the fascination with Don Quixote and in a proliferation of narratives about quixotic readers, readers who attempt to reproduce and embody their readings. Through intersecting readings of quixotic narratives, including work by Charlotte Lennox, Laurence Sterne, George Colman, Richard Graves, and Elizabeth Hamilton, Amelia Dale argues that literature was envisaged as imprinting—most crucially, in gendered terms—the reader’s mind, character, and body. The Printed Reader brings together key debates concerning quixotic narratives, print culture, sensibility, empiricism, book history, and the material text, connecting developments in print technology to gendered conceptualizations of quixotism. Tracing the meanings of quixotic readers’ bodies, The Printed Reader claims the social and political text that is the quixotic reader is structured by the experiential, affective, and sexual resonances of imprinting and impressions. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Words, Books, Images, and the Long Eighteenth Century

Words, Books, Images, and the Long Eighteenth Century
Author: Antoinina Bevan Zlatar
Publisher: John Benjamins Publishing Company
Total Pages: 270
Release: 2021-12-15
Genre: Literary Criticism
ISBN: 9027258449
GET BOOK

The essays collected in this volume engage in a conversation among lexicography, the culture of the book, and the canonization and commemoration of English literary figures and their works in the long eighteenth century. The source of inspiration for each piece is Allen Reddick’s scholarship on Samuel Johnson (1709-1784), the great English lexicographer whose Dictionary (1755) included thousands upon thousands of illustrative quotations from the “best” authors, and, more recently, on Thomas Hollis (1720-1774), the much less well-known bibliophile who sent gifts of books by a pantheon of Whig authors to individuals and libraries in Britain, Protestant bastions in continental Europe, and America. Between the covers of Words, Books, Images readers will encounter canonical English authors of prose and poetry—Bacon, Milton, Defoe, Dryden, Pope, Richardson, Swift, Byron, Mary Shelley, and Edward Lear. But they will also become acquainted with the agents of their canonization and commemoration—the printers and publishers of Grub Street, the biographer John Aubrey, the lexicographer and biographer Johnson, the bibliophile Hollis, and the portrait painter Reynolds. No less crucially, they will meet fellow readers of then and now—women and men who peruse, poach, snip, and savour a book’s every word and image.

Strange Vernaculars

Strange Vernaculars
Author: Janet Sorensen
Publisher: Princeton University Press
Total Pages: 349
Release: 2017-06-06
Genre: Literary Criticism
ISBN: 1400885167
GET BOOK

How vocabularies once associated with outsiders became objects of fascination in eighteenth-century Britain While eighteenth-century efforts to standardize the English language have long been studied—from Samuel Johnson's Dictionary to grammar and elocution books of the period—less well-known are the era's popular collections of odd slang, criminal argots, provincial dialects, and nautical jargon. Strange Vernaculars delves into how these published works presented the supposed lexicons of the "common people" and traces the ways that these languages, once shunned and associated with outsiders, became objects of fascination in printed glossaries—from The New Canting Dictionary to Francis Grose's Classical Dictionary of the Vulgar Tongue—and in novels, poems, and songs, including works by Daniel Defoe, John Gay, Samuel Richardson, Robert Burns, and others. Janet Sorensen argues that the recognition and recovery of outsider languages was part of a transition in the eighteenth century from an aristocratic, exclusive body politic to a British national community based on the rhetoric of inclusion and liberty, as well as the revaluing of a common British past. These representations of the vernacular made room for the "common people" within national culture, but only after representing their language as "strange." Such strange and estranged languages, even or especially in their obscurity, came to be claimed as British, making for complex imaginings of the nation and those who composed it. Odd cant languages, witty slang phrases, provincial terms newly valued for their connection to British history, or nautical jargon repurposed for sentimental connections all toggle, in eighteenth-century jest books, novels, and poems, between the alluringly alien and familiarly British. Shedding new light on the history of the English language, Strange Vernaculars explores how eighteenth-century British literature transformed the patois attributed to those on the margins into living symbols of the nation. Examples of slang from Strange Vernaculars bum-boat woman: one who sells bread, cheese, greens, and liquor to sailors from a small boat alongside a ship collar day: execution day crewnting: groaning, like a grunting horse gentleman's companion: lice gingerbread-work: gilded carvings of a ship's bow and stern luggs: ears mort: a large amount thraw: to argue hotly and loudly

A Reference Guide for English Studies

A Reference Guide for English Studies
Author: Michael J. Marcuse
Publisher: Univ of California Press
Total Pages: 872
Release: 1990-01-01
Genre: Literary Criticism
ISBN: 9780520051614
GET BOOK

This ambitious undertaking is designed to acquaint students, teachers, and researchers with reference sources in any branch of English studies, which Marcuse defines as "all those subjects and lines of critical and scholarly inquiry presently pursued by members of university departments of English language and literature.'' Within each of 24 major sections, Marcuse lists and annotates bibliographies, guides, reviews of research, encyclopedias, dictionaries, journals, and reference histories. The annotations and various indexes are models of clarity and usefulness, and cross references are liberally supplied where appropriate. Although cost-conscious librarians will probably consider the several other excellent literary bibliographies in print, such as James L. Harner's Literary Research Guide (Modern Language Assn. of America, 1989), larger academic libraries will want Marcuse's volume.-- Jack Bales, Mary Washington Coll. Lib., Fredericksburg, Va. -Library Journal.