Wilfred Edward Davison Correspondence

Wilfred Edward Davison Correspondence
Author: William Edward Davison
Publisher:
Total Pages:
Release: 1920
Genre: Authors and publishers
ISBN:

This collection contains 8 folders with correspondence between Wilfred Davison and different American writers and academics. There are 55 letters in total, dating from December 27th, 1920 to May 2nd, 1929.

Breathing Room

Breathing Room
Author: Peter Davison
Publisher: Knopf
Total Pages: 109
Release: 2012-07-11
Genre: Poetry
ISBN: 0307824500

"Peter Davison, for years, has pondered with clear insight the perspectives of affection, attachment, loss, and memory, his language spare and his tone classical and deceptively quiet. The poems of this new collection look at the same world with surprise and speak of it with a startled and startling freedom, feeling 'entitled to / the liberty of breathing easy'--a freedom that brings with it the old clarity and eloquence." --W. S. Merwin The poems in Peter Davison's exuberant new collection contemplate the paradox of growing old--of having a mind still "a juicy swamp of invention" in a body beginning to falter. Both intimate and generous, these poems celebrate the cycle of the seasons, of death and rebirth: snapping turtles lay their eggs and new ones hatch; a ruffed grouse drums his spring mating dance. Memory is central: a mother's lost face; a father's voice that "plumbed the marrow of poetry as tenderly / as if a darling had crept into his arms"; a wife's "rueful eyes, cornflower blue." And the poet pays tribute to the literary life--to reading, to the precise moment a word rises to consciousness, to getting over Robert Frost, to the mind of Sylvia Plath. These are poems that expand time for us and deepen place, whether Davison is taking us on a path along a limestone cliff under canopies of holly and ivy, or is revisiting the instant while recovering from surgery when it becomes clear he is going to heal. "To learn poetry," Davison writes in his foreword, "we need to take poems into our breath and blood, and that requires us to hear them as we read them, to learn to read with all the senses, especially with the ear." Breathing Room gives us a splendid array of poems that we want to read with all our senses.

The Great Ledge

The Great Ledge
Author: Peter Davison
Publisher: Knopf
Total Pages: 79
Release: 2013-05-22
Genre: Poetry
ISBN: 0307833003

James Dickey, in reviewing Peter Davison's last book, Praying Wrong: New and Selected Poems, 1957-1984, said, ' Davison will not let things break him. His voice is his; he has earned it and can use it, and as a result is surely one of our better poets.' That sense of this poet's singularity is one of the great strengths of this new book; these deeply felt poems are uniquely his. From the almost unbearably moving 'Equinox 1980, ' which opens the book, to the delightful 'Peaches, ' The Great Ledge confirms the remark of Vernon Young that Davison is 'one of the few poets of the first order writing in English today.'

In This Dark House

In This Dark House
Author: Louise Kehoe
Publisher: Schocken
Total Pages: 240
Release: 2010-01-13
Genre: Biography & Autobiography
ISBN: 0307557057

In 1939 the influential architect Berthold Lubetkin abruptly left his thriving career in London and dropped out of sight, moving with his wife to a desolate farm in rural Glucestershire. Life in the house the Lubetkins named “World’s End was far from idyllic for their three children. Louise Kehoe and her siblings lived in an atmosphere of oppressive isolation, while their tyrannical father—at times charming and witty but usually a terrorist in a self-styled Stalinist hell—badgered and belittled them during his fits of self-loathing. Even his true identity remained an enigma. That secret was never divulged during her father’s lifetime, but Louise’s quest to unearth its origins—her relentless piecing together of the clues she found after his death—is a remarkable story, written with extraordinary grace, style, and imagination, of an identity and a heritage lost and found.

Living in Color: What's Funny About Me

Living in Color: What's Funny About Me
Author: Tommy Davidson
Publisher: Kensington
Total Pages: 274
Release: 2020-01-28
Genre: Biography & Autobiography
ISBN: 1496712943

In 1990, Tommy Davidson burst onto the scene in the Emmy Award-winning show In Living Color, a pioneering sketch comedy show, featuring a multi-racial cast of actors and dancers who spoke to an underrepresented new generation created by Hip Hop Nation. A story of black excellence, in this revealing memoir, Tommy shares his unique perspective on making it in Hollywood, being an integral part of television history, on fame and family, and on living a life that has never been black and white—just funny and true . . . Abandoned as an infant on the streets of Greenville, Mississippi, and rescued by a loving white family, Tommy Davidson spent most of his childhood unaware that he was different from his brother and sister. All that changed as he came of age in a society of racial barriers—ones that he was soon to help break. On a fledgling network, Tommy joined the cast of In Living Color, alongside other relative newcomers including Jim Carrey, Rosie Perez, Jamie Foxx and Jennifer Lopez—all united by an ingenious throng of Wayans siblings (Keenen, Damon, Kim, Shawn, and Marlon), poised to break new ground. Now Tommy gives readers the never-before-told behind-the-scenes story of the first show born of the Hip Hop Nation: from its incredible rise, to his own creation of such unforgettable characters as Sweet Tooth Jones and dead-on impressions of Sammy Davis, Jr., Michael Jackson, M.C. Hammer and Sugar Ray Leonard, and appearing in such classic sketches as “Homie The Clown,” the “Hey Mon, family,” and the unforgettable “Ugly Woman,” through guest-star skirmishes (and black eyes) to backstage tensions and the eventual fall of this pop-culture touchstone. He reveals his own nascent career on the stand-up circuit with Adam Sandler, Jerry Seinfeld, Louie Anderson and performing with Eddie Murphy and Richard Pryor, as well as reflections on working with Spike Lee, Halle Berry, Sam Jackson, Chris Rock and Jada Pinkett Smith. And he also shares his very personal story of living with—and being inspired and empowered by—two distinct family histories. Told with humor and hard-won honesty by a singular voice whose family and friendships help him navigate a life of personal and professional highs and lows, Living in Color is a bracing, illuminating, and remarkable success story. An homage to the groundbreaking series In Living Color was featured in Bruno Mars’s music video for his hit song Finesse, a remixed collaboration with Cardi B. It was a loving tribute that exemplified the sustained cultural impact of the show, and now 90s kids can dig into their nostalgia through this humorous memoir of one of its stars!

Books As Weapons

Books As Weapons
Author: John B. Hench
Publisher: Cornell University Press
Total Pages: 352
Release: 2016-10-15
Genre: History
ISBN: 1501727273

Only weeks after the D-Day invasion of June 6, 1944, a surprising cargo—crates of books—joined the flood of troop reinforcements, weapons and ammunition, food, and medicine onto Normandy beaches. The books were destined for French bookshops, to be followed by millions more American books (in translation but also in English) ultimately distributed throughout Europe and the rest of the world. The British were doing similar work, which was uneasily coordinated with that of the Americans within the Psychological Warfare Division of General Eisenhower's Supreme Headquarters, Allied Expeditionary Force, under General Eisenhower's command. Books As Weapons tells the little-known story of the vital partnership between American book publishers and the U.S. government to put carefully selected recent books highlighting American history and values into the hands of civilians liberated from Axis forces. The government desired to use books to help "disintoxicate" the minds of these people from the Nazi and Japanese propaganda and censorship machines and to win their friendship. This objective dovetailed perfectly with U.S. publishers' ambitions to find new profits in international markets, which had been dominated by Britain, France, and Germany before their book trades were devastated by the war. Key figures on both the trade and government sides of the program considered books "the most enduring propaganda of all" and thus effective "weapons in the war of ideas," both during the war and afterward, when the Soviet Union flexed its military might and demonstrated its propaganda savvy. Seldom have books been charged with greater responsibility or imbued with more significance. John B. Hench leavens this fully international account of the programs with fascinating vignettes set in the war rooms of Washington and London, publishers' offices throughout the world, and the jeeps in which information officers drove over bomb-rutted roads to bring the books to people who were hungering for them. Books as Weapons provides context for continuing debates about the relationship between government and private enterprise and the image of the United States abroad. To see an interview with John Hench conducted by C-SPAN at the 2010 annual conference of the Organization of American Historians, visit: http://www.c-spanvideo.org/program/id/222522.