Edward Bond Letters 3
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| Author | : Ian Stuart |
| Publisher | : Routledge |
| Total Pages | : 232 |
| Release | : 2013-09-13 |
| Genre | : Performing Arts |
| ISBN | : 1134368224 |
First Published in 1997. Edward Bond Letters, Volume III, includes sections on the important areas of writing and translating as well as continuing to trace Bond's interest in productions of his work. Focusing on The Pope's Wedding and Saved, a radio production of The Fool (1990), In the Company of Men (1992) and the television plays – Olly's Prison (1993) and Tuesday (1993) – this lively and thought-provoking volume of Edward Bond's letters provides useful background information for both the student and the general reader.
| Author | : Edward Bond |
| Publisher | : Psychology Press |
| Total Pages | : 236 |
| Release | : 1994 |
| Genre | : Dramatists, English |
| ISBN | : 9783718657490 |
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Ian Stuart |
| Publisher | : Routledge |
| Total Pages | : 260 |
| Release | : 2013-10-31 |
| Genre | : Performing Arts |
| ISBN | : 1134363257 |
First Published in 1996. Contemporary Theatre Studies is a book series of special interest to everyone involved in theatre. It consists of monographs on influential figures, studies of movements and ideas in theatre, as well as primary material consisting of theatre-related documents, performing editions of plays in English, and English translations of plays from various vital theatre traditions worldwide. Complementing the first volume of Edward Bond's letters, which provided a theoretical introduction to many of the social and political issues in his plays, Edward Bond Letters Volume II is organized into seven chapters which explore Bond's approach to some of the plays in performance.
| Author | : Ian Stuart |
| Publisher | : Routledge |
| Total Pages | : 223 |
| Release | : 2013-12-19 |
| Genre | : Performing Arts |
| ISBN | : 1134423101 |
Edward Bond Letters, Volume IV, focuses on four significant areas of Edward Bond's work: education, imagination and the child; theatre-in-education; At the Inland Sea; language and imagery. The letters represent a coruscating attack on our present society, as well as offering insights into how the situation might be improved. Bond's letters attack modern education, arguing that "children are being educated to sell themselves" and suggesting that social problems are caused by an oppression of the imagination. Many letters refer directly to a play - for instance Tuesday, which presents an assessment of the many difficulties faced by contemporary society. The language and imagery of one of Bond's most recent plays, In the Company of Men, is animatedly discussed, and Bond reminds us in a final description that "the good image is always absent, because it is present in the mind.
| Author | : Ian Stuart |
| Publisher | : Routledge |
| Total Pages | : 190 |
| Release | : 2014-06-03 |
| Genre | : Performing Arts |
| ISBN | : 1134355696 |
First Published in 1994. Edward Bond Letters, Volume V, contains over thirty letters and papers covering Bond's controversial views on violence and justice, plays, writers and directors, and a postscript that is Bond's discussion of the funeral of Diana, Princess of Wales. The explosive content of these letters applies to Bond's plays and society as a whole; Bond believes that all violence is the manifestation of an unbalanced and dangerous society. As with the four preceding volumes in this collection, Edward Bond is critical of present theatre, but at the same time his observations are useful in indicating how theatre can be changed. Bond's illustrations provide accompaniment to the letters.
| Author | : David Davis |
| Publisher | : Trentham Books |
| Total Pages | : 248 |
| Release | : 2005 |
| Genre | : Children's plays |
| ISBN | : 9781858563121 |
Our future depends on the state of our imaginations. Drama becomes more important as the world changes. Plays young people write, act in and watch are the blueprints of the world they will have to live in. Edward Bond has chosen in recent years to focus much of his work on plays for young people, arguing that drama helps children "to know themselves and their world and their relation to it". This book discusses some of his important plays for young people and offers case studies of various productions of them. Contributors examine how the plays have been used by teachers and theatre companies with young people and they explore the demands of acting and staging Bond. Contributors include Tony Coult, Chris Cooper, Katie Katafiasz, John Doona, Tony Grady and Bill Roper. One chapter is taken from the notes of Geoff Gillham, and one is written by Edward Bond. The book will be of interest to those who work in drama with young people, whether in theatre, community work or in schools.
| Author | : Steve Nicholson |
| Publisher | : A&C Black |
| Total Pages | : 318 |
| Release | : 2013-12-02 |
| Genre | : Literary Criticism |
| ISBN | : 1408129620 |
Essential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period . The 1960s was a decade of seismic changes in British theatre as in society at large. This important new study in Methuen Drama's Decades of Modern British Playwriting series explores how theatre-makers responded to the changes in society. Together with a thorough survey of the theatrical activity of the decade it offers detailed reassessments of the work of four of the leading playwrights. The 1960s volume provides in-depth studies of the work of four of the major playwrights who came to prominence: Edward Bond (by Steve Nicholson), John Arden (Bill McDonnell), Harold Pinter (Jamie Andrews) and Alan Ayckbourn (Frances Babbage). It examines their work then, its legacy today, and how critical consensus has changed over time.
| Author | : Clive Barker |
| Publisher | : Cambridge University Press |
| Total Pages | : 100 |
| Release | : 1994-09-15 |
| Genre | : Drama |
| ISBN | : 9780521466585 |
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance.
| Author | : T. Shank |
| Publisher | : Springer |
| Total Pages | : 264 |
| Release | : 1996-11-04 |
| Genre | : Performing Arts |
| ISBN | : 1349250910 |
Contemporary British Theatre surveys the complex and dynamic theatre of the eighties and early nineties reflecting a country that is multicultural, multiethnic and multinational. The contributors - artists, scholars and critics - offer insights into the unique forms of theatre performance devised to express the tensions and pressures of our time. For the paperback edition a new preface has been written, including several updating pieces from individual contributors.
| Author | : Ronald Blythe |
| Publisher | : John Clare Society |
| Total Pages | : 84 |
| Release | : |
| Genre | : |
| ISBN | : 9780950921891 |
The official Journal of the John Clare Society, published annually to reflect the interest in, and approaches to, the life and work of the poet John Clare.
