Educational Pictures
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Author | : Estelle R. Jorgensen |
Publisher | : Indiana University Press |
Total Pages | : 372 |
Release | : 2011-05-23 |
Genre | : Music |
ISBN | : 0253222982 |
Estelle R. Jorgensen's latest work is an exploratory look into the ways we practice and represent music education through the metaphors and models that appear in everyday life. These metaphors and models serve as entry points into a deeper understanding of music education that moves beyond literal ways of thinking and doing and allows for a more creative embodiment of musical thought. Seeing the reader as a partner in the creation of meaning, Jorgensen intends for this book to be experienced by, rather than dictated to, the reader. Jorgensen's hope is that the intersections of art and philosophy, and metaphor and model can provide a richer and more imaginative view of music education.
Author | : Don Carlos Ellis |
Publisher | : |
Total Pages | : 342 |
Release | : 1923 |
Genre | : Motion pictures |
ISBN | : |
Author | : Library of Congress |
Publisher | : |
Total Pages | : 712 |
Release | : 1968 |
Genre | : Filmstrips |
ISBN | : |
Author | : United States. Interdepartmental Committee on Visual and Auditory Materials for Distribution Abroad. Subcommittee on Catalog |
Publisher | : |
Total Pages | : 480 |
Release | : 1959 |
Genre | : Documentary films |
ISBN | : |
Author | : Daniel Ira Goldmark |
Publisher | : Univ of California Press |
Total Pages | : 341 |
Release | : 2011-07-21 |
Genre | : Performing Arts |
ISBN | : 0520950127 |
This collection of essays explores the link between comedy and animation in studio-era cartoons, from filmdom’s earliest days through the twentieth century. Written by a who’s who of animation authorities, Funny Pictures offers a stimulating range of views on why animation became associated with comedy so early and so indelibly, and illustrates how animation and humor came together at a pivotal stage in the development of the motion picture industry. To examine some of the central assumptions about comedy and cartoons and to explore the key factors that promoted their fusion, the book analyzes many of the key filmic texts from the studio years that exemplify animated comedy. Funny Pictures also looks ahead to show how this vital American entertainment tradition still thrives today in works ranging from The Simpsons to the output of Pixar.
Author | : United States. Office of Education. Library Services Branch |
Publisher | : |
Total Pages | : |
Release | : 1914 |
Genre | : Motion pictures in schools |
ISBN | : |
Author | : United States Information Agency |
Publisher | : |
Total Pages | : 480 |
Release | : 1959 |
Genre | : Documentary films |
ISBN | : |
Author | : United States. Bureau of Education. Library Division |
Publisher | : |
Total Pages | : 76 |
Release | : 1914 |
Genre | : Motion pictures |
ISBN | : |
Author | : United States Information Agency |
Publisher | : |
Total Pages | : 486 |
Release | : 1959 |
Genre | : Documentary films |
ISBN | : |
Author | : Gregory A. Waller |
Publisher | : Univ of California Press |
Total Pages | : 320 |
Release | : 2023-04-11 |
Genre | : Social Science |
ISBN | : 0520391519 |
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Beyond the Movie Theater excavates the history of non-theatrical cinema before 1920, exploring where and how moving pictures of the 1910s were used in ways distinct from and often alternative to typical theatrical cinema. Unlike commercial cinema, non-theatrical cinema was multi-purpose in its uses and multi-sited in where it could be shown, targeted at particular audiences and, in some manner, sponsored. Relying on contemporary print sources and ephemera of the era to articulate how non-theatrical cinema was practiced and understood in the US during the 1910s, historian Gregory A. Waller charts a heterogeneous, fragmentary, and rich field that cannot be explained in terms of a master narrative concerning origin or institutionalization, progress or decline. Uncovering how and where films were put to use beyond the movie theater, this book complicates and expands our understanding of the history of American cinema, underscoring the myriad roles and everyday presence of moving pictures during the early twentieth century.