Edouard Glissant And Postcolonial Theory
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Author | : Celia Britton |
Publisher | : University of Virginia Press |
Total Pages | : 244 |
Release | : 1999 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780813918495 |
Glissant has written extensively in French about the colonial experience in the Caribbean. Britton (French, Aberdeen U., Scotland) situates Glissant within ongoing debates in postcolonial theory, making connections between his novels and theoretical work and the work of Frantz Fanon, Gayatri Spivak, Homi Bhanha, and Henry Louis Gates, Jr. Focusing on language and subjectivity, discussion moves between analysis of Glissant's theoretical work and detailed readings of his novels. Major themes central to his writing, such as the reappropriation of history, standard and vernacular language, and the colonial construction of the Other, are addressed. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : Celia Britton |
Publisher | : |
Total Pages | : 0 |
Release | : 1999 |
Genre | : Literary Criticism |
ISBN | : 9780585199665 |
Author | : Sam Coombes |
Publisher | : Bloomsbury Publishing |
Total Pages | : 217 |
Release | : 2018-07-26 |
Genre | : Philosophy |
ISBN | : 1350036854 |
Édouard Glissant was a leading voice in debates centering on the postcolonial condition and on the present and future of globalisation. Prolific as both a theorist and a literary author, Glissant started his career as a contemporary of Frantz Fanon in the early days of francophone postcolonial thought. In the latter part of his career Glissant's vision pushed beyond the boundaries of postcolonialism to encompass the contemporary phenomenon of globalisation. Sam Coombes offers a detailed analysis of Glissant's thought, setting out the reasons why Glissant's vision for a world of intercultural interaction both reflects but also seeks to provide a correction to some of the leading tendencies commonly associated with contemporary theory today.
Author | : Nick Nesbitt |
Publisher | : Oxford University Press |
Total Pages | : 361 |
Release | : 2013 |
Genre | : Literary Criticism |
ISBN | : 1846318661 |
Caribbean Critique seeks to define and analyse the distinctive contribution of francophone Caribbean thinkers to post-Kantian Critical Theory. The book argues that the singular project of these thinkers has been to forge a brand of critique that, while borrowing tools from North Atlantic predecessors such as Rousseau, Hegel, Marx, and Lukacs, was from the start marked indelibly by the experiential imperatives of the Middle Passage, slavery and imperialism. Individual chapters address thinkers such as Toussaint Louverture, Victor Schoelcher, Aime and Suzanne Cesaire, Rene Menil, Frantz Fanon & Maryse Conde.
Author | : Édouard Glissant |
Publisher | : University of Michigan Press |
Total Pages | : 260 |
Release | : 1997 |
Genre | : Foreign Language Study |
ISBN | : 9780472066292 |
A major work by this prominent Caribbean author and philosopher, available for the first time in English
Author | : Françoise Lionnet |
Publisher | : Duke University Press |
Total Pages | : 318 |
Release | : 2011-05-19 |
Genre | : Literary Criticism |
ISBN | : 0822348462 |
This bold intervention in debates about the role of theory in the humanities advocates the development of a reciprocal, relational, and intersectional critical methodology attentive to the legacies of colonialism.
Author | : John E. Drabinski |
Publisher | : U of Minnesota Press |
Total Pages | : 346 |
Release | : 2019-06-11 |
Genre | : Literary Criticism |
ISBN | : 1452960003 |
A reevaluation of Édouard Glissant that centers on the catastrophe of the Middle Passage and creates deep, original theories of trauma and Caribbeanness While philosophy has undertaken the work of accounting for Europe’s traumatic history, the field has not shown the same attention to the catastrophe known as the Middle Passage. It is a history that requires its own ideas that emerge organically from the societies that experienced the Middle Passage and its consequences firsthand. Glissant and the Middle Passage offers a new, important approach to this neglected calamity by examining the thought of Édouard Glissant, particularly his development of Caribbeanness as a critical concept rooted in the experience of the slave trade and its aftermath in colonialism. In dialogue with key theorists of catastrophe and trauma—including Aimé Césaire, Frantz Fanon, George Lamming, Gilles Deleuze, Félix Guattari, Derek Walcott, as well as key figures in Holocaust studies—Glissant and the Middle Passage hones a sharp sense of the specifically Caribbean varieties of loss, developing them into a transformative philosophical idea. Using the Plantation as a critical concept, John E. Drabinski creolizes notions of rhizome and nomad, examining what kinds of aesthetics grow from these roots and offering reconsiderations of what constitutes intellectual work and cultural production. Glissant and the Middle Passage establishes Glissant’s proper place as a key theorist of ruin, catastrophe, abyss, and memory. Identifying his insistence on memories and histories tied to place as the crucial geography at the heart of his work, this book imparts an innovative new response to the specific historical experiences of the Middle Passage.
Author | : Anjali Prabhu |
Publisher | : State University of New York Press |
Total Pages | : 206 |
Release | : 2012-02-01 |
Genre | : Literary Criticism |
ISBN | : 0791480356 |
This critical engagement with some of the most prominent contemporary theorists of postcolonial studies reevaluates recent theories of hybridity and agency. Challenging the claim that hybridity provides a site of resistance to hegemonic and homogenizing forces in an increasingly globalized world, Anjali Prabhu pursues the ways in which hybridity plays out in the Creole, postcolonial societies of Mauritius and La Réunion, two small islands in the Indian Ocean, and offers an introduction to the literature and culture of this lesser-known region of Francophonie. She also reconsiders two major theorists from the Francophone context, Edouard Glissant and Frantz Fanon, through a provocatively Marxian framing that reveals these two writers shared more in common about agency and society than has previously been recognized.
Author | : Peter Hallward |
Publisher | : Manchester University Press |
Total Pages | : 464 |
Release | : 2001 |
Genre | : Literary Criticism |
ISBN | : 9780719061264 |
This innovative book provides an incisive critique of well-established positions in postcolonial theory and a dramatic expansion in the range of interpretative tools available. Peter Hallward gives substantial readings of four significant writers whose work invites, to varying degrees, a singular interpretation of postcolonialism: Edouard Glissant, Charles Johnson, Mohammed Dib, and Severo Sarduy. Using a singular interpretation of postcolonialism is central to the argument this book makes, and to understanding the postcolonial paradigm.
Author | : Édouard Glissant |
Publisher | : U of Nebraska Press |
Total Pages | : 178 |
Release | : 2021 |
Genre | : Fiction |
ISBN | : 1496224752 |
A New York Times New and Noteworthy Book Édouard Glissant's novels, closely tied to the theories he developed in Poétique de la Relation (Poetics of relation), are rich explorations of a deported and colonized people's loss of their own history and the ever-evolving social and political effects this sense of groundlessness has caused in Martinique. In Mahagony Glissant identifies both the malaise of and the potential within Martinican society through a powerful collective narrative of geographic identity explored through multiple narrators. These characters' lives are viewed back and forth over centuries of time and through tales of resistance, linked always by the now-ancient mahogany tree. Attempting to untangle the collective memory of Martinique, Mathieu, the contemporary narrator, creates a conscious history of these people in that place--a record that unearths the mechanics of misrepresentation to get at the fundamental, enduring truths of that history, perhaps as only the mahogany tree knows it.