Edging Women Out
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Author | : Gaye Tuchman |
Publisher | : Routledge |
Total Pages | : 290 |
Release | : 2012-08-21 |
Genre | : Literary Criticism |
ISBN | : 1136290788 |
Before about 1840, there was little prestige attached to the writing of novels, and most English novelists were women. By the turn of the twentieth century, "men of letters" acclaimed novels as a form of great literature, and most critically successful novelists were men. In the book, sociologist Gaye Tuchman examines how men succeeded in redefining a form of culture and in invading a white-collar occupation previously practiced mostly by women. Tuchman documents how men gradually supplanted women as novelists once novel-writing was perceived as potentially profitable, in part because of changes in the system of publishing and rewarding authors. Drawing on unusual data ranging from the archives of Macmillan and company (London) to an analysis of the lives and accomplishments of authors listed in the Dictionary of National Biography, she shows that rising literacy and the centralization of the publishing industry in London after 1840 increased literary opportunities and fostered men’s success as novelists. Men redefined the nature of a good novel and applied a double standard in critically evaluating literary works by men and by women. They also received better contracts than women for novels of equivalent quality and sales. They were able to accomplish this, says Tuchman, because they were to a large extent the culture brokers – the publishers, publishers’ readers, and reviewers of an elite art form. Both a sociological study of occupational gender transformation and a historical study of writing and publishing, this book will be a rich resource for students of the sociology of culture, literary criticism, and women’s studies.
Author | : Gaye Tuchman |
Publisher | : Routledge |
Total Pages | : 290 |
Release | : 2012 |
Genre | : Literary Criticism |
ISBN | : 0415533244 |
Before 1840 there was little prestige attached to the writing of novels, and most English novelists were women. By the turn of the 20th century, 'men of letters' acclaimed novels as a form of great literature, and most successful novelists were men. Here, Gaye Tuchman examines how men redefined this form of literary expression.
Author | : Anne DeWitt |
Publisher | : Cambridge University Press |
Total Pages | : 291 |
Release | : 2013-07-18 |
Genre | : History |
ISBN | : 1107036178 |
Anne DeWitt examines how Victorian novelists challenged the claims of men of science to align scientific practice with moral excellence.
Author | : Linda H. Peterson |
Publisher | : Princeton University Press |
Total Pages | : 316 |
Release | : 2021-06-08 |
Genre | : Literary Criticism |
ISBN | : 1400833256 |
During the nineteenth century, women authors for the first time achieved professional status, secure income, and public fame. How did these women enter the literary profession; meet the demands of editors, publishers, booksellers, and reviewers; and achieve distinction as "women of letters"? Becoming a Woman of Letters examines the various ways women writers negotiated the market realities of authorship, and looks at the myths and models women writers constructed to elevate their place in the profession. Drawing from letters, contracts, and other archival material, Linda Peterson details the careers of various women authors from the Victorian period. Some, like Harriet Martineau, adopted the practices of their male counterparts and wrote for periodicals before producing a best seller; others, like Mary Howitt and Alice Meynell, began in literary partnerships with their husbands and pursued independent careers later in life; and yet others, like Charlotte Brontë, and her successors Charlotte Riddell and Mary Cholmondeley, wrote from obscure parsonages or isolated villages, hoping an acclaimed novel might spark a meteoric rise to fame. Peterson considers these women authors' successes and failures--the critical esteem that led to financial rewards and lasting reputations, as well as the initial successes undermined by publishing trends and pressures. Exploring the burgeoning print culture and the rise of new genres available to Victorian women authors, this book provides a comprehensive account of the flowering of literary professionalism in the nineteenth century.
Author | : Marjorie L. DeVault |
Publisher | : Temple University Press |
Total Pages | : 294 |
Release | : 1999 |
Genre | : Social Science |
ISBN | : 9781566396981 |
Liberating Method reflects the conviction that feminist insights can and should contribute to a sounder, more rigorous social science. In this book, one of the leading practitioners and teachers of feminist methodology examines profound questions about traditional and customary practices of social research. Marjorie DeVault argues that established methods too often ignore social oppression as she charts her quest for approaches that will more adequately represent marginalized groups.
Author | : Sally Ledger |
Publisher | : Manchester University Press |
Total Pages | : 228 |
Release | : 1997 |
Genre | : Literary Criticism |
ISBN | : 9780719040931 |
By comparing fictional representations with "real" New Women in late-Victorian Britain, Sally Ledger makes a major contribution to an understanding of the "Woman Question" at the end of the century. Chapters on imperialism, socialism, sexual decadence, and metropolitan life situate the "revolting daughters" of the Victorian age in a broader cultural context than previous studies.
Author | : Judy Simons |
Publisher | : Manchester University Press |
Total Pages | : 228 |
Release | : 1998 |
Genre | : Business & Economics |
ISBN | : 9780719052811 |
This study examines the problems that women writers encounter as they attempt to write themselves into a culture, that in critical and commercial terms, has traditionally been dominated by men.
Author | : Martin Hipsky |
Publisher | : Ohio University Press |
Total Pages | : 339 |
Release | : 2011-10-15 |
Genre | : Literary Collections |
ISBN | : 0821443771 |
Today’s mass-market romances have their precursors in late Victorian popular novels written by and for women. In Modernism and the Women’s Popular Romance Martin Hipsky scrutinizes some of the best-selling British fiction from the period 1885 to 1925, the era when romances, especially those by British women, were sold and read more widely than ever before or since. Recent scholarship has explored the desires and anxieties addressed by both “low modern” and “high modernist” British culture in the decades straddling the turn of the twentieth century. In keeping with these new studies, Hipsky offers a nuanced portrait of an important phenomenon in the history of modern fiction. He puts popular romances by Mrs. Humphry Ward, Marie Corelli, the Baroness Orczy, Florence Barclay, Rebecca West, Elinor Glyn, Victoria Cross, Ethel Dell, and E. M. Hull into direct relationship with the fiction of Virginia Woolf, Katherine Mansfield, James Joyce, and D. H. Lawrence, among other modernist greats.
Author | : Andrew Nash |
Publisher | : Routledge |
Total Pages | : 244 |
Release | : 2015-10-06 |
Genre | : Literary Criticism |
ISBN | : 1317320115 |
William Clark Russell wrote more than forty nautical novels. Immensely popular in their time, his works were admired by contemporary writers, such as Conan Doyle, Stevenson and Meredith, while Swinburne, considered him 'the greatest master of the sea, living or dead'. Based on extensive archival research, Nash explores this remarkable career.
Author | : Dorothy Mermin |
Publisher | : Indiana University Press |
Total Pages | : 212 |
Release | : 1993-09-22 |
Genre | : Social Science |
ISBN | : 9780253116109 |
"Students and teachers of Victorian women's careers will be grateful for [Mermin's] intelligent and equable guidance as they negotiate the paradoxes of Godiva's Ride." -- Modern Philology "This brief study should be enormously helpful to students seeking an introduction to feminist approaches to Victorian writers." -- Choice "Mermin's fine book is a work of synthesis that moves across many genres of women's writing... and touches on neglected writers of the period... as well as on the canonized few." -- American Historical Review "Godiva's Ride is a stimulating and enjoyable study of an exceptionally rich subject... " -- Victorian Periodicals Review "Accessible, original, and gracefully written, Godiva's Ride is likely to be as engrossing for the general reader as for the expert." -- Victorian Studies Describes the first great age of women's writing in England. Mermin discusses how women were encouraged to become writers, how they were discouraged and hindered, and what they wrote. The many women entering the mainstream of English literature in this era included the Brontës, Elizabeth Gaskell, George Eliot, Margaret Oliphant, Elizabeth Barrett Browning, Christina Rossetti, and Harriet Martineau.