Edgar Allan Poe Eureka And Scientific Imagination
Download Edgar Allan Poe Eureka And Scientific Imagination full books in PDF, epub, and Kindle. Read online free Edgar Allan Poe Eureka And Scientific Imagination ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : David N. Stamos |
| Publisher | : SUNY Press |
| Total Pages | : 604 |
| Release | : 2017-02-28 |
| Genre | : Literary Criticism |
| ISBN | : 143846391X |
Explores the science and creative process behind Poes cosmological treatise. In 1848, almost a year and a half before Edgar Allan Poe died at the age of forty, his book Eureka was published. In it, he weaved together his scientific speculations about the universe with his own literary theory, theology, and philosophy of science. Although Poe himself considered it to be his magnum opus, Eureka has mostly been overlooked or underappreciated, sometimes even to the point of being thought an elaborate hoax. Remarkably, however, in Eureka Poe anticipated at least nine major theories and developments in twentieth-century science, including the Big Bang theory, multiverse theory, and the solution to Olbers paradox. In this bookthe first devoted specifically to Poes science sideDavid N. Stamos, a philosopher of science, combines scientific background with analysis of Poes life and work to highlight the creative and scientific achievements of this text. He examines Poes literary theory, theology, and intellectual development, and then compares Poes understanding of science with that of scientists and philosophers from his own time to the present. Next, Stamos pieces together and clarifies Poes theory of scientific imagination, which he then attempts to update and defend by providing numerous case studies of eureka moments in modern science and by seeking insights from comparative biography and psychology, cognitive science, neuroscience, and evolution. Edgar Allan Poe, Eureka, and Scientific Imagination is the most comprehensive treatment of Eureka that has yet been published. It is staggeringly thorough in its analysis of Poes book, but it also shows how Poes theories of cosmogony and cosmology ramify into his fiction and poetry, especially the tales of ratiocination. Stamos takes Eureka seriously, and he does so with the empirical undergirding of vast amounts of scientific scholarship and literary criticism. James M. Hutchisson, author of Poe
| Author | : Edgar Allan Poe |
| Publisher | : |
| Total Pages | : 123 |
| Release | : 2017-04-18 |
| Genre | : Philosophy |
| ISBN | : 3961892970 |
Eureka (1848) is a lengthy non-fiction work by American author Edgar Allan Poe (1809–1849) which he subtitled "A Prose Poem", though it has also been subtitled as "An Essay on the Material and Spiritual Universe". Adapted from a lecture he had presented, Eureka describes Poe's intuitive conception of the nature of the universe with no antecedent scientific work done to reach his conclusions. He also discusses man's relationship with God, whom he compares to an author. It is dedicated to the German naturalist and explorer Alexander von Humboldt (1769–1859). Though it is generally considered a literary work, some of Poe's ideas anticipate 20th century scientific discoveries and theories. Indeed a critical analysis of the scientific content of Eureka reveals a non-causal correspondence with modern cosmology due to the assumption of an evolving Universe, but excludes the anachronistic anticipation of relativistic concepts such as black holes. Eureka was received poorly in Poe's day and generally described as absurd, even by friends. Modern critics continue to debate the significance of Eureka and some doubt its seriousness, in part because of Poe's many incorrect assumptions and his comedic descriptions of well-known historical minds. It is presented as a poem, and many compare it with his fiction work, especially science fiction stories such as "The Facts in the Case of M. Valdemar". His attempts at discovering the truth also follow his own tradition of "ratiocination", a term used in his detective fiction tales. Poe's suggestion that the soul continues to thrive even after death also parallels with works in which characters reappear from beyond the grave such as "Ligeia". The essay is oddly transcendental, considering Poe's disdain for that movement. He considered it his greatest work and claimed it was more important than the discovery of gravity. Eureka is Poe's last major work and his longest non-fiction work at nearly 40,000 words in length.
| Author | : John Tresch |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 288 |
| Release | : 2021-06-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 0374717443 |
Finalist for the Los Angeles Times Book Prize | Finalist for the 2022 Edgar Award Winner of the 2021 Quinn Award An innovative biography of Edgar Allan Poe—highlighting his fascination and feuds with science. Decade after decade, Edgar Allan Poe remains one of the most popular American writers. He is beloved around the world for his pioneering detective fiction, tales of horror, and haunting, atmospheric verse. But what if there was another side to the man who wrote “The Raven” and “The Fall of the House of Usher”? In The Reason for the Darkness of the Night, John Tresch offers a bold new biography of a writer whose short, tortured life continues to fascinate. Shining a spotlight on an era when the lines separating entertainment, speculation, and scientific inquiry were blurred, Tresch reveals Poe’s obsession with science and lifelong ambition to advance and question human knowledge. Even as he composed dazzling works of fiction, he remained an avid and often combative commentator on new discoveries, publishing and hustling in literary scenes that also hosted the era’s most prominent scientists, semi-scientists, and pseudo-intellectual rogues. As one newspaper put it, “Mr. Poe is not merely a man of science—not merely a poet—not merely a man of letters. He is all combined; and perhaps he is something more.” Taking us through his early training in mathematics and engineering at West Point and the tumultuous years that followed, Tresch shows that Poe lived, thought, and suffered surrounded by science—and that many of his most renowned and imaginative works can best be understood in its company. He cast doubt on perceived certainties even as he hungered for knowledge, and at the end of his life delivered a mind-bending lecture on the origins of the universe that would win the admiration of twentieth-century physicists. Pursuing extraordinary conjectures and a unique aesthetic vision, he remained a figure of explosive contradiction: he gleefully exposed the hoaxes of the era’s scientific fraudsters even as he perpetrated hoaxes himself. Tracing Poe’s hard and brilliant journey, The Reason for the Darkness of the Night is an essential new portrait of a writer whose life is synonymous with mystery and imagination—and an entertaining, erudite tour of the world of American science just as it was beginning to come into its own.
| Author | : Lynda Walsh |
| Publisher | : SUNY Press |
| Total Pages | : 310 |
| Release | : 2006-09-14 |
| Genre | : Science |
| ISBN | : 0791468771 |
Recounts the fake news stories, written from 1830 to 1880, about scientific and technological discoveries, and the effect these hoaxes had on readers and their trust in science.
| Author | : Edgar Allan Poe |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 416 |
| Release | : 2021-07-01 |
| Genre | : Fiction |
| ISBN | : 1350181285 |
This collection brings together more than fifty of Edgar Allan Poe's most important stories, poems, and critical writings, which established him as one of the most distinctive voices in American Literature, in a single accessible volume. Alongside annotated texts of each work, it also includes a complete Reader's Guide to Poe's work to help readers explore the contexts, style, and reception of his writing from his own time to today. An essential resource for students and teachers of Poe, this book includes stories such as 'The Fall of the House of Usher', 'The Tell-Tale Heart', and 'The Purloined Letter' as well as his Gothic narrative poem 'The Raven' and some of his most significant critical writings.
| Author | : Harold Beaver |
| Publisher | : Penguin UK |
| Total Pages | : 464 |
| Release | : 2006-07-27 |
| Genre | : Fiction |
| ISBN | : 0141922060 |
One of the greatest of all horror writers, Edgar Allan Poe (1809-49) also composed pioneering tales that seized upon the scientific developments of an era marked by staggering change. In this collection of sixteen stories, he explores such wide-ranging contemporary themes as galvanism, time travel and resurrection of the dead. 'The Unparalleled Adventure of One Hans Pfall' relates a man's balloon journey to the moon with a combination of scientific precision and astonishing fantasy. Elsewhere, the boundaries between horror and science are elegantly blurred in stories such as 'The Facts in the Case of M. Valdemar', while the great essay 'Eureka' outlines Poe's own interpretation of the universe. Powerfully influential on later authors including Jules Verne, these works are essential reading for anyone wishing to trace the genealogy of science fiction, or to understand the complexity of Poe's own creative vision
| Author | : Kieran M. Murphy |
| Publisher | : Penn State Press |
| Total Pages | : 257 |
| Release | : 2020-03-24 |
| Genre | : Literary Criticism |
| ISBN | : 027108734X |
How does the imagination work? How can it lead to both reverie and scientific insight? In this book, Kieran M. Murphy sheds new light on these perennial questions by showing how they have been closely tied to the history of electromagnetism. The discovery in 1820 of a mysterious relationship between electricity and magnetism led not only to technological inventions—such as the dynamo and telegraph, which ushered in the “electric age”—but also to a profound reconceptualization of nature and the role the imagination plays in it. From the literary experiments of Edgar Allan Poe, Honoré de Balzac, Villiers de l’Isle-Adam, and André Breton to the creative leaps of Michael Faraday and Albert Einstein, Murphy illuminates how electromagnetism legitimized imaginative modes of reasoning based on a more acute sense of interconnection and a renewed interest in how metonymic relations could reveal the order of things. Murphy organizes his study around real and imagined electromagnetic devices, ranging from Faraday’s world-changing induction experiment to new types of chains and automata, in order to demonstrate how they provided a material foundation for rethinking the nature of difference and relation in physical and metaphysical explorations of the world, human relationships, language, and binaries such as life and death. This overlooked exchange between science and literature brings a fresh perspective to the critical debates that shaped the nineteenth century. Extensively researched and convincingly argued, this pathbreaking book addresses a significant lacuna in modern literary criticism and deepens our understanding of both the history of literature and the history of scientific thinking.
| Author | : Luc Brisson |
| Publisher | : State University of New York Press |
| Total Pages | : 206 |
| Release | : 1995-07-20 |
| Genre | : Philosophy |
| ISBN | : 0791497569 |
A parallel investigation of both Plato's Timaeusand the contemporary standard Big Bang model of the universe shows that any possible scientific knowledge of the universe is ultimately grounded in irreducible and undemonstrable propositions. These are inventions of the human mind. The scientific knowledge of the universe is entirely composed in a series of axioms and rules of inference underlying a formalized system. There is no logical relationship between the sensible perception of a world of becoming and the formalized system of axioms known as a "scientific explanation." The "irrational gap" between perception and explanation can be appraised historically and identified in three stages: Plato's Timaeus furnishes the first example of a scientific theory dealing with a realm of ideality that cannot be derived from immediate sensible perception; the Big Bang model is constituted on the basis of the purely geometrical notion of symmetry; and in the more recent Algorithmic Theory of Information, the analysis of the purely symbolic language expressing physical reality reveals the level of complexity of any given theory formulated in this language. The result is that the probability of the universe actually conforming with simple mathematics is zero. In a formal system, a theorem contains more information than can be found in the set of axioms of this system, and it remains undecidable. In Aristotle' s language, the theorems that can be proved within a theoretical model are already potentially contained in the system of axioms underlying these theorems.
| Author | : Elisa Tamarkin |
| Publisher | : University of Chicago Press |
| Total Pages | : 445 |
| Release | : 2022-07-20 |
| Genre | : Literary Criticism |
| ISBN | : 022645312X |
"Before 1800 nothing was irrelevant. So argues Elisa Tamarkin's sweeping cultural history of a key shift in consciousness: the arrival, around 1800, of "relevance" as the means to grasp how something previously disregarded becomes important and interesting. At a time when so much makes claims to attention every day, how does one decide what is most valuable right now? This is not only a contemporary problem. For Ralph Waldo Emerson, the question for the nineteenth century was how, in the immensity and "succession" of objects, anything becomes a proper object of experience. How that question was finally defined as one of relevance is the story of Apropos of Nothing. Relevance, Tamarkin shows, was primarily an Anglo-American concept. It engaged major intellectual figures, centrally the pragmatists-William James, Alain Locke, and John Dewey-and before them thinkers including Emerson and Alfred North Whitehead. Most of all, relevance was a problem for the worlds of art, literature, education, and criticism. These were fascinated by how old, boring, distant, or unfamiliar things get taken in; how they are admitted as meaningful; how they come home to us like the ludicrous raven comes to Edgar Allan Poe's student in the middle of the night in some obscure connection with himself. Many nineteenth-century American artists saw their paintings as pragmatic works that make relevance-that suggest versions of events that feel apropos of our world the moment we see them. (Tamarkin's book is richly illustrated, in color, with works by Winslow Homer, Abbott Handerson Thayer, Edgar Degas, and others.) Relevance remains a conundrum, especially for the humanities. It obliges us to say why we admit Poe's poem-or, say, a line of Emerson's-is interesting enough to study it, to dedicate ourselves to understanding it, to affirming that this effort is, in Emerson's words, "relevant to me and mine, to nature, and the hour that now passes.""--
| Author | : J. Gerald Kennedy |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 881 |
| Release | : 2019 |
| Genre | : Literary Criticism |
| ISBN | : 0190641878 |
This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
