Ed Ruscha and Some Los Angeles Apartments

Ed Ruscha and Some Los Angeles Apartments
Author: Virginia Heckert
Publisher: Getty Publications
Total Pages: 90
Release: 2013
Genre: Architecture
ISBN: 1606061380

"Published to accompany the exhibition In Focus: Ed Ruscha, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from April 9 to September 29, 2013, this book focuses on Ruscha's photographic work, specifically the thirty-eight images he made for his 1965 photobook Some Los Angeles Apartments"--Provided by publisher.

Then and Now

Then and Now
Author: Edward Ruscha
Publisher:
Total Pages: 0
Release: 2005
Genre: Architecture
ISBN: 9783865211057

A collection of photographic prints documenting Hollywood Boulevard first in July 1973 and later in June 2004. Same type of camera equipment were used to re-photograph the street. The panoramic images in black and white from 1973 run parallel to 2004 colored version - contrasting the changes over three decades.

Los Angeles

Los Angeles
Author: Alexandra Schwartz
Publisher: MIT Press
Total Pages: 352
Release: 2010
Genre: Art
ISBN:

Schwartz examines Ruscha's diverse body of work, including paintings, drawings, prints, photographs, books, and films, and discusses his relationship with other artists with whom he sparked the movement known as West Coast pop.

Picturing Ed

Picturing Ed
Author: Jerry McMillan
Publisher:
Total Pages: 114
Release: 2004
Genre: Art
ISBN:

This catalogue was published in conjunction with the exhibition PICTURING ED: JERRY MCMILLAN'S PHOTOGRAPHS OF ED RUSCHA 1958-1972 at Craig Krull Gallery from May 22-June 26, 2004. The exhibition included forty-seven vintage photographic images of Edward Ruscha taken over the years by his good friend (and fellow Oklahoma City to L.A. transplant) Jerry McMillan. The catalogue is trimmed to the size of one of Ruscha's self published artist's books of the sixties and seventies and it contains an abundance of sweet & sexy pictures of Ed the artist, friend, husband, and dad.

Thirtyfour Parking Lots in Los Angeles

Thirtyfour Parking Lots in Los Angeles
Author: Edward Ruscha
Publisher:
Total Pages: 44
Release: 1974
Genre: Parking lots
ISBN:

"Continuing his investigation of the Los Angeles vernacular landscape, "Thirtyfour Parking Lots" features aerial photographs of (mostly) empty parking lots adjacent to structures ranging from the iconic (then-new Dodger Stadium, The Hollywood Bowl) to the ordinary (retail stores and office buildings). The series' bird's-eye perspective reveals not only the distinctive, but often unnoticed layout and painted markings of these lots, but also the oil stains and other traces of their users."

Cotton Puffs, Q-tips, Smoke and Mirrors

Cotton Puffs, Q-tips, Smoke and Mirrors
Author: Margit Rowell
Publisher: Whitney Museum of Art
Total Pages: 259
Release: 2004
Genre: Art
ISBN: 9780874271409

"Ed Ruscha's diverse and highly influential work of the past four decades resists easy categorization. His straightforward depiction of prosaic subjects taken from American popular culture has earned him a reputation as a Pop artist, while his interest in language and typography has aligned him with certain trends in Conceptual art. Born in Omaha, Nebraska, in 1937 and raised in Oklahoma, Ruscha moved in 1956 to Los Angeles, where he studied fine and graphic arts at Chouinard (now CalArts). This book, published to accompany the first museum retrpprestive of Ruscha's original works on paper, highlights over two hundred drawings whose subjects range from the depiction of vernacular objects, trademarks, gas stations, and apartment buildings to renderings of words and phrases in countless stylistic variations. His unusual media, including fruit and vegetable juices, gunpowder, blood, and tobacco juice, further attest to the invention and ingenuity of this major American artist." - inside back cover.

Both Sides of Sunset

Both Sides of Sunset
Author: Jane Brown
Publisher:
Total Pages: 275
Release: 2015
Genre: Los Angeles (Calif.)
ISBN: 9781938922732

Los Angeles is a city of dualities--sunshine and noir, coastline beaches and urban grit, natural beauty and suburban sprawl, the obvious and the hidden. Both Sides of Sunset: Photographing Los Angeles reveals these dualities and more, in images captured by master photographers such as Bruce Davidson, Lee Friedlander, Daido Moriyama, Julius Shulman and Garry Winogrand, as well as many younger artists, among them Matthew Brandt, Katy Grannan, Alex Israel, Lise Sarfati and Ed Templeton, just to name a few. Taken together, these individual views by more than 130 artists form a collective vision of a place where myth and reality are often indistinguishable. Spinning off the highly acclaimed Looking at Los Angeles (Metropolis Books, 2005), Both Sides of Sunset presents an updated and equally unromantic vision of this beloved and scorned metropolis. In the years since the first book was published, the artistic landscape of Los Angeles has flourished and evolved. The extraordinary Getty Museum project Pacific Standard Time: Art in L.A. 1945-1980 focused global attention on the city's artistic heritage, and this interest has only continued to grow. Both Sides of Sunset showcases many of the artists featured in the original book--such as Lewis Baltz, Catherine Opie, Stephen Shore and James Welling--but also incorporates new images that portray a city that is at once unhinged and driven by irrepressible exuberance. Proceeds from the sale of the book will benefit Inner-City Arts--an oasis of learning, achievement and creativity in the heart of Los Angeles' Skid Row that brings arts education to elementary, middle and high school students.

Edward Ruscha

Edward Ruscha
Author: Lisa Turvey
Publisher: Yale University Press
Total Pages: 453
Release: 2014-01-01
Genre: Art
ISBN: 0300209495

An immense contribution to scholarship on Ed Ruscha and his pioneering artistic practice, offering thorough documentation of his works on paper This highly anticipated book—the first in a series of three—comprehensively chronicles the first two decades of Ed Ruscha’s (b. 1937) work on paper, which comprises the largest component of his production of original works. Over 1,000 works on paper are documented, all created between 1956 and 1976, and they encompass a wide range of formats, materials, themes, and styles. Included are collages, ephemeral sketches, preparatory studies for paintings, oil on paper works, and drawings executed in a variety of inventive materials, including gunpowder and organic substances. Ruscha came to prominence in the early 1960s as part of the Pop art movement, although his work equally engages the legacies of Dada, Surrealism, and Abstract Expressionism as well as the Conceptual art that emerged later in the decade. He has long enjoyed international standing and admiration, and his work is widely known. Despite this recognition, this volume contains hundreds of works that have infrequently, or never, been exhibited or published. Each work is catalogued with a color reproduction, collection details, full chronological provenance, exhibition history, and bibliographic references. Essays by Lisa Turvey and Harry Cooper complete this extraordinary survey, which expands and enriches our understanding of Ruscha’s pioneering exploration of the written word as a subject for visual art and his witty assessment of the iconography of Los Angeles, both real and imagined.