Economic Recovery In Britain 1932 9
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Author | : Harry Ward Richardson |
Publisher | : London : Weidenfeld and Nicolson |
Total Pages | : 360 |
Release | : 1967 |
Genre | : Great Britain |
ISBN | : |
Historical study of the recovery of the economy of the UK during the period from 1932 to 1939 from the world economic recession of 1929-1933. Bibliography pp. 317 to 323.
Author | : Harry W. Richardson |
Publisher | : |
Total Pages | : 337 |
Release | : 1967 |
Genre | : |
ISBN | : |
Author | : Anne Digby |
Publisher | : |
Total Pages | : 203 |
Release | : 1989 |
Genre | : Great Britain |
ISBN | : 9780333495698 |
This is a collection of essays on the subjects of agriculture, economy, society and labour, covering major events in British social history and the impact of such factors as imperialism and the Industrial Revolution.
Author | : R. J. Overy |
Publisher | : Cambridge University Press |
Total Pages | : 96 |
Release | : 1996-06-27 |
Genre | : Business & Economics |
ISBN | : 9780521552868 |
A fully revised and updated edition of this short comprehensive survey of the Nazi economy.
Author | : Thomas Harvey Smith |
Publisher | : |
Total Pages | : 620 |
Release | : 1941 |
Genre | : |
ISBN | : |
Author | : T. Balderston |
Publisher | : Springer |
Total Pages | : 238 |
Release | : 2002-12-13 |
Genre | : Business & Economics |
ISBN | : 0230536689 |
The functioning of the gold standard has recently been at the heart of explanations of the interwar depression, particularly as a result of the research of Professors Barry Eichengreen and Peter Temin. In The World Economy and National Economies in the Interwar Slump the interaction between the gold standard and the Great Depression in seven countries is examined by an international team of economists and economic historians. The editor's introduction critically evaluates the Eichengreen-Temin thesis and Eichengreen and Temin themselves contribute an Afterword.
Author | : B. W. E. Alford |
Publisher | : London : Macmillan |
Total Pages | : 108 |
Release | : 1972 |
Genre | : Business & Economics |
ISBN | : |
Author | : Bernard William Ernest Alford |
Publisher | : |
Total Pages | : 96 |
Release | : 1979 |
Genre | : Great Britain |
ISBN | : |
Author | : Geraint Thomas |
Publisher | : Cambridge University Press |
Total Pages | : 373 |
Release | : 2020-11-05 |
Genre | : History |
ISBN | : 1108483127 |
A radical reading of British Conservatives' fortunes between the wars, exploring how the party adapted to mass democracy after 1918.
Author | : Andrew Gibson |
Publisher | : OUP Oxford |
Total Pages | : 340 |
Release | : 2007-01-11 |
Genre | : Literary Criticism |
ISBN | : 0191525901 |
Beckett and Badiou offers a provocative new reading of Samuel Beckett's work on the basis of a full, critical account of the thought of Alain Badiou. Badiou is the most eminent of contemporary French philosophers. His devotion to Beckett's work has been lifelong. Yet for Badiou philosophy must be integrally affirmative, whilst Beckett apparently commits his art to a work of negation. Beckett and Badiou explores the coherences, contradictions, and extreme complexities of the intellectual relationship between the two oeuvres. It examines Badiou's philosophy of being, the event, truth, and the subject and the importance of mathematics within his system. It considers the major features of his politics, ethics, and aesthetics and provides an explanation, interpretation, critique, and radical revision of his work on Beckett. It argues that, once revised, Badiou's version of Beckett offers an extraordinarily powerful tool for understanding his work. Badiou and Beckett are instances of a vestigial or melancholic modernism; that is, in the teeth of a contemporary culture that dreams ever more ambitiously of plenitude, they commit themselves to a rigorous concept of limit and intermittency. Truth and value are occasional and rare. It is seldom that the chance event arrives to disturb the inertia of the world. For Badiou, however, it is the event and its consequences alone that matter. Beckett rather insists on the common experience of intermittency as destitution. His art is a series of limit-figures, exquisitely subtle and nuanced forms for a world whose state of seemingly rigid paralysis is also always volatile, delicately balanced.