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| Author | : Mae D. Huettig |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 176 |
| Release | : 2017-01-30 |
| Genre | : Business & Economics |
| ISBN | : 151281704X |
This study was undertaken in conjunction with the Motion Picture Research Project. The research was conducted in Hollywood over a period of two years from April 1939 to April 1941.
| Author | : Mae Dena Huettig |
| Publisher | : |
| Total Pages | : 188 |
| Release | : 1944 |
| Genre | : Cinematography |
| ISBN | : |
| Author | : Tino Balio |
| Publisher | : Univ of Wisconsin Press |
| Total Pages | : 677 |
| Release | : 1985-03-04 |
| Genre | : Performing Arts |
| ISBN | : 0299098737 |
Upon its original publication in 1976, The American Film Industry was welcomed by film students, scholars, and fans as the first systematic and unified history of the American movie industry. Now this indispensible anthology has been expanded and revised to include a fresh introductory overview by editor Tino Balio and ten new chapters that explore such topics as the growth of exhibition as big business, the mode of production for feature films, the star as market strategy, and the changing economics and structure of contemporary entertainment companies. The result is a unique collection of essays, more comprehensive and current than ever, that reveals how the American movie industry really worked in a century of constant change-from kinetoscopes and the coming of sound to the star system, 1950s blacklisting, and today's corporate empires.
| Author | : Mae D. Huettig |
| Publisher | : University of Pennsylvania Press Anniversary Collection |
| Total Pages | : 0 |
| Release | : 1944-01-29 |
| Genre | : Business & Economics |
| ISBN | : 9781512812381 |
This study was undertaken in conjunction with the Motion Picture Research Project. The research was conducted in Hollywood over a period of two years from April 1939 to April 1941.
| Author | : Frank Manchel |
| Publisher | : Fairleigh Dickinson Univ Press |
| Total Pages | : 988 |
| Release | : 1990 |
| Genre | : Art |
| ISBN | : 9780838631867 |
The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
| Author | : Arthur S. De Vany |
| Publisher | : Psychology Press |
| Total Pages | : 332 |
| Release | : 2004 |
| Genre | : Business & Economics |
| ISBN | : 9780415312608 |
Movies expected to perform well can flop, whilst independent movies with low budgets can be wildly successful. In this text, De Vany casts his eye over all aspects of the business to present some intriguing conclusions.
| Author | : Manjunath Pendakur |
| Publisher | : Wayne State University Press |
| Total Pages | : 340 |
| Release | : 1990 |
| Genre | : Business & Economics |
| ISBN | : 9780814319994 |
A history of the Canadian film industry from its inception to 1980s, providing a chronological record of the conflicting priorities between American capital, which seeks to shape the Canadian film industry to its own image, and Canada's stated goal, which is to serve the Canadian people with films autonomously conceived, produced, and exhibited.
| Author | : Charles C. Moul |
| Publisher | : Cambridge University Press |
| Total Pages | : 236 |
| Release | : 2005-03-14 |
| Genre | : Business & Economics |
| ISBN | : 9781139444545 |
This short handbook collects essays on all aspects of the motion picture industry by leading authorities in political economy, economics, accounting, finance, and marketing. In addition to offering the reader a perspective on what is known and what has been accomplished, it includes both new findings on a variety of topics and directions for additional research. Topics include estimation of theatrical and ancillary demand, profitability studies, the resolution of evident paradoxes in studio executive behavior, the interaction of the industry and government, the impacts of the most recent changes in accounting standards, and the role and importance of participation contracts. New results include findings on the true nature of the seasonality of theatrical demand, the predictive power of surveys based upon trailers, the impact of the Academy Awards, the effectiveness of prior history measures to gauge cast members and directors, and the substitutability of movies across different genres.
| Author | : Zoe Wallin |
| Publisher | : Routledge |
| Total Pages | : 383 |
| Release | : 2019-03-07 |
| Genre | : Social Science |
| ISBN | : 042953454X |
This book explores the ways in which Hollywood film cycles from the 1930s to the 1960s were shaped by their surrounding industrial contexts and market environments, to build an inclusive conception of the form, operation, and function of film cycles. By foregrounding patterns of distribution, spaces of exhibition, and modes of consumption as key components of the form and mechanics of cycles, this book develops a methodology for defining cycles based on an analysis of the industry and trade discourse. Applying her unique framework to six case studies of different cycles, Zoe Wallin blends a wide range of historical sources to analyze the many cultural, social, political, aesthetic, and industrial contexts relevant to these films. This book makes an important contribution to the literature in the area of film historiography, and will be of interest to any scholars of film studies, history and media studies.
| Author | : Tino Balio |
| Publisher | : Univ of California Press |
| Total Pages | : 500 |
| Release | : 1995 |
| Genre | : Business & Economics |
| ISBN | : 9780520203341 |
The advent of color, big musicals, the studio system, and the beginning of institutionalized censorship made the thirties the defining decade for Hollywood. The year 1939, celebrated as "Hollywood's greatest year," saw the release of such memorable films as Gone with the Wind, The Wizard of Oz, and Stagecoach. It was a time when the studios exercised nearly absolute control over their product as well as over such stars as Bette Davis, Clark Gable, and Humphrey Bogart. In this fifth volume of the award-winning series History of the American Cinema, Tino Balio examines every aspect of the filmmaking and film exhibition system as it matured during the Depression era.
