Ecology and Popular Film
Author | : Robin L. Murray |
Publisher | : State University of New York Press |
Total Pages | : 243 |
Release | : 2009-01-08 |
Genre | : Performing Arts |
ISBN | : 0791477177 |
Ecocritical takes on popular film.
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Author | : Robin L. Murray |
Publisher | : State University of New York Press |
Total Pages | : 243 |
Release | : 2009-01-08 |
Genre | : Performing Arts |
ISBN | : 0791477177 |
Ecocritical takes on popular film.
Author | : Anat Pick |
Publisher | : Berghahn Books |
Total Pages | : 303 |
Release | : 2013-11-01 |
Genre | : Performing Arts |
ISBN | : 1782382275 |
Environmentalism and ecology are areas of rapid growth in academia and society at large. Screening Nature is the first comprehensive work that groups together the wide range of concerns in the field of cinema and the environment, and what could be termed “posthuman cinema.” It comprises key readings that highlight the centrality of nature and nonhuman animals to the cinematic medium, and to the language and institution of film. The book offers a fresh and timely intervention into contemporary film theory through a focus on the nonhuman environment as principal register in many filmic texts. Screening Nature offers an extensive resource for teachers, undergraduate students, and more advanced scholars on the intersections between the natural world and the worlds of film. It emphasizes the cross-cultural and geographically diverse relevance of the topic of cinema ecology.
Author | : Ellen E. Moore |
Publisher | : Springer |
Total Pages | : 282 |
Release | : 2017-11-09 |
Genre | : Social Science |
ISBN | : 3319564110 |
This book systematically explores how popular Hollywood film portrays environmental issues through various genres. In so doing, it reveals the influence exerted by media consolidation and the drive for profit on Hollywood’s portrayal of the natural landscape, which ultimately shapes how environmental problems and their solutions are presented to audiences. Analysis is framed by a consideration of how cultural studies can make more theoretical and practical room for environmental concern, thereby expanding its capacity for critical examination. The book begins by introducing the theoretical underpinning of the research as it relates to cultural studies, landscape, and genre. In the chapters that follow, each genre is taken in turn, starting with popular animated family films and progressing through spy thrillers, eco-thrillers, science fiction, Westerns, superhero films, and drama. This book is ideal for students and scholars in a variety of disciplines, including film, environmental studies, communication, political economy, and cultural studies.
Author | : Paula Willoquet-Maricondi |
Publisher | : University of Virginia Press |
Total Pages | : 280 |
Release | : 2010-08-06 |
Genre | : Literary Criticism |
ISBN | : 0813930057 |
films. --Book Jacket.
Author | : Peter McLennan |
Publisher | : Peter McLennan |
Total Pages | : 201 |
Release | : 2012-04 |
Genre | : Fiction |
ISBN | : 0987304410 |
Fourteen-year-old Jason can’t work out how to get climate change fixed—until he saves the life of the mysterious and powerful Graham. Graham promises a reward, and Jason asks him to do something to stop climate change. The request is caught by the media, so Jason thinks the man’s trapped and has to keep his word. But Graham’s got other ideas. Jason’s got a fight on his hands.
Author | : Pat Brereton |
Publisher | : Routledge |
Total Pages | : 249 |
Release | : 2015-09-16 |
Genre | : Business & Economics |
ISBN | : 1317752686 |
Environmental ethics presents and defends a systematic and comprehensive account of the moral relation between human beings and their natural environment and assumes that human behaviour toward the natural world can and is governed by moral norms. In contemporary society, film has provided a powerful instrument for the moulding of such ethical attitudes. Through a close examination of the medium, Environmental Ethics and Film explores how historical ethical values can be re-imagined and re-constituted for more contemporary audiences. Building on an extensive back-catalogue of eco-film analysis, the author focuses on a diverse selection of contemporary films which target audiences’ ethical sensibilities in very different ways. Each chapter focuses on at least three close readings of films and documentaries, examining a wide range of environmental issues as they are illustrated across contemporary Hollywood films. This book is an invaluable resource for students and scholars of environmental communication, film studies, media and cultural studies, environmental philosophy and ethics.
Author | : Stephen Rust |
Publisher | : Routledge |
Total Pages | : 346 |
Release | : 2013 |
Genre | : Art |
ISBN | : 0415899427 |
This is an anthology that offers a comprehensive introduction to the rapidly growing field of eco-film criticism, a branch of critical scholarship that investigates cinema's intersections with environmental understandings.
Author | : Alexa Weik von Mossner |
Publisher | : Wilfrid Laurier Univ. Press |
Total Pages | : 447 |
Release | : 2014-10-07 |
Genre | : Performing Arts |
ISBN | : 1771120045 |
In Moving Environments: Affect, Emotion, Ecology, and Film, international scholars investigate how films portray human emotional relationships with the more-than-human world and how such films act upon their viewers’ emotions. Emotion and affect are the basic mechanisms that connect us to our environment, shape our knowledge, and motivate our actions. Contributors explore how film represents and shapes human emotion in relation to different environments and what role time, place, and genre play in these affective processes. Individual essays resituate well-researched environmental films such as An Inconvenient Truth and March of the Penguins by paying close attention to their emotionalizing strategies, and bring to our attention the affective qualities of films that have so far received little attention from ecocritics, such as Stan Brakhage’s Dog Star Man. The collection opens a new discursive space at the disciplinary intersection of film studies, affect studies, and a growing body of ecocritical scholarship. It will be of interest not only to scholars and students working in the field of ecocriticism and the environmental humanities, but for everyone with an interest in our emotional responses to film.
Author | : Rupert Read |
Publisher | : Routledge |
Total Pages | : 208 |
Release | : 2018-10-17 |
Genre | : Art |
ISBN | : 0429947739 |
Inspired by the philosophy of Wittgenstein and his idea that the purpose of real philosophical thinking is not to discover something new, but to show in a strikingly different light what is already there, this book provides philosophical readings of a number of ‘arthouse’ and Hollywood films. Each chapter contains a discussion of two films—one explored in greater detail and the other analyzed as a minor key which reveals the possibility for the book's ideas to be applied across different films, registers, and genres. The readings are not only interpretive, but they offer a way of thinking and feeling about, with, and through films which is genuinely transformative. Rupert Read’s main contention is that certain films can bring about a change in how we see the world. He advocates an ecological approach to film-philosophy analysis, arguing that film can re-shape the viewer’s relationship to the environment and other living beings. The transformative 'wake-up call' of these films is enlightenment in its true sense. The result is a book that ambitiously aims to change, though film, how we think of ourselves and our place in the world, at a time when such change is more needed than ever before.
Author | : Robin L. Murray |
Publisher | : Taylor & Francis |
Total Pages | : 195 |
Release | : 2022-05-23 |
Genre | : Social Science |
ISBN | : 1000588564 |
This book explores the transformative power of comedy to help connect a wider audience to films that explore environmental concerns and issues. This book offers a space in which to explore the complex ways environmental comedies present their eco-arguments. With an organizational structure that reveals the evolution of both eco-comedy films and theoretical approaches, this book project aims to fill a gap in ecocinema scholarship. It does so by exploring three sections arranged to highlight the breadth of eco-comedy: I. Comic Genres and the Green World: Pastoral, Anti-Pastoral, and Post-Pastoral Visions; II. Laughter, Eco-Heroes, and Evolutionary Narratives of Consumption; and III. Environmental Nostalgia, Fuel, and the Carnivalesque. Examining everything from Hollywood classics, Oscar winners, and animation to independent and international films, Murray and Heumann exemplify how the use of comedy can expose and amplify environmental issues to a wider audience than more traditional ecocinema genres and can help provide a path towards positive action and change. Ideal for students and scholars of film studies, ecocriticism, and environmental studies, especially those with a particular interest in ecocinema and/or ecocritical readings of popular films.