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| Author | : Victoria Margree |
| Publisher | : Springer Nature |
| Total Pages | : 208 |
| Release | : 2019-11-08 |
| Genre | : Literary Criticism |
| ISBN | : 3030271420 |
This book explores women’s short supernatural fiction between the emergence of first wave feminism and the post-suffrage period, arguing that while literary ghosts enabled an interrogation of women’s changing circumstances, ghosts could have both subversive and conservative implications. Haunted house narratives by Charlotte Riddell and Margaret Oliphant become troubled by uncanny reminders of the origins of middle-class wealth in domestic and foreign exploitation. Corpse-like revenants are deployed in Female Gothic tales by Mary Elizabeth Braddon and Edith Nesbit to interrogate masculine aestheticisation of female death. In the culturally-hybrid supernaturalism of Alice Perrin, the ‘Marriage Question’ migrates to colonial India, and psychoanalytically-informed stories by May Sinclair, Eleanor Scott and Violet Hunt explore just how far gender relations have really progressed in the post-First World War period. Study of the woman’s short story productively problematises literary histories about the “golden age” of the ghost story, and about the transition from Victorianism to modernism.
| Author | : Colin Bratkovich |
| Publisher | : Xlibris Corporation |
| Total Pages | : 941 |
| Release | : 2014-05-08 |
| Genre | : Music |
| ISBN | : 1483645193 |
I have completed this manuscript Just Remember This, or as American Pop Singers 1900-1950+, about music before the 1950s in America. It perhaps offers knowledge and insights not previously found in other musical reference books. I have moreover been working on this book very meticulously over the past twelve-plus years. It started as a bit of fun and gradually became serious as I began to listen along with the vocalists of popular music, of the era before 1950, essentially just before the dawn of rock and roll. If you can call it that! Indeed genre and labeling of American music started here, and then from everywhere. While the old adage of always starting from somewhere could be noted in every century, the 1900s had produced the technology. Understanding the necessity, more so, finds a curiosity on the part of a general public hungry for entertainment, despite 6 day work weeks, World War I, the Great Depression, and World War II.
| Author | : Janet Egleson Dunleavy |
| Publisher | : |
| Total Pages | : 248 |
| Release | : 1991 |
| Genre | : Literary Criticism |
| ISBN | : |
| Author | : Mark W. T. Harvey |
| Publisher | : University of Washington Press |
| Total Pages | : 345 |
| Release | : 2009-11-23 |
| Genre | : Nature |
| ISBN | : 0295989823 |
Winner of the Forest History Society's 2006 Charles A. Weyerhaeuser Book Award As a central figure in the American wilderness preservation movement in the mid-twentieth century, Howard Zahniser (1906-1964) was the person most responsible for the landmark Wilderness Act of 1964. While the rugged outdoorsmen of the earlyenvironmental movement, such as John Muir and Bob Marshall, gave the cause a charismatic face, Zahniser strove to bring conservation's concerns into the public eye and the preservationists' plans to fruition. In many fights to save besieged wild lands, he pulled together fractious coalitions, built grassroots support networks, wooed skittish and truculent politicians, and generated streams of eloquent prose celebrating wilderness. Zahniser worked for the Bureau of Biological Survey (a precursor to the Fish and Wildlife Service) and the Department of the Interior, wrote for Nature magazine, and eventually managed the Wilderness Society and edited its magazine, Living Wilderness. The culmination of his wilderness writing and political lobbying was the Wilderness Act of 1964. All of its drafts included his eloquent definition of wilderness, which still serves as a central tenet for the Wilderness Society: "an area where the earth and its community of life are untrammeled by man, where man himself is a visitor who does not remain." The bill was finally signed into law shortly after his death. Pervading his tireless work was a deeply held belief in the healing powers of nature for a humanity ground down by the mechanized hustle-bustle of modern, urban life. Zahniser grew up in a family of Methodist ministers, and although he moved away from any specific denomination, a spiritual outlook informed his thinking about wilderness. His love of nature was not so much a result of scientific curiosity as a sense of wonder at its beauty and majesty, and a wish to exist in harmony with all other living things. In this deeply researched and affectionate portrait, Mark Harvey brings to life this great leader of environmental activism.
| Author | : |
| Publisher | : |
| Total Pages | : 316 |
| Release | : 1987 |
| Genre | : Out-of-print books |
| ISBN | : |
| Author | : Paddy Griffith |
| Publisher | : Yale University Press |
| Total Pages | : 310 |
| Release | : 1996-01-01 |
| Genre | : History |
| ISBN | : 9780300066630 |
Historians have portrayed British participation in World War I as a series of tragic debacles, with lines of men mown down by machine guns, with untried new military technology, and incompetent generals who threw their troops into improvised and unsuccessful attacks. In this book a renowned military historian studies the evolution of British infantry tactics during the war and challenges this interpretation, showing that while the British army's plans and technologies failed persistently during the improvised first half of the war, the army gradually improved its technique, technology, and, eventually, its' self-assurance. By the time of its successful sustained offensive in the fall of 1918, says Paddy Griffith, the British army was demonstrating a battlefield skill and mobility that would rarely be surpassed even during World War II. Evaluating the great gap that exists between theory and practice, between textbook and bullet-swept mudfield, Griffith argues that many battles were carefully planned to exploit advanced tactics and to avoid casualties, but that breakthrough was simply impossible under the conditions of the time. According to Griffith, the British were already masters of "storm troop tactics" by the end of 1916, and in several important respects were further ahead than the Germans would be even in 1918. In fields such as the timing and orchestration of all-arms assaults, predicted artillery fire, "Commando-style" trench raiding, the use of light machine guns, or the barrage fire of heavy machine guns, the British led the world. Although British generals were not military geniuses, says Griffith, they should at least be credited for effectively inventing much of the twentieth-century's art of war.
| Author | : Rob White |
| Publisher | : Taylor & Francis |
| Total Pages | : 656 |
| Release | : 2003 |
| Genre | : Motion pictures |
| ISBN | : 9781579583286 |
| Author | : David J. Latt |
| Publisher | : U of Minnesota Press |
| Total Pages | : 216 |
| Release | : 1976 |
| Genre | : |
| ISBN | : 1452910545 |
| Author | : Stephen Schneider |
| Publisher | : Indiana University Press |
| Total Pages | : 406 |
| Release | : 2020-09-01 |
| Genre | : Social Science |
| ISBN | : 0253052327 |
Over the past decade, the popularity of cocktails has returned with gusto. Amateur and professional mixologists alike have set about recovering not just the craft of the cocktail, but also its history, philosophy, and culture. The Shaken and the Stirred features essays written by distillers, bartenders and amateur mixologists, as well as scholars, all examining the so-called 'Cocktail Revival' and cocktail culture. Why has the cocktail returned with such force? Why has the cocktail always acted as a cultural indicator of class, race, sexuality and politics in both the real and the fictional world? Why has the cocktail revival produced a host of professional organizations, blogs, and conferences devoted to examining and reviving both the drinks and habits of these earlier cultures?
| Author | : Silvina Schammah Gesser |
| Publisher | : Liverpool University Press |
| Total Pages | : 361 |
| Release | : 2016-04-01 |
| Genre | : Art |
| ISBN | : 1836240929 |
This book explores the role played by artists and intellectuals who constructed and disseminated various competing images of national identity which polarized Spanish society prior to the Civil War. The convergence of modern and essentialist discourses and practices, especially in literature and poetry, in what is conventionally called in Spanish letters "The Generation of '27", created fissures between competing views of aesthetics and ideology that cut across political affiliation. Silvina Schammah exposes the paradoxes facing Madrid's cultural vanguards, as they were torn by their ambition for universality, cosmopolitanism and transcendence on the one hand and by the centripetal forces of nationalistic ideologies on the other. Taking upon themselves roles to become the disseminators and populizers of radical positions and world-views first elaborated and conducted by the young urban intelligentsia, their proposed aim of incorporating diverse identities embedded in different cultural constructions and discourse was to have very real and tragic consequences as political and intellectual lines polarized in the years prior to the Spanish Civil War.
