Early Theories Of Translation By Flora Ross Amos
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Author | : Flora Ross Amos |
Publisher | : |
Total Pages | : 212 |
Release | : 1920 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Examines the theory of translation as formulated by English writers in the sixteenth century. Specifically focuses on the Medieval period, the translation of the Bible, the sixteenth century, and the evolution of theories from Cowley to Pope.
Author | : Neil Rhodes |
Publisher | : MHRA |
Total Pages | : 560 |
Release | : 2013 |
Genre | : Language Arts & Disciplines |
ISBN | : 1907322051 |
This volume is the first attempt to establish a body of work representing English thinking about the practice of translation in the early modern period. The texts assembled cover the long sixteenth century from the age of Caxton to the reign of James 1 and are divided into three sections: 'Translating the Word of God', 'Literary Translation' and 'Translation in the Academy'. They are accompanied by a substantial introduction, explanatory and textual notes, and a glossary and bibliography. Neil Rhodes is Professor of English Literature and Cultural History at the University of St Andrews and Visiting Professor at the University of Granada. Gordon Kendal is an Honorary Research Fellow in the School of English, University of St Andrews. Louise Wilson is a Leverhulme Early Career Fellow in the School of English, University of St Andrews.
Author | : |
Publisher | : |
Total Pages | : 1116 |
Release | : 1920 |
Genre | : |
ISBN | : |
Author | : Belén Bistué |
Publisher | : Routledge |
Total Pages | : 306 |
Release | : 2016-05-23 |
Genre | : Literary Criticism |
ISBN | : 1317164342 |
Focusing on team translation and the production of multilingual editions, and on the difficulties these techniques created for Renaissance translation theory, this book offers a study of textual practices that were widespread in medieval and Renaissance Europe but have been excluded from translation and literary history. The author shows how collaborative and multilingual translation practices challenge the theoretical reflections of translators, who persistently call for a translation text that offers a single, univocal version and maintains unity of style. In order to explore this tension, Bistué discusses multi-version texts, in both manuscript and print, from a diverse variety of genres: the Scriptures, astrological and astronomical treatises, herbals, goliardic poems, pamphlets, the Greek and Roman classics, humanist grammars, geography treatises, pedagogical dialogs, proverb collections, and romances. Her analyses pay careful attention to both European vernaculars and classical languages, including Arabic, which played a central role in the intense translation activity carried out in medieval Spain. Comparing actual translation texts and strategies with the forceful theoretical demands for unity that characterize the reflections of early modern translators, the author challenges some of the assumptions frequently made in translation and literary analysis. The book contributes to the understanding of early modern discourses and writing practices, including the emerging theoretical discourse on translation and the writing of narrative fiction--both of which, as Bistué shows, define themselves against the models of collaborative translation and multi-version texts.
Author | : |
Publisher | : |
Total Pages | : 594 |
Release | : 1920 |
Genre | : Electronic journals |
ISBN | : |
Provides image and full-text online access to back issues. Consult the online table of contents for specific holdings.
Author | : |
Publisher | : |
Total Pages | : 1042 |
Release | : 1920 |
Genre | : England |
ISBN | : |
Author | : Astrid Stilma |
Publisher | : Routledge |
Total Pages | : 344 |
Release | : 2016-03-23 |
Genre | : History |
ISBN | : 1317187741 |
King James is well known as the most prolific writer of all the Stuart monarchs, publishing works on numerous topics and issues. These works were widely read, not only in Scotland and England but also on the Continent, where they appeared in several translations. In this book, Dr Stilma looks both at the domestic and international context to James's writings, using as a case study a set of Dutch translations which includes his religious meditations, his epic poem The Battle of Lepanto, his treatise on witchcraft Daemonologie and his manual on kingship Basilikon Doron. The book provides an examination of James's writings within their original Scottish context, particularly their political implications and their role in his management of his religio-political reputation both at home and abroad. The second half of each chapter is concerned with contemporary interpretations of these works by James's readers. The Dutch translations are presented as a case study of an ultra-protestant and anti-Spanish reading from which James emerges as a potential leader of protestant Europe; a reputation he initially courted, then distanced himself from after his accession to the English throne in 1603. In so doing this book greatly adds to our appreciation of James as an author, providing an exploration of his works as politically expedient statements, which were sometimes ambiguous enough to allow diverging - and occasionally unwelcome - interpretations. It is one of the few studies of James to offer a sustained critical reading of these texts, together with an exploration of the national and international context in which they were published and read. As such this book contributes to the understanding not only of James's works as political tools, but also of the preoccupations of publishers and translators, and the interpretative spaces in the works they were making available to an international audience.
Author | : English Association |
Publisher | : |
Total Pages | : 208 |
Release | : 1922 |
Genre | : Electronic journals |
ISBN | : |
Author | : Matthew Reynolds |
Publisher | : OUP Oxford |
Total Pages | : 384 |
Release | : 2011-09-29 |
Genre | : Literary Criticism |
ISBN | : 0191619183 |
Poetry is supposed to be untranslatable. But many poems in English are also translations: Pope's Iliad, Pound's Cathay, and Dryden's Aeneis are only the most obvious examples. The Poetry of Translation explodes this paradox, launching a new theoretical approach to translation, and developing it through readings of English poem-translations, both major and neglected, from Chaucer and Petrarch to Homer and Logue. The word 'translation' includes within itself a picture: of something being carried across. This image gives a misleading idea of goes on in any translation; and poets have been quick to dislodge it with other metaphors. Poetry translation can be a process of opening; of pursuing desire, or succumbing to passion; of taking a view, or zooming in; of dying, metamorphosing, or bringing to life. These are the dominant metaphors that have jostled the idea of 'carrying across' in the history of poetry translation into English; and they form the spine of Reynolds's discussion. Where do these metaphors originate? Wide-ranging literary historical trends play their part; but a more important factor is what goes on in the poem that is being translated. Dryden thinks of himself as 'opening' Virgil's Aeneid because he thinks Virgil's Aeneid opens fate into world history; Pound tries to being Propertius to life because death and rebirth are central to Propertius's poems. In this way, translation can continue the creativity of its originals. The Poetry of Translation puts the translation of poetry back at the heart of English literature, allowing the many great poem-translations to be read anew.
Author | : Lawrence Venuti |
Publisher | : Routledge |
Total Pages | : 252 |
Release | : 2018-10-25 |
Genre | : Language Arts & Disciplines |
ISBN | : 042977883X |
Originally published in 1992 Rethinking Translation makes the translator’s activity more visible by using critical theory. It examines the selection of the foreign text and the implementation of translation strategies; the reception of the translated text, and the theories of translation offered by philosophers, critics and translators themselves. The book constitutes a rethinking that is both philosophical and political, taking into account social and ideological dimensions, as well as questions of language and subjectivity. Covering a number of genres and national literatures, this collection of essays demonstrates the power wielded by translators in the formation of literary canons and cultural identities, and recognises the appropriative and imperialist movements in every act of translation.