Early Spanish Manuscript Illumination

Early Spanish Manuscript Illumination
Author: John Williams
Publisher: New York : G. Braziller
Total Pages: 130
Release: 1977
Genre: Art
ISBN:
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Spanish culture is the result of many civilizations - Visigoth, Jewish, Berber, Arabic - which mingled with the traditions of the Romanized Celtic-Iberian population, once colonized by Carthage. Of special interest among Spain's artistic treasure are the manuscripts produced from the seventh through the eleventh centuries, especially those masterpieces which were decorated in the Mozarabic style (the term given to the Christians who lived in the Iberian Peninsula under Moslem rule). These manuscripts present a strange vision of the world with strong, deep colors that cover the picture with vibrant bands of green, red, yellows and violet, providing the background for monsters, tempests, human figures of every description, - all displaying an incredible virile mysticism, evoking a new ideal, the antithesis of the Classic which was to influence the art of the latter Middle Ages throughout all Europe, but which was anticipated in Spain by nearly two centuries. - Publisher.

Early Spanish Manuscript Illumination

Early Spanish Manuscript Illumination
Author: John Williams
Publisher: New York : G. Braziller
Total Pages: 0
Release: 1977
Genre: Illumination of books and manuscripts, Medieval
ISBN: 9780807608678
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Spanish culture is the result of many civilizations - Visigoth, Jewish, Berber, Arabic - which mingled with the traditions of the Romanized Celtic-Iberian population, once colonized by Carthage. Of special interest among Spain's artistic treasure are the manuscripts produced from the seventh through the eleventh centuries, especially those masterpieces which were decorated in the Mozarabic style (the term given to the Christians who lived in the Iberian Peninsula under Moslem rule). These manuscripts present a strange vision of the world with strong, deep colors that cover the picture with vibrant bands of green, red, yellows and violet, providing the background for monsters, tempests, human figures of every description, - all displaying an incredible virile mysticism, evoking a new ideal, the antithesis of the Classic which was to influence the art of the latter Middle Ages throughout all Europe, but which was anticipated in Spain by nearly two centuries. - Publisher.

Illuminated Manuscripts of Medieval Spain

Illuminated Manuscripts of Medieval Spain
Author: Mireille Mentré
Publisher: Thames & Hudson
Total Pages: 304
Release: 1996
Genre: Bokmåleri
ISBN: 9780500017326
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As the end of the first millennium drew near - a date when many expected the end of the world - the beleaguered Christian communities of Spain, still dominated by Islam, were experiencing a profound spiritual crisis. To make sense of their predicament, they turned to the Revelation of St John the Divine, in particular the commentary written three centuries before by the monk Beatus of Liebana, making of their illuminated manuscripts an art form of extraordinary expressive power. More than twenty of these manuscripts survive, dating from between 900 and 1100, all illuminated in a colorful style known as Mozarabic - a combination of Carolingian, Islamic, Byzantine and Visigothic art. The Beatus manuscripts are the largest, but not the only, body of such work; there are Bibles and a small number of other religious texts. All, however, share the same apocalyptic vision. Cut off from the rest of Europe and obsessed by the imminence of God's judgement, these artists invented a world peopled by angelic warriors, demons and beasts, exotic birds and serpents and luxuriant trees. This bizarre, psychologically fascinating world is revealed here in superb colour plates and finely detailed black and white illustrations. Mireille Mentre explores the context of the illuminations and explains their dense theological meaning without dissipating their magic.

Masterpieces of the J. Paul Getty Museum: Illuminated Manuscripts

Masterpieces of the J. Paul Getty Museum: Illuminated Manuscripts
Author: Thomas Kren
Publisher: Getty Publications
Total Pages: 130
Release: 1997-11-13
Genre: Art
ISBN: 0892364467
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The Getty Museum’s collection of illuminated manuscripts, featured in this book, comprises masterpieces of medieval and Renaissance art. Dating from the tenth to the sixteenth century, they were produced in France, Italy, Belgium, Germany, England, Spain, Poland, and the eastern Mediterranean. Among the highlights are four Ottonian manuscripts, Romanesque treasures from Germany, Italy, and France, an English Gothic Apocalypse, and late medieval manuscripts painted by such masters as Jean Fouquet, Girolamo da Cremona, Simon Marmion, and Joris Hoefnagel. Included are glistening liturgical books, intimate and touching devotional books for private use, books of the Bible, lively histories by Giovanni Boccaccio and Jean Froissart, and a breathtaking Model Book of Calligraphy.

Apocalypse Illuminated

Apocalypse Illuminated
Author: Richard Kenneth Emmerson
Publisher: Penn State University Press
Total Pages: 269
Release: 2018
Genre: Apocalypse in art
ISBN: 9780271078656
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"Studies the illustration of Revelation in manuscripts from the ninth to the fifteenth century. Examines how twenty-five of the most important illustrated Apocalypses illustrate the biblical text and interpret it for diverse audiences"--Résumé de l'auteur.

Toward a Global Middle Ages

Toward a Global Middle Ages
Author: Bryan C. Keene
Publisher: Getty Publications
Total Pages: 300
Release: 2019-09-03
Genre: Art
ISBN: 160606598X
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This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.

A Companion to the History of the Book

A Companion to the History of the Book
Author: Simon Eliot
Publisher: John Wiley & Sons
Total Pages: 617
Release: 2009-03-30
Genre: Literary Criticism
ISBN: 140519278X
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A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.