Early Operetta in America

Early Operetta in America
Author: Julius Eichberg
Publisher: Taylor & Francis
Total Pages: 192
Release: 1994
Genre: Music
ISBN: 9780815313755

First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Broadway

Broadway
Author: Laurence Maslon
Publisher: Applause Theatre & Cinema
Total Pages: 0
Release: 2010
Genre: Music
ISBN: 9781423491033

(Applause Books). A companion to the six-part PBS documentary series, Broadway: The American Musical is the first comprehensive history of the musical, from its roots at the turn of the 20th century through the smashing successes of the new millennium. The in-depth text is lavishly illustrated with a treasure trove of photographs, sheet-music covers, posters, scenic renderings, production stills, rehearsal shots and caricatures, many previously unpublished. Revised and updated, with a brand-new foreword by Julie Andrews and new material on all the Broadway musicals through the 2009-2010 season.

American Operetta

American Operetta
Author: Gerald Martin Bordman
Publisher: New York : Oxford University Press
Total Pages: 248
Release: 1981
Genre: Music
ISBN:

This book provides an overview of American operetta. It discusses how operetta has been used as an art form and its influences and its construction. Includes Viennese operetta, Herbert, Friml, Kern, Oklahoma, Fiddler on the Roof.

Anything Goes

Anything Goes
Author: Ethan Mordden
Publisher: Oxford University Press
Total Pages: 359
Release: 2013-10
Genre: History
ISBN: 0199892830

Offers a history of American musical theater from the 1920s through to the 1970s, and includes such famous works as "Oklahoma!," "The Red Mill," and "Porgy and Bess."

The American Musical and the Formation of National Identity

The American Musical and the Formation of National Identity
Author: Raymond Knapp
Publisher: Princeton University Press
Total Pages: 384
Release: 2018-06-05
Genre: Music
ISBN: 0691186200

The American musical has achieved and maintained relevance to more people in America than any other performance-based art. This thoughtful history of the genre, intended for readers of all stripes, offers probing discussions of how American musicals, especially through their musical numbers, advance themes related to American national identity. Written by a musicologist and supported by a wealth of illustrative audio examples (on the book's website), the book examines key historical antecedents to the musical, including the Gilbert and Sullivan operetta, nineteenth and early twentieth-century American burlesque and vaudeville, Tin Pan Alley, and other song types. It then proceeds thematically, focusing primarily on fifteen mainstream shows from the twentieth century, with discussions of such notable productions as Show Boat (1927), Porgy and Bess (1935), Oklahoma! (1943), West Side Story (1957), Hair (1967), Pacific Overtures (1976), and Assassins (1991). The shows are grouped according to their treatment of themes that include defining America, mythologies, counter-mythologies, race and ethnicity, dealing with World War II, and exoticism. Each chapter concludes with a brief consideration of available scholarship on related subjects; an extensive appendix provides information on each show discussed, including plot summaries and song lists, and a listing of important films, videos, audio recordings, published scores, and libretti associated with each musical.

The Secret Life of the American Musical

The Secret Life of the American Musical
Author: Jack Viertel
Publisher: Macmillan + ORM
Total Pages: 335
Release: 2016-03-01
Genre: Performing Arts
ISBN: 0374711259

A New York Times Bestseller For almost a century, Americans have been losing their hearts and losing their minds in an insatiable love affair with the American musical. It often begins in childhood in a darkened theater, grows into something more serious for high school actors, and reaches its passionate zenith when it comes time for love, marriage, and children, who will start the cycle all over again. Americans love musicals. Americans invented musicals. Americans perfected musicals. But what, exactly, is a musical? In The Secret Life of the American Musical, Jack Viertel takes them apart, puts them back together, sings their praises, marvels at their unflagging inventiveness, and occasionally despairs over their more embarrassing shortcomings. In the process, he invites us to fall in love all over again by showing us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next—by design or by accident, by emulation or by rebellion—from Oklahoma! to Hamilton and onward. Structured like a musical, The Secret Life of the American Musical begins with an overture and concludes with a curtain call, with stops in between for “I Want” songs, “conditional” love songs, production numbers, star turns, and finales. The ultimate insider, Viertel has spent three decades on Broadway, working on dozens of shows old and new as a conceiver, producer, dramaturg, and general creative force; he has his own unique way of looking at the process and at the people who collaborate to make musicals a reality. He shows us patterns in the architecture of classic shows and charts the inevitable evolution that has taken place in musical theater as America itself has evolved socially and politically. The Secret Life of the American Musical makes you feel as though you’ve been there in the rehearsal room, in the front row of the theater, and in the working offices of theater owners and producers as they pursue their own love affair with that rare and elusive beast—the Broadway hit.

Rose Marie

Rose Marie
Author: Rudolf Friml
Publisher:
Total Pages: 188
Release: 1925
Genre: Musical revues, comedies, etc
ISBN:

The Cambridge Companion to Operetta

The Cambridge Companion to Operetta
Author: Anastasia Belina
Publisher: Cambridge University Press
Total Pages: 347
Release: 2020
Genre: Music
ISBN: 1107182166

A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.

German Operetta on Broadway and in the West End, 1900-1940

German Operetta on Broadway and in the West End, 1900-1940
Author: Derek B. Scott
Publisher: Cambridge University Press
Total Pages: 393
Release: 2022-06-23
Genre: Music
ISBN: 9781108723329

Academic attention has focused on America's influence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900-1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period - from modernity and gender relations to new technology and new media - and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core.

The Operetta Empire

The Operetta Empire
Author: Micaela Baranello
Publisher: Univ of California Press
Total Pages: 250
Release: 2021-06
Genre: History
ISBN: 0520379128

"When the world comes to an end," Viennese writer Karl Kraus lamented in 1908, "all the big city orchestras will still be playing The Merry Widow." Viennese operettas like Franz Lehár's The Merry Widow were preeminent cultural texts during the Austro-Hungarian Empire's final years. Alternately hopeful and nihilistic, operetta staged contemporary debates about gender, nationality, and labor. The Operetta Empire delves into this vibrant theatrical culture, whose creators simultaneously sought the respectability of high art and the popularity of low entertainment. Case studies examine works by Lehár, Emmerich Kálmán, Oscar Straus, and Leo Fall in light of current musicological conversations about hybridity and middlebrow culture. Demonstrating a thorough mastery of the complex early twentieth‐century Viennese cultural scene, and a sympathetic and redemptive critique of a neglected popular genre, Micaela Baranello establishes operetta as an important element of Viennese cultural life—one whose transgressions helped define the musical hierarchies of its day.