Early Netherlandish And German Paintings
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| Author | : National Gallery (Great Britain) |
| Publisher | : Collins |
| Total Pages | : 124 |
| Release | : 1985 |
| Genre | : Art |
| ISBN | : |
"It is usual when thinking of the painting of the Renaissance to concentrate on the great Italian masterpieces. But to think exclusively along those lines would be to exclude the very great, and to modern eyes very appealing, painting that was happening at the same time north of the Alps. . . Van der Weyden, Memling, Bosch, Dürer, Altdorfer, Lucas Cranach and Holbein are all here, reflecting the National Gallery's very high quality holdings of the paintings of those schools. And, because the volume covers the whole of the German holdings, there are modern works like Klimt's sumptuous portrait of Hermine Gallia too." -- Page 7, 8.
| Author | : Bernhard Ridderbos |
| Publisher | : Amsterdam University Press |
| Total Pages | : 506 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9789053566145 |
An illustrated scholarly analysis of the art and the cultural interpretations of the Flemish Primitives.
| Author | : John Oliver Hand |
| Publisher | : Cambridge University Press |
| Total Pages | : 215 |
| Release | : 1993 |
| Genre | : Painting |
| ISBN | : 9780521450935 |
A catalogue of fifteenth and sixteenth century German paintings in the National Gallery of Art, Washington DC.
| Author | : Maryan W. Ainsworth |
| Publisher | : Brepols Publishers |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Art |
| ISBN | : 9782503566689 |
Recent technical examinations of Early Netherlandish art have propelled in-depth studies of key works far beyond traditional connoisseurship methods. Ingenious new applications, as well as a prodigious amount of comparative technical documentation, have changed our views of standard workshop practices, including issues of materials and techniques, and details about the precise nature of collaboration. The studies presented in this book illustrate the variety of approaches and findings in what can be called the new connoisseurship. Here the reader will find alternative methods of evaluating Jan van Eyck's Saint Barbara and Ghent Altarpiece, Dirk Bouts's canvas paintings, Jacb Cornelisz van Oostsanen's Berlin Sketchbook, the Evora Altarpiece and the Saint Anne Altarpiece from Gerard David's workshop, Jan Gossart's Malvagna Triptych, and a triptych by Pieter I Claeissens. These individual studies will be of interest not only to aficionados of Early Netherlandish painting, but also to students who are keen to learn about the pivotal role of technical studies for this period of art history.
| Author | : Paula Nuttall |
| Publisher | : |
| Total Pages | : 307 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 9780300102444 |
02 This innovative book presents a fresh view of fifteenth-century Netherlandish art and the significance of its contributions to contemporary Italian art, notably in such areas as oil painting, landscape, and portraiture. Focusing on Florence, a prime center of Renaissance culture, the book explores for the first time the profound impact of Netherlandish works on Italian painters including Leonardo, Perugino, and Ghirlandaio.Paula Nuttall discusses Italian ownership of Netherlandish paintings in the fifteenth century and the shared artistic concerns of Florentine and Netherlandish painters. She examines in depth the various means by which artistic contact occurred, the growth in demand for Netherlandish art in Florence, and the holdings of the Medici and other collectors. With particular emphasis on the period 1460–1500, when the vogue for Netherlandish painting was at its height, the author shows that the consequences of Italian exposure to Netherlandish art were far more sweeping than has been understood before.Paula Nuttall is an independent scholar. She teaches at the Victoria and Albert Museum in London and at other U.K. institutions. She is a specialist on relationships between Netherlandish painting and Italy and has published widely in this area. This innovative book presents a fresh view of fifteenth-century Netherlandish art and the significance of its contributions to contemporary Italian art, notably in such areas as oil painting, landscape, and portraiture. Focusing on Florence, a prime center of Renaissance culture, the book explores for the first time the profound impact of Netherlandish works on Italian painters including Leonardo, Perugino, and Ghirlandaio.Paula Nuttall discusses Italian ownership of Netherlandish paintings in the fifteenth century and the shared artistic concerns of Florentine and Netherlandish painters. She examines in depth the various means by which artistic contact occurred, the growth in demand for Netherlandish art in Florence, and the holdings of the Medici and other collectors. With particular emphasis on the period 1460–1500, when the vogue for Netherlandish painting was at its height, the author shows that the consequences of Italian exposure to Netherlandish art were far more sweeping than has been understood before.Paula Nuttall is an independent scholar. She teaches at the Victoria and Albert Museum in London and at other U.K. institutions. She is a specialist on relationships between Netherlandish painting and Italy and has published widely in this area.
| Author | : Till Borchert |
| Publisher | : |
| Total Pages | : 552 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 9780500238837 |
Brings together work by two great masters, Van Eyck and Dürer, along with work by their contemporaries to illustrate the interaction between Flemish and Central European artists in the fifteenth and sixteenth centuries.
| Author | : Anne-Sophie V. Radermecker |
| Publisher | : BRILL |
| Total Pages | : 340 |
| Release | : 2021-05-25 |
| Genre | : Art |
| ISBN | : 9004460209 |
In Anonymous Art at Auction, Anne-Sophie V. Radermecker takes the opposing view of the superstar economy by examining contemporary sales of Early Flemish paintings with unknown authorship and the effects of various substitutes for real names on price formation.
| Author | : Stijn Alsteens |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 274 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 1588394514 |
"This exhibition is the first to offer an extensive overview of the Museum's holdings of early Central European drawings, many of which were acquired in the last two decades. An emphasis on works by later sixteenth- and seventeenth-century artists is balanced by a selection of German drawings from the fifteenth and earlier sixteenth century, of which some of the most exceptional ones--including works by Albrecht Deurer--entered the Museum with The Robert Lehman Collection in 1975."--Publisher's website.
| Author | : Nelson-Atkins Museum of Art |
| Publisher | : University of Washington Press |
| Total Pages | : 376 |
| Release | : 2005 |
| Genre | : Architecture |
| ISBN | : |
This volume concerns works by artists active during the fifteenth and sixteenth centuries in the transalpine lands of northern Europe, which eventually became the modern nations of Germany, Belgium, and the Netherlands. The early Northern pictures feature masterpieces by great artists such as Petrus Christus and Joachim Wtewael, as well as radiant examples by other notable artists such as Lucas Cranach the Elder, Bernard van Orley, Jan Gossart, and Hans Memling. Each of the twenty-five comprehensive entries by Burton L. Dunbar includes a thorough and engaging account of the artistÕs career; complete technical notes; a detailed description; a fully documented commentary with a discussion of attribution, date, subject, and function; an exacting list of references that also summarizes the critical history of each work; and an up-to-date checklist of the paintingÕs provenance and exhibition history. Every work in the collection is reproduced in full color and with color details, and the volumeÕs usefulness is richly enhanced by more than 200 comparative illustrations. The book includes a unique history of the collecting of early Northern paintings in the Midwest. Readers will also be fascinated by the abundance of information derived from the investigation of each work by contemporary experts in the rapidly evolving field of conservation, aided by tools such as infrared reflectography and dendrochronology. Burton L. Dunbar is professor of art history at the University of Missouri-Kansas City. The other contributors include Molly Faries, Roger Ward, Anne W. Lowenthal, Peter Klein, and Dena M. Woodall.
| Author | : Maryan W. Ainsworth |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 386 |
| Release | : 2013 |
| Genre | : History |
| ISBN | : 1588394875 |
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
