Early Music History Volume 17
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| Author | : Iain Fenlon |
| Publisher | : Cambridge University Press |
| Total Pages | : 350 |
| Release | : 1999-03-04 |
| Genre | : Music |
| ISBN | : 9780521622424 |
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seventeen include: Tropis semper variantibus: Compositional strategies in the offertories of Old Roman chant; Music, identity and the Inquisition in fifteenth-century Spain; Musical aspects of Old Testament canticles in their biblical setting.
| Author | : William Oliver Strunk |
| Publisher | : Source Readings Vol. 2 |
| Total Pages | : 192 |
| Release | : 1998 |
| Genre | : Music |
| ISBN | : 9780393966954 |
Published as a single volume in 1950. Published as 5 separate volumes in the 1965 edition. A single volume edition and a set of separate volumes published in 1998. The subtitles of the 1998 edition vary from the subtitles of the 1965 edition.
| Author | : N. Alan Clark |
| Publisher | : |
| Total Pages | : 316 |
| Release | : 2015-12-21 |
| Genre | : Education |
| ISBN | : 9781940771335 |
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
| Author | : Iain Fenlon |
| Publisher | : Cambridge University Press |
| Total Pages | : 322 |
| Release | : 1995-02-23 |
| Genre | : Music |
| ISBN | : 9780521472821 |
Concerned with the study of music from the early Middle Ages to the seventeenth century. Includes articles on French 16th-century music, theatre and poetry
| Author | : Iain Fenlon |
| Publisher | : Cambridge University Press |
| Total Pages | : 336 |
| Release | : 2004-12-27 |
| Genre | : Literary Criticism |
| ISBN | : 9780521842501 |
Musical history from the early Middle Ages to the end of the seventeenth century.
| Author | : Thomas Christensen |
| Publisher | : Cambridge University Press |
| Total Pages | : 1033 |
| Release | : 2006-04-20 |
| Genre | : Music |
| ISBN | : 1316025489 |
The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.
| Author | : Curt Sachs |
| Publisher | : Courier Corporation |
| Total Pages | : 338 |
| Release | : 2008-01-01 |
| Genre | : Music |
| ISBN | : 0486466612 |
An eminent scholar explores the evolution of music, from the ecstatic singing of early civilizations to the development of more structured styles in Egypt, East Asia, Rome, and other regions.
| Author | : Tim Carter |
| Publisher | : Cambridge University Press |
| Total Pages | : 636 |
| Release | : 2005-12-22 |
| Genre | : Music |
| ISBN | : 9780521792738 |
First published in 2005, this title provides extensive knowledge on seventeenth-century music.
| Author | : Philip V. Bohlman |
| Publisher | : Cambridge University Press |
| Total Pages | : 943 |
| Release | : 2013-12-12 |
| Genre | : Music |
| ISBN | : 1316025667 |
Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.
| Author | : Michael Miller |
| Publisher | : Penguin |
| Total Pages | : 340 |
| Release | : 2008-07-01 |
| Genre | : Music |
| ISBN | : 1440636370 |
A beautifully composed journey through music history! Music history is a required course for all music students. Unfortunately, the typical music history book is dry and academic, focusing on rote memorization of important composers and works. This leads many to think that the topic is boring, but bestselling author Michael Miller proves that isn’t so. This guide makes music history interesting and fun, for both music students and older music lovers. • Covers more than Western “classical” music—also includes non-Western music and uniquely American forms such as jazz • More than just names and dates—puts musical developments in context with key historical events
