Early Christian Attitudes Toward Images
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Author | : Steven Bigham |
Publisher | : |
Total Pages | : 240 |
Release | : 2004 |
Genre | : Art |
ISBN | : 9780974561868 |
For all iconophiles, that is, those who accept the dogma of the Seventh Ecumenical Council, but especially the Orthodox who claim that the icon has a sacramental and mystical character, it is naturally disquieting to hear the claim that the early Christians were aniconic and iconophobic. If this claim is true, the theology and the veneration of the icon are seriously undermined. It is, therefore, natural for iconophiles to attempt to disprove the thesis according to which the early Christians had no images whatsoever (aniconic) because they believed them to be idols (iconophobic). It is equally natural for iconophiles to want to substantiate, as much as this is possible, their deep intuition that the roots of Christian iconography go back to the apostolic age. This study weakens the notion and credibility of the alleged hostility of the early Christians to non-idolatrous images, providing a more balanced evaluation of this question.
Author | : Robin M. Jensen |
Publisher | : Univ of California Press |
Total Pages | : 269 |
Release | : 2022-09-20 |
Genre | : Religion |
ISBN | : 0520975731 |
Even the briefest glance at an art museum’s holdings or an introductory history textbook demonstrates the profound influence of Christian images and art. From Idols to Icons tells the fascinating history of the dramatic shift in Christian attitudes toward sacred images from the third through the early seventh century. From attacks on the cult images of polytheism to the emergence of Christian narrative iconography to the appearance of portrait-type representations of holy figures, this book examines the primary theological critiques and defenses of holy images in light of the surviving material evidence for early Christian visual art. Against the previous assumption that fourth- and fifth-century Christians simply forgot or ignored their predecessors’ censure and reverted to more alluring pagan practices, Robin M. Jensen contends that each stage of this profound change was uniquely Christian. Through a careful consideration of the cults of saints’ remains, devotional portraits, and pilgrimages to sacred sites, Jensen shows how the Christian devotion to holy images came to be rooted in their evolving conviction that the divine was accessible in and through visible objects.
Author | : Robin M. Jensen |
Publisher | : Routledge |
Total Pages | : 233 |
Release | : 2013-04-15 |
Genre | : History |
ISBN | : 1135951772 |
Understanding Early Christian Art is designed for students of both religion and of art history. It makes the critical tools of art historians accessible to students of religion, to help them understand better the visual representations of Christianity. It will also aid art historians in comprehending the complex theology, history and context of Christian art. This interdisciplinary and boundary-breaking approach will enable students in several fields to further their understanding and knowledge of the art of the early Christian era. Understanding Early Christian Art contains over fifty images with parallel text.
Author | : John Givens |
Publisher | : Cornell University Press |
Total Pages | : 393 |
Release | : 2018-05-29 |
Genre | : Religion |
ISBN | : 1609092384 |
Vladimir Nabokov complained about the number of Dostoevsky's characters "sinning their way to Jesus." In truth, Christ is an elusive figure not only in Dostoevsky's novels, but in Russian literature as a whole. The rise of the historical critical method of biblical criticism in the nineteenth century and the growth of secularism it stimulated made an earnest affirmation of Jesus in literature highly problematic. If they affirmed Jesus too directly, writers paradoxically risked diminishing him, either by deploying faith explanations that no longer persuade in an age of skepticism or by reducing Christ to a mere argument in an ideological dispute. The writers at the heart of this study understood that to reimage Christ for their age, they had to make him known through indirect, even negative ways, lest what they say about him be mistaken for cliché, doctrine, or naïve apologetics. The Christology of Dostoevsky, Leo Tolstoy, Mikhail Bulgakov, and Boris Pasternak is thus apophatic because they deploy negative formulations (saying what God is not) in their writings about Jesus. Professions of atheism in Dostoevsky and Tolstoy's non-divine Jesus are but separate negative paths toward truer discernment of Christ. This first study in English of the image of Christ in Russian literature highlights the importance of apophaticism as a theological practice and a literary method in understanding the Russian Christ. It also emphasizes the importance of skepticism in Russian literary attitudes toward Jesus on the part of writers whose private crucibles of doubt produced some of the most provocative and enduring images of Christ in world literature. This important study will appeal to scholars and students of Orthodox Christianity and Russian literature, as well as educated general readers interested in religion and nineteenth-century Russian novels.
Author | : Robin Margaret Jensen |
Publisher | : Fortress Press |
Total Pages | : 264 |
Release | : |
Genre | : Religion |
ISBN | : 9781451417517 |
Examining how God and eventually Christ are portrayed in early Christian art, Jensen explores questions of the relationship between art and theology, conflicts over idolatry and iconography, and how the Christological controversies affected the portrayals of Christ. Since much of this art comes from ancient Rome, she places her analysis in the context of the history of Roman portraiture. One hundred photographs enhance the discussion.
Author | : D. A. Carson |
Publisher | : Wipf and Stock Publishers |
Total Pages | : 204 |
Release | : 2018-12-19 |
Genre | : Religion |
ISBN | : 1532677537 |
Themelios is an international, evangelical, peer-reviewed theological journal that expounds and defends the historic Christian faith. Themelios is published three times a year online at The Gospel Coalition (http://thegospelcoalition.org/themelios/) and in print by Wipf and Stock. Its primary audience is theological students and pastors, though scholars read it as well. Themelios began in 1975 and was operated by RTSF/UCCF in the UK, and it became a digital journal operated by The Gospel Coalition in 2008. The editorial team draws participants from across the globe as editors, essayists, and reviewers. General Editor: D. A. Carson, Trinity Evangelical Divinity School Managing Editor: Brian Tabb, Bethlehem College and Seminary Consulting Editor: Michael J. Ovey, Oak Hill Theological College Administrator: Andrew David Naselli, Bethlehem College and Seminary Book Review Editors: Jerry Hwang, Singapore Bible College; Alan Thompson, Sydney Missionary & Bible College; Nathan A. Finn, Southeastern Baptist Theological Seminary; Hans Madueme, Covenant College; Dane Ortlund, Crossway; Jason Sexton, Golden Gate Baptist Seminary Editorial Board: Gerald Bray, Beeson Divinity School Lee Gatiss, Wales Evangelical School of Theology Paul Helseth, University of Northwestern, St. Paul Paul House, Beeson Divinity School Ken Magnuson, The Southern Baptist Theological Seminary Jonathan Pennington, The Southern Baptist Theological Seminary James Robson, Wycliffe Hall Mark D. Thompson, Moore Theological College Paul Williamson, Moore Theological College Stephen Witmer, Pepperell Christian Fellowship Robert Yarbrough, Covenant Seminary
Author | : Edwyn Bevan |
Publisher | : Routledge |
Total Pages | : 193 |
Release | : 2014-04-08 |
Genre | : Religion |
ISBN | : 131768494X |
First published in 1940, this title presents four of the Gifford Lectures in natural theology given by Edwyn Bevan in 1933: ‘An Inquiry into Idolatry and Image-Worship in Ancient Paganism and Christianity’. Reference is made throughout all four lectures not only to the conventional disputes in Western Christianity, but also to the attitudes of Hebrew, Pagan, Patristic, Muslim and Eastern thinkers towards the role of symbols and symbolism in worship. In this way, a subject of perennial fascination and importance is placed in a broad historical context, and innovative lines of enquiry are developed with clarity and insight. Holy Images offers an intriguing and easily accessible resource to students of theology, comparative religion, religious anthropology and philosophy.
Author | : Lee M. Jefferson |
Publisher | : Augsburg Fortress Publishers |
Total Pages | : 245 |
Release | : 2014 |
Genre | : Art |
ISBN | : 1451477937 |
Images and artistic representations were of significant value to the early Christian communities. In Christ the Miracle Worker in Early Christian Art, Lee Jefferson argues, in fact, that images provided visual representations of vital religious and theological truths crucial to the faithful, by which art possessed the power to project concepts and claims beyond the limitations of the written and spoken word. Images of Christ performing miracles or healings, as demonstrated in this volume, functioned as advertisements for Christianity and illustrated explications of the nature of Christ. These images of Christ as worker of miracles and healing form the nucleus of an extensive examination of this power of art, its role in fostering devotion, and the deep connection between art and its underwriting and elucidation of pivotal theological claims and developments. (back cover).
Author | : Harry Y. Gamble |
Publisher | : Yale University Press |
Total Pages | : 356 |
Release | : 1995-01-01 |
Genre | : Religion |
ISBN | : 9780300069181 |
This fascinating and lively book provides the first comprehensive discussion of the production, circulation, and use of books in early Christianity. It explores the extent of literacy in early Christian communities; the relation in the early church between oral tradition and written materials; the physical form of early Christian books; how books were produced, transcribed, published, duplicated, and disseminated; how Christian libraries were formed; who read the books, in what circumstances, and to what purposes. Harry Y. Gamble interweaves practical and technological dimensions of the production and use of early Christian books with the social and institutional history of the period. Drawing on evidence from papyrology, codicology, textual criticism, and early church history, as well as on knowledge about the bibliographical practices that characterized Jewish and Greco-Roman culture, he offers a new perspective on the role of books in the first five centuries of the early church.
Author | : Hans Belting |
Publisher | : University of Chicago Press |
Total Pages | : 692 |
Release | : 1994 |
Genre | : Art |
ISBN | : 9780226042152 |
Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover