Early Chinese Writing
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| Author | : Feng Li |
| Publisher | : University of Washington Press |
| Total Pages | : 480 |
| Release | : 2012-05-01 |
| Genre | : History |
| ISBN | : 0295804505 |
The emergence and spread of literacy in ancient human society an important topic for all who study the ancient world, and the development of written Chinese is of particular interest, as modern Chinese orthography preserves logographic principles shared by its most ancient forms, making it unique among all present-day writing systems. In the past three decades, the discovery of previously unknown texts dating to the third century BCE and earlier, as well as older versions of known texts, has revolutionized the study of early Chinese writing. The long-term continuity and stability of the Chinese written language allow for this detailed study of the role literacy played in early civilization. The contributors to Writing and Literacy in Early China inquire into modes of manuscript production, the purposes for which texts were produced, and the ways in which they were actually used. By carefully evaluating current evidence and offering groundbreaking new interpretations, the book illuminates the nature of literacy for scribes and readers.
| Author | : Thomas S. Mullaney |
| Publisher | : MIT Press |
| Total Pages | : 501 |
| Release | : 2018-10-09 |
| Genre | : Technology & Engineering |
| ISBN | : 0262536102 |
How Chinese characters triumphed over the QWERTY keyboard and laid the foundation for China's information technology successes today. Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters—in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and successes in the century-long quest for a workable Chinese typewriter. The earliest Chinese typewriters, Mullaney tells us, were figments of popular imagination, sensational accounts of twelve-foot keyboards with 5,000 keys. One of the first Chinese typewriters actually constructed was invented by a Christian missionary, who organized characters by common usage (but promoted the less-common characters for “Jesus" to the common usage level). Later came typewriters manufactured for use in Chinese offices, and typewriting schools that turned out trained “typewriter girls” and “typewriter boys.” Still later was the “Double Pigeon” typewriter produced by the Shanghai Calculator and Typewriter Factory, the typewriter of choice under Mao. Clerks and secretaries in this era experimented with alternative ways of organizing characters on their tray beds, inventing an input method that was the first instance of “predictive text.” Today, after more than a century of resistance against the alphabetic, not only have Chinese characters prevailed, they form the linguistic substrate of the vibrant world of Chinese information technology. The Chinese Typewriter, not just an “object history” but grappling with broad questions of technological change and global communication, shows how this happened. A Study of the Weatherhead East Asian Institute Columbia University
| Author | : Frank Herring Chalfant |
| Publisher | : |
| Total Pages | : 152 |
| Release | : 1906 |
| Genre | : Chinese language |
| ISBN | : |
| Author | : Steven Roger Fischer |
| Publisher | : Reaktion Books |
| Total Pages | : 429 |
| Release | : 2020-09-10 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1861895887 |
From the earliest scratches on stone and bone to the languages of computers and the internet, A History of Writing offers an investigation into the origin and development of writing throughout the world. Illustrated with numerous examples, this book offers a global overview in a format that everyone can follow. Steven Roger Fischer also reveals his own discoveries made since the early 1980s, making it a useful reference for students and specialists as well as a delightful read for lovers of the written word everywhere.
| Author | : William G. Boltz |
| Publisher | : |
| Total Pages | : 226 |
| Release | : 1994 |
| Genre | : Foreign Language Study |
| ISBN | : |
Originally published in 1994 (hardcover now out of print), this volume has been reprinted in a new paperback format that will make it more attractive and affordable for use in the classroom. The work sketches with extraordinary precision the history of the Chinese writing system from the late Shang (ca. 1200 B.C.) when Chinese characters are first in evidence down to the script's standardization and codification a millennium later in the Ch'in and Han (221 B.C.-A.D. 220). Prof. Boltz takes in part a comparative approach to the origin and early structure and development of Chinese writing, suggesting that in its general principles the process was matched pari passu by the way writing first arose in Mesopotamia, Egypt, and among the Mayas (for example, that the Chinese script records the sounds of words, not ideas). The author also examines the question of why the Chinese script never became alphabetic, in spite of hints of such tendencies in the third and second centuries B.C. Kidder Smith, of Bowdoin College, said of the original publication: "... this book will be highly valued by anyone concerned with the relationships of language to writing, and should become the point of reference for all discussions of these questions as they pertain to ancient Chinese" (Religious Studies Review Vol. 21, No. 4, October 1995).
| Author | : Kang-i Sun Chang |
| Publisher | : Cambridge University Press |
| Total Pages | : 748 |
| Release | : 2010 |
| Genre | : Chinese literature |
| ISBN | : 9780521855587 |
Stephen Owen is James Bryant Conant Professor of Chinese at Harvard University. --Book Jacket.
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| Total Pages | : |
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| Author | : John DeFrancis |
| Publisher | : University of Hawaii Press |
| Total Pages | : 348 |
| Release | : 1986-03-01 |
| Genre | : Foreign Language Study |
| ISBN | : 9780824810689 |
"DeFrancis's book is first rate. It entertains. It teaches. It demystifies. It counteracts popular ignorance as well as sophisticated (cocktail party) ignorance. Who could ask for anything more? There is no other book like it. ... It is one of a kind, a first, and I would not only buy it but I would recommend it to friends and colleagues, many of whom are visiting China now and are adding 'two-week-expert' ignorance to the two kinds that existed before. This is a book for everyone." --Joshua A. Fishman, research professor of social sciences, Yeshiva University, New York "Professor De Francis has produced a work of great effectiveness that should appeal to a wide-ranging audience. It is at once instructive and entertaining. While being delighted by the flair of his novel approach, the reader will also be led to ponder on some of the most fundamental problems concerning the relations between written languages and spoken languages. Specifically, he will be served a variety of information on the languages of East Asia, not as dry pedantic facts, but as appealing tidbits that whet the intellectual appetite. The expert will find much to reflect on in this book, for Professor DeFrancis takes nothing for granted." --William S.Y. Wang, professor of linguistics, University of California at Berkeley
| Author | : Tsuen-hsuin Tsien |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Books |
| ISBN | : 9780226814162 |
Paleography, which often overlaps with archaeology, deciphers ancient inscriptions and modes of writing to reveal the knowledge and workings of earlier societies. In this now-classic paleographic study of China, Tsuen-Hsuin Tsien traces the development of Chinese writing from the earliest inscriptions to the advent of printing, with specific attention to the tools and media used. This edition includes material that treats the many major documents and ancient Chinese artifacts uncovered over the forty years since the book's first publication, as well as an afterword by Edward L. Shaughnessy. Written on Bamboo and Silk has long been considered a landmark in its field. Critical in this regard is the excavation of numerous sites throughout China, where hundreds of thousands of documents written on bamboo and silk--as well as other media--were found, including some of the earliest copies of historical, medical, astronomical, military, and religious texts that are now essential to the study of early Chinese literature, history, and philosophy. Discoveries such as these have made the amount of material evidence on the origins and evolution of communication throughout Chinese history exceedingly broad and rich, and yet Tsien succeeds in tackling it all and building on the earlier classic work that changed the course of study and understanding of Chinese paleography.
| Author | : Jing Tsu |
| Publisher | : Penguin |
| Total Pages | : 337 |
| Release | : 2022-01-18 |
| Genre | : History |
| ISBN | : 0735214743 |
PULITZER PRIZE FINALIST A New York Times Notable Book of 2022 What does it take to reinvent a language? After a meteoric rise, China today is one of the world’s most powerful nations. Just a century ago, it was a crumbling empire with literacy reserved for the elite few, as the world underwent a massive technological transformation that threatened to leave them behind. In Kingdom of Characters, Jing Tsu argues that China’s most daunting challenge was a linguistic one: the century-long fight to make the formidable Chinese language accessible to the modern world of global trade and digital technology. Kingdom of Characters follows the bold innovators who reinvented the Chinese language, among them an exiled reformer who risked a death sentence to advocate for Mandarin as a national language, a Chinese-Muslim poet who laid the groundwork for Chairman Mao's phonetic writing system, and a computer engineer who devised input codes for Chinese characters on the lid of a teacup from the floor of a jail cell. Without their advances, China might never have become the dominating force we know today. With larger-than-life characters and an unexpected perspective on the major events of China’s tumultuous twentieth century, Tsu reveals how language is both a technology to be perfected and a subtle, yet potent, power to be exercised and expanded.
