Early California Surfriders
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Author | : Matt Warshaw |
Publisher | : Houghton Mifflin Harcourt |
Total Pages | : 820 |
Release | : 2005 |
Genre | : Reference |
ISBN | : 9780156032513 |
With 1,500 alphabetical entries and 300 illustrations, this resource is a comprehensive review of the people, places, events, equipment, vernacular, and lively history of this fascinating sport.
Author | : Malcolm Gault-Williams |
Publisher | : Lulu.com |
Total Pages | : 267 |
Release | : 2012-12-12 |
Genre | : History |
ISBN | : 1300490713 |
"LEGENDARY SURFERS Volume 3: 1930s" details the surf world of the 1930s, including California, Florida, Hawaii, Australia and Britain. This is not a coffee table book. It is specifically written for surfers who want to know the details of the heritage we are blessed to share, as told by those who lived it.
Author | : Doc Ball |
Publisher | : |
Total Pages | : 103 |
Release | : 1979 |
Genre | : Surfing |
ISBN | : |
Author | : Patrick Moser |
Publisher | : University of Illinois Press |
Total Pages | : 226 |
Release | : 2024-06-11 |
Genre | : Sports & Recreation |
ISBN | : 0252056787 |
Despite a genuine admiration for Native Hawaiian culture, white Californians of the 1930s ignored authentic relationships with Native Hawaiians. Surfing became a central part of what emerged instead: a beach culture of dressing, dancing, and acting like an Indigenous people whites idealized. Patrick Moser uses surfing to open a door on the cultural appropriation practiced by Depression-era Californians against a backdrop of settler colonialism and white nationalism. Recreating the imagined leisure and romance of life in Waikīkī attracted people buffeted by economic crisis and dislocation. California-manufactured objects like surfboards became a physical manifestation of a dream that, for all its charms, emerged from a white impulse to both remove and replace Indigenous peoples. Moser traces the rise of beach culture through the lives of trendsetters Tom Blake, John “Doc” Ball, Preston “Pete” Peterson, Mary Ann Hawkins, and Lorrin “Whitey” Harrison while also delving into California’s control over images of Native Hawaiians via movies, tourism, and the surfboard industry. Compelling and innovative, Waikīkī Dreams opens up the origins of a defining California subculture.
Author | : Matt Warshaw |
Publisher | : Chronicle Books |
Total Pages | : 497 |
Release | : 2011-04-29 |
Genre | : Sports & Recreation |
ISBN | : 1452100942 |
This in-depth, photo-packed look at the history and culture of surfers is “meticulously researched, smartly written . . . required reading” (Outside Magazine). Matt Warshaw knows more about surfing than any other person on the planet. After five years of research and writing, Warshaw, a former professional surfer and editor of Surfing magazine, has crafted an unprecedented, definitive history of the sport and the culture it has spawned. With more than 250 rare photographs, The History of Surfing reveals and defines this sport with a voice that is authoritative, funny, and wholly original. The obsessive nature of Warshaw’s endeavor is matched only by the obsessive nature of surfers, who are brought to life in this book in many tales of daring, innovation, athletic achievement, and the offbeat personalities who have made surfing history happen. “The world’s most comprehensive chronicler of the surfing scene.” —Andy Martin, The Independent
Author | : |
Publisher | : |
Total Pages | : 103 |
Release | : 1995 |
Genre | : Surfing |
ISBN | : |
Author | : Patrick Moser |
Publisher | : University of Hawaii Press |
Total Pages | : 353 |
Release | : 2008-05-08 |
Genre | : Fiction |
ISBN | : 0824863836 |
A thousand years after Hawaiians first paddled long wooden boards into the ocean, modern surfers have continued this practice, which has recently been transformed into a global industry. Pacific Passages brings together four centuries of writing about surfing, the most comprehensive collection of Polynesian and Western perspectives on the history and culture of a sport currently enjoyed by millions of people around the world. The stories begin with Hawaiian legends and chants and are followed by the journals of explorers; the travel narratives of missionaries and luminaries such as Herman Melville, Mark Twain, and Jack London; and the contemporary observations of Tom Wolfe, William Finnegan, Susan Orlean, and Bob Shacochis. Readers follow the historical transformation of surfing’s image through the centuries: from Polynesian myths of love to Western accounts of horror and exoticism in the eighteenth and nineteenth centuries, to modern representations of surfing as a character-building activity in pre-World-War II California and the quintessential expression of disaffected youth. They explore the sport’s most recent trends by writers and cultural critics, whose insights into technology, competition, gender, heritage, and globalism reveal how surfing impacts some of today’s most pressing social concerns. Aided by informative introductions, the writings in Pacific Passages provide insight into the values and ideals of Polynesian and Western cultures, revealing how each has altered and been altered by surfing—and how the sport itself has shown an amazing ability throughout the centuries to survive, adapt, and prosper.
Author | : Patrick Moser |
Publisher | : University of Illinois Press |
Total Pages | : 295 |
Release | : 2022-06-28 |
Genre | : Sports & Recreation |
ISBN | : 0252053443 |
The mixed-race Hawaiian athlete George Freeth brought surfing to Venice, California, in 1907. Over the next twelve years, Freeth taught Southern Californians to surf and swim while creating a modern lifeguard service that transformed the beach into a destination for fun, leisure, and excitement. Patrick Moser places Freeth’s inspiring life story against the rise of the Southern California beach culture he helped shape and define. Freeth made headlines with his rescue of seven fishermen, an act of heroism that highlighted his innovative lifeguarding techniques. But he also founded California's first surf club and coached both male and female athletes, including Olympic swimming champion and “father of modern surfing” Duke Kahanamoku. Often in financial straits, Freeth persevered as a teacher and lifeguarding pioneer--building a legacy that endured long after his death during the 1919 influenza pandemic. A compelling merger of biography and sports history, Surf and Rescue brings to light the forgotten figure whose novel way of seeing the beach sparked the imaginations of people around the world.
Author | : Peter Westwick |
Publisher | : Crown |
Total Pages | : 418 |
Release | : 2013-07-23 |
Genre | : Sports & Recreation |
ISBN | : 0307719502 |
A definitive and highly readable history of surfing and the cultural, political, economic, and environmental consequences of its evolution from a sport of Hawaiian kings and queens to a billion-dollar worldwide industry Despite its rebellious, outlaw reputation, or perhaps because of it, surfing occupies a central place in the American – and global – imagination, embodying the tension between romantic counterculture ideals and middle-class values, between an individualistic communion with nature and a growing commitment to commerce and technology. In examining the enduring widespread appeal of surfing in both myth and reality, The World in the Curl offers a fresh angle on the remarkable rise of the sport and its influence on modern life. Drawing on Peter Westwick and Peter Neushul’s expertise as historians of science and technology, the environment, and the Cold War, as well as decades of experience as surfers themselves, The World in the Curl brings alive the colorful history of surfing by drawing readers into the forces that fueled the sport's expansion: colonialism, the military-industrial complex, globalization, capitalism, environmental engineering, and race and gender roles. In an engaging and provocative narrative history – from the spread of surfing to the United States, to the development of surf culture, to the reintroduction of women into the sport, to big wave frontiers – the authors draw an indelible portrait of surfing and surfers as actors on the global stage.
Author | : John Engle |
Publisher | : McFarland |
Total Pages | : 261 |
Release | : 2015-10-19 |
Genre | : Performing Arts |
ISBN | : 0786495219 |
Surfing has fascinated filmmakers since Thomas Edison shot footage of Waikiki beachboys in 1906. Before the 1950s surf craze, surfing showed up in travelogues or as exotic background for studio features. The arrival of Gidget (1959) on the big screen swept the sport into popular culture, but surfer-filmmakers were already featuring the day's best surfers in self-narrated two-reelers. Hollywood and independent filmmakers have produced about three dozen surf films in the last half-century, including the frothy Beach Party movies, Point Break (1991) and Chasing Mavericks (2012). From Bud Browne's earliest efforts to The Endless Summer (1966), Riding Giants (2004) and today's brilliant videos, over 1,000 surfing movies have celebrated the stoke. This first full-length study of surf movies gives critical attention to hundreds of the most important films.