Early Buddhist Art of Bodh-Gayā
Author | : Kalyan Kumar Chakravarty |
Publisher | : |
Total Pages | : 136 |
Release | : 1997 |
Genre | : Architecture |
ISBN | : |
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Author | : Kalyan Kumar Chakravarty |
Publisher | : |
Total Pages | : 136 |
Release | : 1997 |
Genre | : Architecture |
ISBN | : |
Author | : Rājendralāla Mitra (Raja) |
Publisher | : |
Total Pages | : 392 |
Release | : 1878 |
Genre | : Architecture, Buddhist |
ISBN | : |
Author | : David Geary |
Publisher | : Routledge |
Total Pages | : 226 |
Release | : 2012 |
Genre | : History |
ISBN | : 0415684528 |
Bodh Gaya in the North Indian state of Bihar has long been recognized as the place where the Buddha achieved enlightenment. This book brings together the recent work of twelve scholars from a variety of disciplines - anthropology, art history, history, and religion - to highlight their various findings and perspectives on different facets of Bodh Gaya's past and present. Through an engaging and critical overview of the place of Buddha's enlightenment, the book discusses the dynamic and contested nature of this site, and looks at the tensions with the on-going efforts to define the place according to particular histories or identities. It addresses many aspects of Bodh Gaya, from speculation about why the Buddha chose to sit beneath a tree in Bodh Gaya, to the contemporary struggles over tourism development, education and non-government organizations, to bring to the foreground the site's longevity, reinvention and current complexity as a UNESCO World Heritage monument. The book is a useful contribution for students and scholars of Buddhism and South Asian Studies.
Author | : Janice Leoshko |
Publisher | : Routledge |
Total Pages | : 184 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351550306 |
In his novel Kim, in which a Tibetan pilgrim seeks to visit important Buddhist sites in India, Rudyard Kipling reveals the nineteenth-century fascination with the discovery of the importance of Buddhism in India's past. Janice Leoshko, a scholar of South Asian Buddhist art uses Kipling's account and those of other western writers to offer new insight into the priorities underlying nineteenth-century studies of Buddhist art in India. In the absence of written records, the first explorations of Buddhist sites were often guided by accounts of Chinese pilgrims. They had journeyed to India more than a thousand years earlier in search of sacred traces of the Buddha, the places where he lived, obtained enlightenment, taught and finally passed into nirvana. The British explorers, however, had other interests besides the religion itself. They were motivated by concerns tied to the growing British control of the subcontinent. Building on earlier interventions, Janice Leoshko examines this history of nineteenth-century exploration in order to illuminate how early concerns shaped the way Buddhist art has been studied in the West and presented in its museums.
Author | : Sylvia Fraser-Lu |
Publisher | : Yale University Press |
Total Pages | : 273 |
Release | : 2015-01-01 |
Genre | : Art |
ISBN | : 0300209452 |
A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and scholars from around the world synthesize the history of Myanmar from the ancient through colonial periods and discuss the critical links between religion, geography, governance, historiography, and artistic production. The authors examine the multiplicity of styles and techniques throughout the country, the ways Buddhist narratives have been conveyed through works of art, and the context in which the diverse objects were used. Certain to be the essential resource on the subject, Buddhist Art of Myanmar illuminates two millennia of rarely seen masterpieces.
Author | : John Guy |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 348 |
Release | : 2023-07-17 |
Genre | : Art |
ISBN | : 1588396932 |
A pioneering study of the emergence of Buddhist art in southern India, featuring vibrant photography of rare works, many published here for the first time Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presents Buddhist art from monastic sites in the south. Long neglected, this is among the earliest surviving bodies of Buddhist art, and among the most sublimely beautiful. An international team of researchers contributes new scholarship on the sculptural and devotional art associated with Buddhism, and masterpieces from recently excavated Buddhist sites are published here for the first time—including Kanaganahalli and Phanigiri, the most important new discoveries in a generation. With its exploration of Buddhism’s emergence in southern India, as well as of India’s deep commercial and cultural engagement with the Hellenized and Roman worlds, this definitive study expands our understanding of the origins of Buddhist art itself.
Author | : Alexander Cunningham |
Publisher | : Hansebooks |
Total Pages | : 0 |
Release | : 2019 |
Genre | : |
ISBN | : 9783337737184 |
Mahäbodhi, - Or the great Buddhist temple under the Bodhi tree at Buddha-Gaya is an unchanged, high-quality reprint of the original edition of 1892. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Author | : Kanoko Tanaka |
Publisher | : |
Total Pages | : 284 |
Release | : 1998 |
Genre | : Art |
ISBN | : |
Dr. Tanaka, For The First Time Ever, Explores The Absence Of The Buddha-Image In Early Buddhist Art. Applying The Motif Of The Empty Throne , She Undertakes A Comparative Study Of Buddhism And Other Religions.
Author | : Alan Trevithick |
Publisher | : Motilal Banarsidass Publishe |
Total Pages | : 280 |
Release | : 2006 |
Genre | : Religion |
ISBN | : 9788120831070 |
Alan Trevithick spent three years researching primary documents in New Delhi, Sarnath, Colombo, and London, in order to present this history (1874-1949) of the Mahabodhi Temple at Bodh Gaya. This is the first such account, and it details for the first time the administrative, legal and legislative activities which shaped the temple`s current status as one of the world`s most popular pilgrimage sites. Also included is an innovative biographical essay on Anagarika Dharmapala, the Sinhalese activist who first came to India in the late 19th century as a guest of the Theosohical society: his subsequent actions substantially affected the development of Bodh Gaya as a site of international importance.
Author | : K.T.S. Sarao |
Publisher | : Springer Nature |
Total Pages | : 215 |
Release | : 2020-09-16 |
Genre | : Religion |
ISBN | : 9811580677 |
This book offers an overview of the emergence of Bodh Gayā as a sacred site within Gayā Dharmakṣetra. It contextualizes the different encounters, incidents, and legends connected to the Buddha’s experiences shortly before and after he attained Bodhi – when, spiritually speaking, he was extremely lonely and was trying to carve a place for himself in the highly competitive Gayā Dharmakṣetra. Further, the book examines the role of various personalities and institutions contributed towards the emergence of Mahābodhi Temple. It incorporates a wealth of research on the role of the Victorian Indologists as well as the colonial administrators, the Giri mahants, and Anagārika Dharmapāla, to understand the material milieu pertaining not only to its identity but also access to spiritual resources as its conservation and development. This book is an indispensable read for students and scholars of history, cultural studies, and art and architecture as well as practitioners of Buddhism and Hinduism.