Early American Silver in The Metropolitan Museum of Art
Author | : Wees, Beth Carver |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 344 |
Release | : 2013 |
Genre | : Antiques & Collectibles |
ISBN | : 1588394913 |
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Author | : Wees, Beth Carver |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 344 |
Release | : 2013 |
Genre | : Antiques & Collectibles |
ISBN | : 1588394913 |
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Author | : Seymour B. Weyler |
Publisher | : |
Total Pages | : 447 |
Release | : 1973 |
Genre | : Artists' marks |
ISBN | : |
Author | : Ernest M. Currier |
Publisher | : |
Total Pages | : 202 |
Release | : 1970 |
Genre | : Antiques & Collectibles |
ISBN | : |
Author | : Stephen G. C. Ensko |
Publisher | : Courier Corporation |
Total Pages | : 308 |
Release | : 2012-08-02 |
Genre | : Antiques & Collectibles |
ISBN | : 0486147045 |
"So thoroughly is the American ethos embodied in the works of American silversmiths that it has given to their product a typical identity and it never can be mistaken for that of any other country." — Charles Messer Stow in the Introduction. Forsaking the flourishes and ornamentation favored by their European contemporaries, early American gold- and silver smiths pioneered a new American aesthetic sensibility in creating for their well-heeled clients finely worked, luxurious metalware for the table, which was marked by a simplicity and forthrightness of design. These accomplished artisans have left us not only a stunning legacy of priceless silverware but also an opportunity to examine the culture, lifestyle, and values — in short, the developing ethos — of young America. For social and cultural historians as well as Americana buffs, the study of silversmithing in this book will provide a unique perspective on a spirited new nation. For serious connoisseurs of American gold and silver ware, silver dealer Stephen G. C. Ensko's American Silversmiths and Their Marks is a rich and definitive directory. Ensko has compiled an exhaustive list of over 3,000 gold- and silversmiths working between the years 1650 and 1850. Biographical details and location of their shops are given wherever possible. Maps of the great metropolitan centers of smithing (Boston, New York, and Philadelphia) with shop locations noted are appended. Over 200 of the finest examples of the work of early American artisans are displayed in sharp, clear black-and-white photographs. Items include tankards, cups, candlesticks, sugar boxes, inkstands, tea sets, porringers, plus a pitcher, sauce dish, teapot, and other works by famous New England patriot Paul Revere. The usefulness of this work is perhaps most apparent in the practical listing of identifying marks associated with gold- and silversmiths. With over 3,000 entries, this feature alone renders American Silversmiths and Their Marks indispensable to enthusiasts interested in tracking down and identifying antique pieces.
Author | : Louise Conway Belden |
Publisher | : |
Total Pages | : 528 |
Release | : 1980 |
Genre | : Antiques & Collectibles |
ISBN | : |
Author | : Alphonso Trumpbour Clearwater |
Publisher | : |
Total Pages | : 398 |
Release | : 1920 |
Genre | : Silverwork |
ISBN | : |
Author | : David L. Barquist |
Publisher | : Yale University Art Gallery |
Total Pages | : 304 |
Release | : 2001 |
Genre | : Art |
ISBN | : 9780300090574 |
Myer Myers, a Jewish silversmith in colonial America, created outstanding works for leading members of the New York elite, and the objects made in his workshop have long been regarded as among the most important American statements of the Rococo style. These works are also valuable for the information they provide about craftsmanship, patronage, colonial Judaism, and changing cultural values in pre- and post-Revolutionary America. This stunning catalogue presents works from Myers's workshop in conjunction with essays by eminent authorities on his life and times, all of which shed light on significant themes and events in American culture and history. Myers's lifelong membership in the New York Jewish community, for example, reveals much about the role of religious minorities and social toleration in eighteenth-century America, and the artefacts he created for his family and religious community provide a vivid picture of colonial Jewish life. At the same time, Myers's career as a silversmith offers insights into the complexities of preindustrial craftsmanship in America, showing that silversmiths were less autonomous than has previously been assumed. Catalogue entries provide a chro
Author | : Austin Dean |
Publisher | : Cornell University Press |
Total Pages | : 264 |
Release | : 2020-11-15 |
Genre | : History |
ISBN | : 1501752421 |
In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit. Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history.