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| Author | : Esmée Quodbach |
| Publisher | : Penn State University Press |
| Total Pages | : 272 |
| Release | : 2014 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
Essays by American and Dutch scholars and museum curators explore the collecting and reception of seventeenth-century Dutch painting in America, from the colonial era through the Gilded Age to today.
| Author | : Frits Stuurman |
| Publisher | : University of Michigan Press |
| Total Pages | : 164 |
| Release | : 1993 |
| Genre | : Biography & Autobiography |
| ISBN | : |
| Author | : National Gallery of Art (U.S.) |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 0 |
| Release | : 1995 |
| Genre | : Painting |
| ISBN | : 9780894682117 |
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
| Author | : Muizelaar Klaske |
| Publisher | : Yale University Press |
| Total Pages | : 268 |
| Release | : 2003-01-01 |
| Genre | : Art |
| ISBN | : 9780300098174 |
Taking as their premiss the subjective experience of art, the authors look at how paintings by Rembrandt, Vermeer & other masters were displayed & comprehended in the 17th century.
| Author | : Wayne E. Franits |
| Publisher | : Yale University Press |
| Total Pages | : 342 |
| Release | : 2004-01-01 |
| Genre | : Art |
| ISBN | : 0300102372 |
The appealing genre paintings of great seventeenth-century Dutch artists - Vermeer, Steen, de Hooch, Dou and others - have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in their political, cultural and economic contexts. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs and a surprisingly restricted number of themes over the course of several generations. Luxuriously illustrated and with a full representation of the major artists and the cities where genre painting flourished, this book will delight students, scholars and general readers alike.
| Author | : Elmer Kolfin |
| Publisher | : W Books |
| Total Pages | : 136 |
| Release | : 2020-05-11 |
| Genre | : |
| ISBN | : 9789462583726 |
* The rise of the Fab Four - The Beatles in their fledgling years of fame * Incredible photos, many unseen, from the cameras of Terry O'Neill, Norman Parkinson, Michael Ward and Derek Bayes * With text by renowned Pop historian Tony Barrell * The perfect gift for any fan who keeps Beatlemania alive today The Beatles ascended like no band before, hurtling to the dizzy heights of international stardom in the early 1960s. Their counter-cultural vibes and unmistakable talent are still the subject of much discussion today - as is the rabid devotion of their fans. But how did one pop group become, as Lennon infamously quipped, "more popular than Jesus"? The work of four photographers provides an enlightening insight into the band's rise to fame. Ward captured the Fab Four when Beatlemania was still confined to their own home city - the band braved the icy Liverpool streets for a promotional shoot during the Big Freeze of '62-63. O'Neill crossed paths with The Beatles amid the buzz of the Swinging Sixties, resonating with the band in 1963 as a photographer of their generation. Parkinson delivered a deceptively relaxed shoot later that year, when the band were recording their second album; while Bayes captured never-before-published candid shots of The Beatles filming Help! in 1965. Accompanying these pictures, Tony Barrell's text delves into the Beatlemania phenomenon - the good, the bad, the ugly and the odd. From the creation of their early hit records to the hails of confectionery that peppered stages after John claimed George had eaten his jelly babies, Beatlemania: Four Photographers on the Fab Four reveals how one band became a lasting sensation.
| Author | : David Freedberg |
| Publisher | : Getty Publications |
| Total Pages | : 458 |
| Release | : 1996-07-11 |
| Genre | : Art |
| ISBN | : 0892362014 |
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
| Author | : Ariane van Suchtelen |
| Publisher | : Waanders Publishers |
| Total Pages | : 0 |
| Release | : 2008 |
| Genre | : Art, Dutch |
| ISBN | : 9789040085499 |
Dutch society in the Golden Age was predominantly an urban one. From 1600 onwards the cities of the
| Author | : Simon Schama |
| Publisher | : |
| Total Pages | : 750 |
| Release | : 1999 |
| Genre | : Artists |
| ISBN | : 9780713993844 |
For Rembrandt, as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance: the strutting and mincing, the wardrobe and face-paint, the full repertoire and gesture and gimace, the flutter of hands and the roll of the eyes, the belly-laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle and to console; to strike a pose or preach a sermon, to shake a fist or uncover a breast; and how to sin and how to atone. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between.
| Author | : Stephanie Schrader |
| Publisher | : Getty Publications |
| Total Pages | : 162 |
| Release | : 2018-03-20 |
| Genre | : Art |
| ISBN | : 1606065521 |
This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
