Dutch In Paris 1789 1914
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| Author | : Darius A. Spieth |
| Publisher | : BRILL |
| Total Pages | : 535 |
| Release | : 2017-11-06 |
| Genre | : Art |
| ISBN | : 9004276750 |
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
| Author | : Robert William Seton-Watson |
| Publisher | : CUP Archive |
| Total Pages | : 738 |
| Release | : 1945 |
| Genre | : Europe |
| ISBN | : |
| Author | : Diana R. Hallman |
| Publisher | : Boydell & Brewer |
| Total Pages | : 410 |
| Release | : 2022-05-17 |
| Genre | : Music |
| ISBN | : 1783277009 |
Following the American Revolution, French observers often viewed the United States as a laboratory for the forging of new practices of liberté and égalité, in affinity with and divergence from France's own Revolutionary ideals and experiences. The volume examines French views through musical/theatrical portrayals of the American Revolution and Republic, soundscapes of the Statue of Liberty, and homages to the glorified figures of Washington, Franklin and Lafayette. Essays investigate paradoxical depictions of slavery in the United States and French Caribbean colonies of 'Amérique'. French critiques of American music and musicians, including the reception of Americanized or Creolized adaptations of European art traditions as well as American popular music and dance, are also presented. The subject of race features prominently in French interpretations of American music and identity. These interpretations see French constructions of the Indigenous American and African American "exotic" that intersect with tropes of noble, pastoral savagery, menacing barbarism, and the "civilizing" potency of French culture. The French reinterpretation of African American music and dance reveals both a revulsion of Black alterity and an attraction to the expressive freedom, and even subversiveness, of these "foreign" forms of music and dance. Contributions include essays by music, dance, theatre and opera scholars, and the volume will be essential reading for students and scholars of these disciplines.
| Author | : Mayken Jonkman |
| Publisher | : |
| Total Pages | : 646 |
| Release | : 2017 |
| Genre | : Art |
| ISBN | : 9789068687422 |
Paris, with all its creative hotspots, exhibitions and training opportunities, exerted a magical attraction throughout the nineteenth century on artists from all corners of the world. New generations left their native countries to go where the action was.0In the exhibition 'The Dutch in Paris 1789-1914' presents Paris with the work of Dutch artists like George Hendrik Breitner, Kees van Dongen, Piet Mondriaan, and, of course, Vincent van Gogh. Not only did French artists like Pablo Picasso and Claude Monet influence their work, the Dutch made their mark on French art too. For the first time these works are shown in conjunction with each other.00Exhibition: Van Gogh Museum, Amsterdam, The Netherlands (13.10. - 07.01.2018).
| Author | : Stefan Berger |
| Publisher | : John Wiley & Sons |
| Total Pages | : 560 |
| Release | : 2008-04-15 |
| Genre | : History |
| ISBN | : 140515232X |
This Companion provides an overview of European history during the 'long' nineteenth century, from 1789 to 1914. Consists of 32 chapters written by leading international scholars Balances coverage of political, diplomatic and international history with discussion of economic, social and cultural concerns Covers both Eastern and Western European states, including Britain Pays considerable attention to smaller countries as well as to the great powers Compares particular phenomena and developments across Europe
| Author | : Sam Segal |
| Publisher | : BRILL |
| Total Pages | : 1266 |
| Release | : 2020-09-25 |
| Genre | : Art |
| ISBN | : 9004427457 |
This richly illustrated book provides an overview of all known Dutch and Flemish artists up to the nineteenth century who painted or drew flower pieces, or else made prints of them. Unlike many mainstream art historical studies, the book takes a truly comprehensive approach, including cases where only a single example is known or even if nothing of the artist’s other work appears to have survived. Containing highly instructive lists identifying the names of flowers, as well as insects and other animals, the book also discusses the earliest depictions of flower still life and the distinctive characteristics behind the development of floral arrangements in different periods, including the variation of the flowers, the variety of techniques used by artists, as well as an exploration of the symbolism behind the numerous plant and animal species this form of art portrays. Composed in Dutch, the text was translated into English by Judith Deitch and edited by Philip Kelleway. Publication of this book was made possible thanks to generous support of: • Dr. med. Bettina Leysen • Rose-Marie and Eijk van Otterloo and the Center for Netherlandish Art at the Museum of Fine Arts, Boston With additional support of the M.A.O.C. Gravin van Bylandt Stichting. See inside the book.
| Author | : Simon Kelly |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 281 |
| Release | : 2021-03-25 |
| Genre | : Art |
| ISBN | : 1501343807 |
The 19th century in France witnessed the emergence of the structures of the modern art market that remain until this day. This book examines the relationship between the avant-garde Barbizon landscape painter, Théodore Rousseau (1812-1867), and this market, exploring the constellation of patrons, art dealers and critics who surrounded the artist. It argues for the pioneering role of Rousseau, his patrons and his public in the origins of the modern art market, and, in so doing, shifts attention away from the more traditional focus on the novel careers of the Impressionists and their supporters. Drawing on extensive archival research, the book provides new insight into the role of the modern artist as professional. It provides a new understanding of the complex iconographical and formal choices within Rousseau's work, rediscovering the original radical charge that once surrounded the artist's work and led to extensive and peculiarly modern tensions with the market place.
| Author | : William Simpson |
| Publisher | : Psychology Press |
| Total Pages | : 410 |
| Release | : 2000 |
| Genre | : History |
| ISBN | : 9780415226608 |
Europe 17831914is an accessible history of Europe from the advent of the French Revolution to the origins of the First World War, covering political, economic and social aspects of the period. Each chapter is structured with concise backgrounds to events, including tables of key dates, a selection of primary documents and questions to test current interpretations of important themes, and a guide to further reading. Extensively illustrated with maps, contemporary cartoons and portraits, Europe 17831914surveys the following main themes interspersed with studies of significant countries including France, Italy, Germany and Russia: the impact of the French Revolution and Napoleon the Industrial Revolution Nationalism the 1848 Revolutions Imperialism Marxism the origins of the First World War. Europe 17831914is an essential and invaluable introduction to this turbulent and exciting period of European history.
| Author | : Mark Scala |
| Publisher | : Vanderbilt University Press |
| Total Pages | : 148 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : |
Paint Made Flesh examines the ways in which European and American painters have used oil paint and the human body to convey enduring human vulnerabilities, among them anxieties about desire, appearance, illness, aging, war, and death. In the tradition of great figure painting stretching back to Rembrandt and Titian, the 34 artists in the exhibition, working in the years since World War II, exploit oil paint's visual and tactile properties to mirror those of the body, while exploring the body's capacity to reflect the soul.Drawn from private and public collections and arranged by chronology and nationality, the 43 paintings in the exhibition reflect a wide range of styles. Strong colors and vigorous brushwork associated with German expressionism give crude life to figures by artists ranging from the San Francisco Bay area painters to a younger generation, including Markus Lüpertz and Susan Rothenberg. Candid depictions of flesh by British painters Francis Bacon and Lucian Freud suggest psychological pain at the margins of society, while paint as skin betrays the inner feelings of Jenny Saville's swollen females.
| Author | : Sir Charles Grant Robertson |
| Publisher | : London ; Toronto : Oxford University Press |
| Total Pages | : 82 |
| Release | : 1924 |
| Genre | : Atlases |
| ISBN | : |
