Durers Animals
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Author | : Colin T. Eisler |
Publisher | : Smithsonian Books (DC) |
Total Pages | : 424 |
Release | : 1991-10-17 |
Genre | : Architecture |
ISBN | : |
In a guided tour through the works of Durer (1471-1528), the greatest Renaissance artist of northern Europe, Eisler reveals the mystic, religious, and social meanings behind Durer's bestiary, accompanied by some 600 illustrations (including 36 color plates) taken from drawings, illuminated manuscripts, painting, etchings, engravings, woodcuts, and pageants Durer created for the Holy Roman Emperor Maximilian. A lovely production. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : Albrecht Dürer |
Publisher | : Prestel Verlag |
Total Pages | : 0 |
Release | : 2003 |
Genre | : Animals in art |
ISBN | : 9783791328676 |
"Durer's drawings and watercolours show the artist at his most accessible, revealing his techniques and the masterly use of his media. No woodcut engravers, printers or apprentices come between Durer and the viewer. This contributes to the particular fascination of such sheets as The Large Piece of Turf or Hare. The introductory essay, portraying Durer as a passionate observer of his surroundings and an exceptionally gifted artist, is followed by thirty-five, high-quality reproductions of his most popular drawings and watercolours."--Jaquette
Author | : Fritz Koreny |
Publisher | : |
Total Pages | : 278 |
Release | : 1988 |
Genre | : Animals in art |
ISBN | : 9780821216248 |
Author | : Simona Cohen |
Publisher | : BRILL |
Total Pages | : 360 |
Release | : 2008 |
Genre | : History |
ISBN | : 9004171010 |
The relationship between medieval animal symbolism and the iconography of animals in the Renaissance has scarcely been studied. Filling a gap in this significant field of Renaissance culture, in general, and its art, in particular, this book demonstrates the continuity and tenacity of medieval animal interpretations and symbolism, disguised under the veil of genre, religious or mythological narrative and scientific naturalism. An extensive introduction, dealing with relevant medieval and early Renaissance sources, is followed by a series of case studies that illustrate ways in which Renaissance artists revived conventional animal imagery in unprecedented contexts, investing them with new meanings, on a social, political, ethical, religious or psychological level, often by applying exegetical methodology in creating multiple semantic and iconographic levels.Brill's Studies on Art, Art History, and Intellectual History, vol. 2
Author | : Albrecht Durer |
Publisher | : Art Stock |
Total Pages | : 16 |
Release | : 2005-02 |
Genre | : Art |
ISBN | : 9783933469205 |
Author | : Albrecht Durer |
Publisher | : Art Stock |
Total Pages | : 16 |
Release | : 2005-02 |
Genre | : Art |
ISBN | : 9783933469199 |
Author | : John Berger |
Publisher | : Taschen |
Total Pages | : 104 |
Release | : 1994 |
Genre | : Art |
ISBN | : 9783822885758 |
Documents the works of this Medieval artist.
Author | : Jane Campbell Hutchison |
Publisher | : Routledge |
Total Pages | : 351 |
Release | : 2003-08-29 |
Genre | : Art |
ISBN | : 1135581711 |
Hutchison's book is a complete guide on Durer and the research on his work, his historical import and his aesthetic legacy.
Author | : Claire J. Farago |
Publisher | : Taylor & Francis |
Total Pages | : 526 |
Release | : 1999 |
Genre | : Art |
ISBN | : 9780815329343 |
Also available as the second book in a five volume set (ISBN#0815329334)
Author | : Arianne Faber Kolb |
Publisher | : Getty Publications |
Total Pages | : 106 |
Release | : 2005 |
Genre | : Art |
ISBN | : 0892367709 |
Kolb has produced a thoroughly researched essay on this painting, which is in the Getty Museum. The study focuses on Brueghel's depiction of nature, especially his exacting representation of identifiable species of animals and birds, the names of which are listed. Brueghel's collaboration with other painters, his and other painters' re-use of the same theme and composition, and the history and practice of natural history collection and representation are central themes. The volume, which is printed in a horizontal format (it's 11x8") and heavily illustrated, is written for a general audience, though art historians will also find much of interest.