Duppy Conqueror

Duppy Conqueror
Author: Kwame Senu Neville Dawes
Publisher: Copper Canyon Press
Total Pages: 338
Release: 2013
Genre: Literary Collections
ISBN: 1556594232

Paterson Award for Literary Excellence. Milt Kessler Poetry Book Award, finalist. "Dawes's verse has an expressive power and lyric resonance that can be attributed to a trans-Atlantic consciousness weaned on the spiritual sources of reggae."--New York Times Book Review "Raised in Jamaica, Dawes takes some of his cues, and this book's title, from reggae music. But his voice in these long and short poems and sequences selected from each of his many books, which began appearing in the mid-1990s, is crystal clear, accessible and serious, mixing a timeless myth-making energy with a strong contemporary conscience..." --National Public Radio "This first U.S. selection from the Jamaica-bred, Nebraska-based poet (he also has a reputation in Britain) is his 16th book of verse in just 20 years; it reveals a writer syncretic, effusive, affectionate, alert to familial joys, but also sensitive to history, above all to the struggles of African diasporic history--the Middle Passage, sharecropper-era South Carolina, the Kingston of Bob Marley, whose song gives this big book its title. Dawes is at home with cityscape and seascape, patois and transatlantic tradition." --Publishers Weekly " Dawes] is highly original and intelligent, possessing poetic sensibility that is rooted and sound, unshakeable and unstopped, both in its vibrancy and direction. He writes poetry as it ought to be written."--World Literature Today "Dawes asserts himself as man and artist and finally, with grace achieved and grace said, sits down to begin life's tragic feast . . . a writer of major significance."--Brag Book "The notion of a reggae aesthetic--of the language moving to a different rhythm, under different kinds of pressure . . . underpins all Dawes' work as poet."--Stewart Brown Born in Ghana, raised in Jamaica, and educated in Canada, Kwame Dawes is a dynamic and electrifying poet. In this generous collection, new poems appear with the best work from fifteen previous volumes. Deeply nuanced in exploring the human condition, Dawes' poems are filled with complex emotion and consistently remind us what it means to be a global citizen. From "The Lessons": Fingers can be trained to make shapes that, pressed just right on the gleaming keys, will make a sound that can stay tears or cause them to flow for days. Anyone can learn to make some music, but not all have the heart to beat out the tunes that will turn us inside out. . . Kwame Dawes is the author of fifteen collections of poetry, two novels, four anthologies, and numerous essays and plays. In 2009 he won an Emmy Award for his interactive website, LiveHopeLove.com. Since 2011 he has taught at the University of Nebraska, and lives in Lincoln, Nebraska.

Dictionary of Jamaican English

Dictionary of Jamaican English
Author: Frederic G. Cassidy
Publisher:
Total Pages: 578
Release: 2002
Genre: Foreign Language Study
ISBN: 9789766401276

The method and plan of this dictionary of Jamaican English are basically the same as those of the Oxford English Dictionary, but oral sources have been extensively tapped in addition to detailed coverage of literature published in or about Jamaica since 1655. It contains information about the Caribbean and its dialects, and about Creole languages and general linguistic processes. Entries give the pronounciation, part-of-speach and usage of labels, spelling variants, etymologies and dated citations, as well as definitions. Systematic indexing indicates the extent to which the lexis is shared with other Caribbean countries.

Catch a Fire

Catch a Fire
Author: Timothy White
Publisher: Macmillan
Total Pages: 580
Release: 2006-05-02
Genre: Biography & Autobiography
ISBN: 9780805080865

"The definitive edition, revised and expanded with new material ..."--Cover.

Duppy Conqueror

Duppy Conqueror
Author: DENNIS
Publisher: Hoperoad
Total Pages: 352
Release: 2020-10-15
Genre:
ISBN: 9781913109035

Marshall Sarjeant is born at the beginning of the 20th century in Paradise, Jamaica. As a young man, he is entrusted with a mythical quest to overcome a curse that has been put on his family. He must do this by returning to Africa from where family members were brought as slaves. Marshall's epic journey takes him first to wartime Liverpool and then London, where he marries and mixes with a clubland crowd of gamblers, musicians, and politicians. In Africa, he finds a continent in the turbulent throes of attempting to escape a colonial past.Returning to Paradise, Marshall's life turns full circle in his epic mission to defeat the duppy, or ghost that started him on his voyage. In Duppy Conqueror, Ferdinand Dennis has created a powerful narrative of the Afro-Caribbean experience in which the personal and the political seamlessly collide. Its themes are as relevant today as when it was first published in 1998.

Reggae Routes

Reggae Routes
Author: Kevin O'Brien Chang
Publisher: Temple University Press
Total Pages: 260
Release: 1998
Genre: History
ISBN: 9781566396295

Jamaican music can be roughly divided into four eras, each with a distinctive beat - ska, rocksteady, reggae and dancehall. Ska dates from about 1960 to mid-1966, rocksteady from 1966 to 1968, while from 1969 to 1983 reggae was the popular beat. The reggae era had two phases, 'early reggae' up to 1974 and 'roots reggae' up to 1983. Since 1983 dancehall has been the prevalent sound. The authors describe each stage in the development of the music, identifying the most popular songs and artists, highlighting the significant social, political and economic issues as they affected the musical scene. While they write from a Jamaican perspective, the intended audience is 'any person, local or foreign, interested in an intelligent discussion of reggae music and Jamaica.'.

Dub

Dub
Author: Michael Veal
Publisher: Wesleyan University Press
Total Pages: 353
Release: 2013-08-15
Genre: Music
ISBN: 0819574422

Winner of the ARSC’s Award for Best Research (History) in Folk, Ethnic, or World Music (2008) When Jamaican recording engineers Osbourne “King Tubby” Ruddock, Errol Thompson, and Lee “Scratch” Perry began crafting “dub” music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae’s “golden age” of the late 1960s through the early 1980s. Dub involves remixing existing recordings—electronically improvising sound effects and altering vocal tracks—to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In addition to chronicling dub’s development and offering the first thorough analysis of the music itself, author Michael Veal examines dub’s social significance in Jamaican culture. He further explores the “dub revolution” that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe. Ebook Edition Note: Seven of the 25 illustrations have been redacted.

Jamaican sayings

Jamaican sayings
Author: G. Llewellyn Watson
Publisher: Tallahassee : Florida A & M University Press ; Gainsville, Fla. : University Presses of Florida
Total Pages: 292
Release: 1991
Genre: Social Science
ISBN: 9780813010533

“A rich and compelling collection that will make a significant contribution to the study of Jamaican/West Indian/black folklore and culture” –Daryl Cumber Dance, Virginia Commonwealth University “A fantastic collection from the rich storehouse of Jamaican traditional oral literature” –Rex Nettleford, University of the West Indies, Kingston, Jamaica “A Wealth of Information…. The author carries the presentation of the proverbs/sayings to the level of socio-anthropological significance” –E. Valerie Smith, Florida A&M University In 1992, Jamaicans throughout the world celebrate the thirtieth anniversary of Jamaica’s formal independence from Britain this collection of Creole sayings contributes to the lively interest in cultural preservation which exists this year in anticipation of the event. The sayings, an archive of the wit and wisdom of many generations, aim to trigger reflection and thought. They are never fully explained, and, says the author, “in the most extreme situation one might well need an entire week to ponder and think seriously” about their meaning. They exert pressure to conform to community standards, and they influence conduct in much the same way as religion does. Strong in imagery and often poetic, the maxims draw upon a variety of well-known flora, fauna, and real or imaginary creatures the anansi, for example, famous for “playin’ de fool fe ketch wise” (playing foolish in order to catch the wise), is regarded as a favorite hero in folklore. Creole, initially constructed as a coded language, employs a number of West African linguistic traditions. These Creole sayings, a valuable addition to the literature and ethnography of the Caribbean region, link Jamaican culture to its African past. They offer delightful reading to Latin American scholars, to students of comparative sociology and anthropology, and to the general public. G. Llewellyn Watson is professor of sociology at the University of Prince Edward Island, Charlottetowwn, Canada.

Wailing Blues: The Story of Bob Marley's Wailers

Wailing Blues: The Story of Bob Marley's Wailers
Author: John Masouri
Publisher: Omnibus Press
Total Pages: 846
Release: 2009-11-11
Genre: Music
ISBN: 0857120352

This full-blooded story of The Wailers puts the life, music and death of the legendary Bob Marley into a razor-sharp new perspective. The Wailers played with Marley on all of the hit singles and albums that made him a legend, yet their story since his death is a little-known saga of betrayal, greed and murder that is told here in its entirety for the first time. Written in collaboration with Aston 'Family Man' Barrett and other surviving band members, the book explores Marley's colourful journey from downtown Kingston onto the world stage. It covers the assassination attempt on Marley's life, his exile in London, the kidnapping and decapitation of the Barretts' father, and the death by gunfire of both Peter Tosh and drummer Carlton Barrett. Bitter acrimony followed Marley's own death from cancer as the iconic singer's legacy was parlayed into a multi-million dollar industry.

AUDINT#Unsound:Undead

AUDINT#Unsound:Undead
Author: Steve Goodman
Publisher: MIT Press
Total Pages: 321
Release: 2019-06-18
Genre: Music
ISBN: 1913029476

Tracing the the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead. For as long as recording and communications technologies have existed, operators have evoked the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead. In Unsound:Undead, contributors from a variety of disciplines chart these undead zones, mapping out a nonlinear timeline populated by sonic events stretching from the 8th century BC (the song of the Sirens), to 2013 (acoustic levitation), with a speculative extension into 2057 (the emergence of holographic and holosonic phenomena). For the past seven years the AUDINT group has been researching peripheral sonic perception (unsound) and the ways in which frequencies are utilized to modulate our understanding of presence/non-presence, entertainment/torture, and ultimately life/death. Concurrently, themes of hauntology have inflected the musical zeitgeist, resonating with the notion of a general cultural malaise and a reinvestment in traces of lost futures inhabiting the present. This undead culture has already spawned a Lazarus economy in which Tupac, ODB, and Eazy-E are digitally revivified as laser-lit holograms. The obscure otherworldly dimensions of sound have also been explored in the sonic fictions produced by the likes of Drexciya, Sun Ra, and Underground Resistance, where hauntology is virtually extended: the future appears in the cracks of the present. The contributions to this volume reveal how the sonic nurtures new dimensions in which the real and the imagined (fictional, hyperstitional, speculative) bleed into one another, where actual sonic events collide with spatiotemporal anomalies and time-travelling entities, and where the unsound serves to summon the undead. Contributors Lawrence Abu Hamdan, Lendl Barcelos, Charlie Blake, Lisa Blanning, Brooker Buckingham, Al Cameron, Erik Davis, Kodwo Eshun, Matthew Fuller, Kristen Gallerneaux, Lee Gamble, Agnès Gayraud, Steve Goodman, Anna Greenspan, Olga Gurionova, S. Ayesha Hameed, Tim Hecker, Julian Henriques, Toby Heys, Eleni Ikoniadou, Amy Ireland, Nicola Masciandaro, Ramona Naddaff, Anthony Nine, The Occulture, Luciana Parisi, Alina Popa, Paul Purgas, Georgina Rochefort, Steven Shaviro, Jonathan Sterne, Jenna Sutela, Eugene Thacker, Dave Tompkins, Shelley Trower, and Souzana Zamfe.

The Birth of Cool

The Birth of Cool
Author: Carol Tulloch
Publisher: Bloomsbury Publishing
Total Pages: 371
Release: 2016-01-28
Genre: Social Science
ISBN: 1474262872

It is broadly recognized that black style had a clear and profound influence on the history of dress in the twentieth century, with black culture and fashion having long been defined as 'cool'. Yet despite this high profile, in-depth explorations of the culture and history of style and dress in the African diaspora are a relatively recent area of enquiry. The Birth of Cool asserts that 'cool' is seen as an arbiter of presence, and relates how both iconic and 'ordinary' black individuals and groups have marked out their lives through the styling of their bodies. Focusing on counter- and sub-cultural contexts, this book investigates the role of dress in the creation and assertion of black identity. From the gardenia corsage worn by Billie Holiday to the work-wear of female African-Jamaican market traders, through to the home-dressmaking of black Britons in the 1960s, and the meaning of a polo-neck jumper as depicted in a 1934 self-portrait by African-American artist Malvin Gray Johnson, this study looks at the ways in which the diaspora experience is expressed through self-image. Spanning the late nineteenth century to the modern day, the book draws on ready-made and homemade fashion, photographs, paintings and films, published and unpublished biographies and letters from Britain, Jamaica, South Africa, and the United States to consider how personal style statements reflect issues of racial and cultural difference. The Birth of Cool is a powerful exploration of how style and dress both initiate and confirm change, and the ways in which they expresses identity and resistance in black culture.