Duetting and Turn-Taking Patterns of Singing Mammals: From Genes to Vocal Plasticity, and Beyond

Duetting and Turn-Taking Patterns of Singing Mammals: From Genes to Vocal Plasticity, and Beyond
Author: Patrice Adret
Publisher: Frontiers Media SA
Total Pages: 201
Release: 2023-10-23
Genre: Science
ISBN: 2832536816

Mammalian vocal duets and turn-taking exchanges — long, coordinated acoustic signals exchanged between two individuals— are primarily found in family-living, pair-bonded mammals with a socially monogamous lifestyle (some rodents, some lemurs, tarsiers, titi monkeys, a Mentawai langur, gibbons and siamangs). Duetting and turn-taking patterns combine visual, chemical, tactile and auditory cues to produce some of the most exuberant displays in the realm of animal communication. How and why such phenotypes evolved independently across main lineages are fundamental questions at the core of the nature-nurture debate. Duetting styles ranging from antiphonal (non-overlapping) to simultaneous (overlapping) emissions have now been documented in various taxa, some of which are quite reminiscent of turn-taking rules in human conversation. Nonetheless, much remains to be learned about this complex motor skill, and at all four levels of analysis, namely (1) developmental processes, (2) causal mechanisms (3) functional properties and (4) evolutionary history. Given the strong link between this form of coordinated singing and pair-bonding, gaining a deeper understanding of this kind of cooperative behavior will likely shed more light on the deep evolutionary roots of human culture, language and music.

The Evolution of Rhythm Cognition: Timing in Music and Speech

The Evolution of Rhythm Cognition: Timing in Music and Speech
Author: Andrea Ravignani
Publisher: Frontiers Media SA
Total Pages: 391
Release: 2018-07-24
Genre:
ISBN: 2889455009

Human speech and music share a number of similarities and differences. One of the closest similarities is their temporal nature as both (i) develop over time, (ii) form sequences of temporal intervals, possibly differing in duration and acoustical marking by different spectral properties, which are perceived as a rhythm, and (iii) generate metrical expectations. Human brains are particularly efficient in perceiving, producing, and processing fine rhythmic information in music and speech. However a number of critical questions remain to be answered: Where does this human sensitivity for rhythm arise? How did rhythm cognition develop in human evolution? How did environmental rhythms affect the evolution of brain rhythms? Which rhythm-specific neural circuits are shared between speech and music, or even with other domains? Evolutionary processes’ long time scales often prevent direct observation: understanding the psychology of rhythm and its evolution requires a close-fitting integration of different perspectives. First, empirical observations of music and speech in the field are contrasted and generate testable hypotheses. Experiments exploring linguistic and musical rhythm are performed across sensory modalities, ages, and animal species to address questions about domain-specificity, development, and an evolutionary path of rhythm. Finally, experimental insights are integrated via synthetic modeling, generating testable predictions about brain oscillations underlying rhythm cognition and its evolution. Our understanding of the cognitive, neurobiological, and evolutionary bases of rhythm is rapidly increasing. However, researchers in different fields often work on parallel, potentially converging strands with little mutual awareness. This research topic builds a bridge across several disciplines, focusing on the cognitive neuroscience of rhythm as an evolutionary process. It includes contributions encompassing, although not limited to: (1) developmental and comparative studies of rhythm (e.g. critical acquisition periods, innateness); (2) evidence of rhythmic behavior in other species, both spontaneous and in controlled experiments; (3) comparisons of rhythm processing in music and speech (e.g. behavioral experiments, systems neuroscience perspectives on music-speech networks); (4) evidence on rhythm processing across modalities and domains; (5) studies on rhythm in interaction and context (social, affective, etc.); (6) mathematical and computational (e.g. connectionist, symbolic) models of “rhythmicity” as an evolved behavior.

Language, Music, and the Brain

Language, Music, and the Brain
Author: Michael A. Arbib
Publisher: MIT Press
Total Pages: 677
Release: 2013-06-28
Genre: Science
ISBN: 0262018101

A presentation of music and language within an integrative, embodied perspective of brain mechanisms for action, emotion, and social coordination. This book explores the relationships between language, music, and the brain by pursuing four key themes and the crosstalk among them: song and dance as a bridge between music and language; multiple levels of structure from brain to behavior to culture; the semantics of internal and external worlds and the role of emotion; and the evolution and development of language. The book offers specially commissioned expositions of current research accessible both to experts across disciplines and to non-experts. These chapters provide the background for reports by groups of specialists that chart current controversies and future directions of research on each theme. The book looks beyond mere auditory experience, probing the embodiment that links speech to gesture and music to dance. The study of the brains of monkeys and songbirds illuminates hypotheses on the evolution of brain mechanisms that support music and language, while the study of infants calibrates the developmental timetable of their capacities. The result is a unique book that will interest any reader seeking to learn more about language or music and will appeal especially to readers intrigued by the relationships of language and music with each other and with the brain. Contributors Francisco Aboitiz, Michael A. Arbib, Annabel J. Cohen, Ian Cross, Peter Ford Dominey, W. Tecumseh Fitch, Leonardo Fogassi, Jonathan Fritz, Thomas Fritz, Peter Hagoort, John Halle, Henkjan Honing, Atsushi Iriki, Petr Janata, Erich Jarvis, Stefan Koelsch, Gina Kuperberg, D. Robert Ladd, Fred Lerdahl, Stephen C. Levinson, Jerome Lewis, Katja Liebal, Jônatas Manzolli, Bjorn Merker, Lawrence M. Parsons, Aniruddh D. Patel, Isabelle Peretz, David Poeppel, Josef P. Rauschecker, Nikki Rickard, Klaus Scherer, Gottfried Schlaug, Uwe Seifert, Mark Steedman, Dietrich Stout, Francesca Stregapede, Sharon Thompson-Schill, Laurel Trainor, Sandra E. Trehub, Paul Verschure

A Brain for Speech

A Brain for Speech
Author: Francisco Aboitiz
Publisher: Springer
Total Pages: 515
Release: 2017-07-12
Genre: Psychology
ISBN: 1137540605

This book discusses evolution of the human brain, the origin of speech and language. It covers past and present perspectives on the contentious issue of the acquisition of the language capacity. Divided into two parts, this insightful work covers several characteristics of the human brain including the language-specific network, the size of the human brain, its lateralization of functions and interhemispheric integration, in particular the phonological loop. Aboitiz argues that it is the phonological loop that allowed us to increase our vocal memory capacity and to generate a shared semantic space that gave rise to modern language. The second part examines the neuroanatomy of the monkey brain, vocal learning birds like parrots, emergent evidence of vocal learning capacities in mammals, mirror neurons, and the ecological and social context in which speech evolved in our early ancestors. This book's interdisciplinary topic will appeal to scholars of psychology, neuroscience, linguistics, biology and history.

Neuroendocrine Regulation of Animal Vocalization

Neuroendocrine Regulation of Animal Vocalization
Author: Cheryl S. Rosenfeld
Publisher: Academic Press
Total Pages: 426
Release: 2020-12-04
Genre: Nature
ISBN: 0128151617

Neuroendocrine Regulation of Animal Vocalization: Mechanisms and Anthropogenic Factors in Animal Communication examines the underpinning neuroendocrine (NE) mechanisms that drive animal communication across taxa. Written by international subject experts, the book focuses on the importance of animal communication in survival and reproduction at an individual and species level, and the impact that increased production and accumulation of endocrine-disrupting chemicals (EDCs) can have on these regulatory processes. This book discusses sound production, perception, processing, and response across a range of animals. This includes insects, fish, bats, birds, nonhuman primates, infant humans, and many others. Some chapters analyze how neuroactive substances, endocrine control, and chemical pollution affect the physiology of the animal’s perceptive and sound-producing organs, as well as their auditory and vocal receptors and pathways. Other chapters address the recent approaches governments have taken to protect against the endocrine disruption of animal (vocal) behaviors. The book is a valuable resource for researchers and advanced students seeking first-rate material on neuroendocrinological effects on animal behavior and communication. Serves as the most comprehensive cross-taxa study of its kind, revolutionary in its focus on the impacts of EDCs on the processes guiding animal communication Emphasizes the importance of production, perception and processing of acoustic vocalization for survival Analyzes recent governmental policies and protections against the effects of EDCs on humans and wildlife

Music, Neurology, and Neuroscience: Evolution, the Musical Brain, Medical Conditions, and Therapies

Music, Neurology, and Neuroscience: Evolution, the Musical Brain, Medical Conditions, and Therapies
Author:
Publisher: Elsevier
Total Pages: 294
Release: 2015-03-02
Genre: Medical
ISBN: 0444635521

Did you ever ask whether music makes people smart, why a Parkinson patient's gait is improved with marching tunes, and whether Robert Schumann was suffering from schizophrenia or Alzheimer's disease? This broad but comprehensive book deals with history and new discoveries about music and the brain. It provides a multi-disciplinary overview on music processing, its effects on brain plasticity, and the healing power of music in neurological and psychiatric disorders. In this context, the disorders the plagued famous musicians and how they affected both performance and composition are critically discussed, and music as medicine, as well as music as a potential health hazard are examined. Among the other topics covered are: how music fit into early conceptions of localization of function in the brain, the cultural roots of music in evolution, and the important roles played by music in societies and educational systems. Topic: Music is interesting to almost everybody Orientation: This book looks at music and the brain both historically and in the light of the latest research findings Comprehensiveness: This is the largest and most comprehensive volume on "music and neurology" ever written! Quality of authors: This volume is written by a unique group of real world experts representing a variety of fields, ranging from history of science and medicine to neurology and musicology

On Repeat

On Repeat
Author: Elizabeth Hellmuth Margulis
Publisher: Oxford University Press, USA
Total Pages: 225
Release: 2014
Genre: Computers
ISBN: 0199990824

On Repeat offers an in-depth inquiry into music's repetitive nature. Drawing on a diverse array of fields, it sheds light on a range of issues from repetition's use as a compositional tool to its role in characterizing our behavior as listeners, and considers related implications for repetition in language, learning, and communication.

Perspectives on Animal Behavior

Perspectives on Animal Behavior
Author: Judith Goodenough
Publisher: John Wiley & Sons
Total Pages: 568
Release: 2001
Genre: Science
ISBN:

This work contains both contemporary research findings and historical experimental evidence. It includes the topic animal awareness, and there is requisite background material on genetics and other basic molecular topics.

The Origins of Musicality

The Origins of Musicality
Author: Henkjan Honing
Publisher: MIT Press
Total Pages: 365
Release: 2019-08-20
Genre: Science
ISBN: 0262538512

Interdisciplinary perspectives on the capacity to perceive, appreciate, and make music. Research shows that all humans have a predisposition for music, just as they do for language. All of us can perceive and enjoy music, even if we can't carry a tune and consider ourselves “unmusical.” This volume offers interdisciplinary perspectives on the capacity to perceive, appreciate, and make music. Scholars from biology, musicology, neurology, genetics, computer science, anthropology, psychology, and other fields consider what music is for and why every human culture has it; whether musicality is a uniquely human capacity; and what biological and cognitive mechanisms underlie it. Contributors outline a research program in musicality, and discuss issues in studying the evolution of music; consider principles, constraints, and theories of origins; review musicality from cross-cultural, cross-species, and cross-domain perspectives; discuss the computational modeling of animal song and creativity; and offer a historical context for the study of musicality. The volume aims to identify the basic neurocognitive mechanisms that constitute musicality (and effective ways to study these in human and nonhuman animals) and to develop a method for analyzing musical phenotypes that point to the biological basis of musicality. Contributors Jorge L. Armony, Judith Becker, Simon E. Fisher, W. Tecumseh Fitch, Bruno Gingras, Jessica Grahn, Yuko Hattori, Marisa Hoeschele, Henkjan Honing, David Huron, Dieuwke Hupkes, Yukiko Kikuchi, Julia Kursell, Marie-Élaine Lagrois, Hugo Merchant, Björn Merker, Iain Morley, Aniruddh D. Patel, Isabelle Peretz, Martin Rohrmeier, Constance Scharff, Carel ten Cate, Laurel J. Trainor, Sandra E. Trehub, Peter Tyack, Dominique Vuvan, Geraint Wiggins, Willem Zuidema

Psychology for Musicians

Psychology for Musicians
Author: Robert H. Woody
Publisher: Oxford University Press
Total Pages: 369
Release: 2021
Genre: Music
ISBN: 0197546595

Part I. Musical Learning. Introduction to Music Psychology ; Development ; Motivation ; Practice -- Part II. Musical Skills. Learning and Remembering Musical Works ; Expressing and Interpreting ; Composing and Improvising ; Managing Performance Anxiety -- Part III. Musical Roles. The Performer ; The Teacher ; The Listener ; The User.