Duet no. 2 in A major, opus 12, for violin and viola
Author | : Karl Stamitz |
Publisher | : |
Total Pages | : 30 |
Release | : 1960 |
Genre | : Violin and viola music |
ISBN | : |
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Author | : Karl Stamitz |
Publisher | : |
Total Pages | : 30 |
Release | : 1960 |
Genre | : Violin and viola music |
ISBN | : |
Author | : Karl Stamitz |
Publisher | : |
Total Pages | : 88 |
Release | : 2009 |
Genre | : Sonatas (Violin and viola) |
ISBN | : |
Author | : Jacques Mazas |
Publisher | : Alfred Music |
Total Pages | : 66 |
Release | : 1999-01-15 |
Genre | : Music |
ISBN | : 1457469758 |
The complete Opus 38 including all twelve violin duets. Separate parts for each violin are included. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.
Author | : Alfred Publishing Staff |
Publisher | : Alfred Publishing Company, Incorporated |
Total Pages | : 31 |
Release | : 1994-11-01 |
Genre | : Music |
ISBN | : 9780739054628 |
Titles: Lullaby (Tonalization) (F. Schubert); Lullaby (Tonalization) (J. Brahms); Concerto No. 2 in G Major, Op. 13, 3rd Movement (F. Seitz); Concerto No. 5 in D Major, Op. 22, 1st Movement (F. Seitz); Concerto No. 5 in D Major, Op. 22, 3rd Movement (F. Seitz); Concerto in A Minor, 1st Movement, Op. 3, No. 6 (A. Vivaldi/T. Nachez); Concerto in A Minor, 3rd Movement, Op. 3, No. 6 (A. Vivaldi/T. Nachez); Perpetual Motion, "Little Suite No. 6" (K. Bohm); Concerto for Two Violins in D Minor, BWV 1043, 1st Movement, Violin II (J. S. Bach). This title is available in SmartMusic.
Author | : Karl Ditters von Dittersdorf |
Publisher | : |
Total Pages | : 26 |
Release | : 1950 |
Genre | : Suites (String trio) |
ISBN | : |
Author | : Alfred Music |
Publisher | : Alfred Music |
Total Pages | : 44 |
Release | : |
Genre | : Music |
ISBN | : 9781457470905 |
Kalmus offers the complete parts to select masterworks for cello. Each volume includes major orchestral works that include standard audition repertoire and widely known difficult passages. These books are great for the student to practice and learn excerpts, or for the professional musician preparing for an audition. Volume Two includes the cello parts from such great works as: Vivaldi's Gloria * Mozart's Requiem * Handel's Zadok the Priest * Schubert's Mass in G.
Author | : Tully Potter |
Publisher | : Boydell & Brewer |
Total Pages | : 1444 |
Release | : 2024-04-02 |
Genre | : Biography & Autobiography |
ISBN | : 0907689787 |
Revised edition: Adolf Busch (1891-1952) was an all-round musician and a moral beacon in troubled times. As first violin of the Busch String Quartet, founded in 1912, he was the greatest quartet-player of the last century and he led a famous conductorless orchestra, the Busch Chamber Players. He was also the busiest solo violinist of the inter-War years, regularly performing major concertos with such conductors as Nikisch, Toscanini, Weingartner, Walter, Furtwängler, Boult, Wood, Barbirolli and his elder brother Fritz. He was, moreover, an outstanding composer whose works enjoyed performances in Germany and further afield. Frequently he appeared as soloist and composer in the same concert. His courageous decision to boycott his native country from April 1933 - despite Hitler's efforts to persuade 'our German violinist' to return - drastically reduced his income and damaged his career as soloist and composer. In 1938, because of Mussolini's race laws, he imposed a similar boycott on Italy, where he was wildly popular. The following year he emigrated with his quartet colleagues to the United States, where he was not fully appreciated, although he had many successes with a new chamber orchestra and founded the Marlboro summer school. This biography, based on more than thirty years' research, examines Busch's exemplary behaviour in the context of a tumultuous era. Volume One traces his progress from childhood in Westphalia, through friendships with Fritz Steinbach, Donald Tovey and Max Reger, early triumphs in Berlin, London and Vienna, years of maturity and fulfilment, rejection of Hitler's Germany and close bonds with British musicians and concert-goers in the 1930s. It ends just before his move into American exile. Volume Two follows Busch through the Second World War, his return to give concerts in Europe in the late 1940s and his founding of the Marlboro summer school in Vermont shortly before his untimely death. A series of appendices consider Busch as violinist, violist and teacher, his taste and repertoire, his interpretations, his colleagues, his celebrated recordings and his compositions.