Du Principe De Lart Et De Sa Destination Sociale
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Author | : Moshe Barasch |
Publisher | : Psychology Press |
Total Pages | : 432 |
Release | : 2000 |
Genre | : Art |
ISBN | : 9780415926263 |
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
Author | : Michael J. Pearce |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 435 |
Release | : 2023-03-21 |
Genre | : Political Science |
ISBN | : 1527594122 |
This book details the dramatic history of the weaponization of avant-garde art as propaganda, from its violent origins selling the idealistic communism of revolutionary France to its use as an American weapon wielded against the Nazi and Soviet threat as World War II began. It shows how art became ammunition in the war of ideas as the protagonists of the Second World War attempted to control the minds of their people. The text highlights how the avant-garde was the battlefield for the epic struggle between collectivism and American individualism, and will appeal to the reader with an interest in vivid stories of art, history, and politics.
Author | : |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 144 |
Release | : 2020-01-20 |
Genre | : Social Science |
ISBN | : 3110895978 |
No detailed description available for "Culture et Politique / Culture and Politics".
Author | : Anthony Vidler |
Publisher | : Random House Digital, Inc. |
Total Pages | : 367 |
Release | : 2011-03-15 |
Genre | : Architecture |
ISBN | : 1580932703 |
Anthony Vidler, an internationally recognized scholar, theorist, and critic of modern and contemporary architecture, is widely known for his essays on the most pressing issues and debates in the field. This volume brings together a collection of such writings—including the iconic, long unavailable “Scenes of the Street”—into one volume.Scenes of the Street and Other Essaysshowcases Vidler’s engaging and accessible expertise on both contemporary and historic subjects that are relevant to today's concerns. “Scenes of the Street,” a multi-faceted analysis of city planning is one such example; other essays in this volume include “Unknown Lands: Guy Debord and the Cartographies of a Landscape to be Invented,” “Transparency and Utopia: Constructing the Void from Pascal to Foucault,” and “The Modern Acropolis: Tony Garnier from La Cité Antique to the Cité Industrielle.” Vidler writes in his introduction: In the following essays, I have interrogated the struggle for an urban architecture in the modern period, its critiques and aspirations, in the belief that understanding the historical dimensions of the debate will lead to a renewal of interest in an architecture calculated to redeem, if only partially, our “planet of slums” and its deteriorating environment; an interest that will not simply reject “utopia” out of hand or fall back into the complacencies of nostalgia. Written during a period in which the debates themselves were actively engaged by critics and supporters of modernism, they reflect contemporary issues as they search for their prehistory. As historical inquiries, they inevitably also engage the transformations in history writing itself since 1970, intellectual responses to the social and political conditions of postwar modernity. This fascinating series of essays on issues and figures is an invaluable resource for architects and art historians and enthusiasts of structure and substance alike.
Author | : T. Balinisteanu |
Publisher | : Springer |
Total Pages | : 216 |
Release | : 2012-11-14 |
Genre | : Literary Criticism |
ISBN | : 1137291583 |
How can we use art to reconstruct ourselves and the material world? Is every individual an art object? Is the material world an art text? This book answers these questions by examining modernist literature, especially James Joyce and W.B. Yeats, in the context of anarchist intellectual thought and Georges Sorel's theory of social myth.
Author | : C. White |
Publisher | : Springer |
Total Pages | : 259 |
Release | : 2014-06-25 |
Genre | : Fiction |
ISBN | : 1137373075 |
In this engaging new study, Claire White reveals how representations of work and leisure became the vehicle for anxieties and fantasies about class and alienation, affecting, in turn, the ways in which writers and artists understood their own cultural work.
Author | : George Woodcock |
Publisher | : Pickle Partners Publishing |
Total Pages | : 713 |
Release | : 2018-09-03 |
Genre | : History |
ISBN | : 1789122309 |
“‘Whoever denies authority and fights against it is an anarchist,’ said Sebastien Faure. The definition is tempting in its simplicity, but simplicity is the first thing to guard against in writing a history of anarchism. Few doctrines or movements have been so confusedly understood in the public mind, and few have presented in their own variety of approach and action so much excuse for confusion.” These are the opening sentences of this book, which brilliantly effaces confusion by providing a critical history of anarchist thought and practice. Mr. Woodcock traces the development of anarchism from its earliest appearances, and the rise and fall of anarchism as a movement aiming at practical social changes during the nineteenth and twentieth centuries. He discusses the ideas of the principal anarchist thinkers—Godwin, Proudhon, Bakunin, Kropotkin, Tolstoy, among others—and explains the various forms—anarchist individualism, anarchist communism, anarcho-syndicalism—that anarchist proposals for change have taken. The development of anarchist organizations, the various forms (peaceful and violent) of anarchist political action in Europe and America, the reasons for the appeal of anarchism at certain periods and to certain people—all these are given full treatment in Mr. Woodcock’s comprehensive work, which closes with a discussion of the causes of anarchism’s failure as a movement and with a consideration of whether there are any elements in anarchist thought that—despite the failure of anarchism as a political panacea—may still be worth preserving in the modern world. “The essential introduction to the classical anarchist thinkers.”—Mark Leier, Director, Centre for Labour Studies, Simon Fraser University
Author | : Rosalind Polly Blakesley |
Publisher | : Oxford University Press |
Total Pages | : 286 |
Release | : 2000 |
Genre | : Art |
ISBN | : 9780198208754 |
This book examines Russian genre painting in the first three quarters of the nineteenth century. It focuses on five major artists who made significant contributions to Russian intellectual life: Venetsianov, Bryullov, Ivanov, Fedotov, and Perov.
Author | : Dario Gamboni |
Publisher | : Reaktion Books |
Total Pages | : 418 |
Release | : 2013-06-01 |
Genre | : Art |
ISBN | : 1780231547 |
Last winter, a man tried to break Marcel Duchamp’s Fountain sculpture. The sculpted foot of Michelangelo’s David was damaged in 1991 by a purportedly mentally ill artist. With each incident, intellectuals must confront the unsettling dynamic between destruction and art. Renowned art historian Dario Gamboni is the first to tackle this weighty issue in depth, exploring specters of censorship, iconoclasm, and vandalism that surround such acts. Gamboni uncovers here a disquieting phenomenon that still thrives today worldwide. As he demonstrates through analyses of incidents occurring in nineteenth- and twentieth-century America and Europe, a complex relationship exists among the evolution of modern art, destruction of artworks, and the long history of iconoclasm. From the controversial removal of Richard Serra’s Tilted Arc from New York City’s Federal Plaza to suffragette protests at London’s National Gallery, Gamboni probes the concept of artist’s rights, the power of political protest and how iconoclasm sheds light on society’s relationship to art and material culture. Compelling and thought-provoking, The Destruction of Art forces us to rethink the ways that we interact with art and react to its power to shock or subdue.
Author | : |
Publisher | : BRILL |
Total Pages | : 294 |
Release | : 2019-11-04 |
Genre | : Literary Criticism |
ISBN | : 9004410422 |
Anarchism and the Avant-Garde: Radical Arts and Politics in Perspective contributes to the continuing debate on the encounter of the classical anarchisms (1860s−1940s) and the artistic and literary avant-gardes of the same period, probing its dimensions and limits. Case studies on Dadaism, decadence, fauvism, neo-impressionism, symbolism, and various anarchisms explore the influence anarchism had on the avant-gardes and reflect on avant-garde tendencies within anarchism. This volume also explores the divergence of anarchism and the avant-gardes. It offers a rich examination of politics and arts, and it complements an ongoing discourse with theoretical tools to better assess the aesthetic, social, and political cross-pollination that took place between the avant-gardes and the anarchists in Europe.