The Druggists' Circular and Chemical Gazette
Author | : |
Publisher | : |
Total Pages | : 204 |
Release | : 1879 |
Genre | : Pharmaceutical chemistry |
ISBN | : |
Includes Red book price list section (title varies slightly), issued semiannually 1897-1906.
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Author | : |
Publisher | : |
Total Pages | : 204 |
Release | : 1879 |
Genre | : Pharmaceutical chemistry |
ISBN | : |
Includes Red book price list section (title varies slightly), issued semiannually 1897-1906.
Author | : |
Publisher | : |
Total Pages | : 300 |
Release | : 1866 |
Genre | : Pharmaceutical chemistry |
ISBN | : |
Includes Red book price list section (title varies slightly), issued semiannually 1897-1906.
Author | : John Burnham |
Publisher | : University of Chicago Press |
Total Pages | : 352 |
Release | : 1983-09 |
Genre | : Biography & Autobiography |
ISBN | : 9780226081144 |
Most lives are restricted in focus and reflect relatively narrow aspects of their times. A few lives affect and reflect a broad range of human beings and human events. The subject of this book, Jelliffe, led a life of the latter kind.
Author | : Lynn M. Thomas |
Publisher | : Duke University Press |
Total Pages | : 263 |
Release | : 2020-01-10 |
Genre | : Social Science |
ISBN | : 1478007052 |
For more than a century, skin lighteners have been a ubiquitous feature of global popular culture—embraced by consumers even as they were fiercely opposed by medical professionals, consumer health advocates, and antiracist thinkers and activists. In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond. Analyzing a wide range of archival, popular culture, and oral history sources, Thomas traces the changing meanings of skin color from precolonial times to the postcolonial present. From indigenous skin-brightening practices and the rapid spread of lighteners in South African consumer culture during the 1940s and 1950s to the growth of a billion-dollar global lightener industry, Thomas shows how the use of skin lighteners and experiences of skin color have been shaped by slavery, colonialism, and segregation as well as by consumer capitalism, visual media, notions of beauty, and protest politics. In teasing out lighteners’ layered history, Thomas theorizes skin as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.