Dreamscapes In Italian Cinema
Download Dreamscapes In Italian Cinema full books in PDF, epub, and Kindle. Read online free Dreamscapes In Italian Cinema ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Francesco Pascuzzi |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 207 |
| Release | : 2015-01-21 |
| Genre | : Drama |
| ISBN | : 1611477824 |
Dreamscapes in Italian Cinema explores different representations of dreams, visions, hallucinations, and hypnagogic states in Italian film culture, covering the works of some of the most significant auteurs in the history of Italian cinema (Fellini, Pasolini, Moretti, Bellocchio, among others). Dreams are discussed both in a filmic context, considering the diegetic and formal techniques employed to construct and represent them, and as allegories or metaphors in a broader cultural, political, and social sense (the film industry itself as the proverbial dream factory, and dreams as hopes, aspirations or altogether parallel universes, for example). The book covers works released over different decades and spanning multiple genres (drama, gothic film, horror, comedy), and it is intended to shed light on a topic that is as suggestive as it is insufficiently studied.
| Author | : Giovanna Faleschini Lerner |
| Publisher | : Springer |
| Total Pages | : 296 |
| Release | : 2017-10-14 |
| Genre | : Performing Arts |
| ISBN | : 331956675X |
This book is the first scholarly analysis that considers the specificity of situated experiences of the maternal from a variety of theoretical perspectives. From “Fertility Day” to “Family Day,” the concept of motherhood has been at the center of the public debate in contemporary Italy, partly in response to the perceived crisis of the family, the economic crisis, and the crisis of national identity, provoked by the forces of globalization and migration, secularization, and the instability of labor markets. Through essays by an international cohort of established and emerging scholars, this volume aims to read these shifts in cinematic terms. How does Italian cinema represent, negotiate, and elaborate changing definitions of motherhood in narrative, formal, and stylistic terms? The essays in this volume focus on the figures of working mothers, women who opt for a child-free adulthood, single mothers, ambivalent mothers, lost mothers, or imperfect mothers, who populate contemporary screen narratives.
| Author | : Daniela Bini |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 267 |
| Release | : 2020-11-05 |
| Genre | : Literary Criticism |
| ISBN | : 1683932587 |
The power exercised by the mother on the son in Mediterranean cultures has been amply studied. Italy is a special case in the Modern Era and the phenomenon of Mammismo italiano is indeed well known. Scholars have traced this obsession with the mother figure to the Catholic cult of the Virgin Mary, but in fact, it is more ancient. What has not been adequately addressed however, is how Mammismo italiano has been manifested in complex ways in various modern artistic forms. Portrait of the Artist and His Mother in Twentieth-Century Italian Culture focuses on case studies of five prominent creative personalities, representing different, sometimes overlapping artistic genres (Luigi Pirandello, Pier Paolo Pasolini, Dino Buzzati, Carlo Levi, Federico Fellini). The author examines how the mother-son relationship not only affected, but actually shaped their work. Although the analysis uses mainly a psychological and psychoanalytical critical approach, the belief of the author, substantiated by historians, anthropologists and sociologists, is that historical and cultural conditions contributed to and reinforced the Italian character. This book concludes with an analysis of some examples of Italian film comedies, such as Fellini's and Monicelli's where mammismo/vitellonismo is treated with a lighter tone and a pointed self irony.
| Author | : Milly Buonanno |
| Publisher | : Indiana University Press |
| Total Pages | : 200 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : 9781860205576 |
This broadcasting reference provides the first comparative analysis of domestic fiction production in five major European countries: Germany, France, Italy, Spain, and Great Britain. Experts in the history of broadcasting in their respective countries have developed a comparative approach to assess the national specificity of television in their own countries on the basis of the similarities and differences with other national contexts.
| Author | : Adam Barkman |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 246 |
| Release | : 2018-10-26 |
| Genre | : Social Science |
| ISBN | : 1498572316 |
This book offers a comprehensive, academic and detailed study of the works of James Cameron, whose films include successful productions such as the first two Terminator films (1984-91), Aliens (1986), Titanic (1997), and Avatar (2009), but also lesser known films such as Piranha 2: The Spawning (1981), The Abyss (1989), and True Lies (1994), and a series of documentaries on the depths of the ocean or on the tomb of Christ. Cameronʼs major productions have an immense and enduring popularity throughout the globe and have attracted both public and critical attention. This volume investigates several distinct areas of Cameronʼs works and addresses the different approaches and topics invited by the multidimensionality of the subject itself: the philosophical, the artistic, the socio-cultural and the personal. The methodologies adopted by the contributors differ significantly from each other, thus offering the reader a variegated and compelling picture of Cameronʼs oeuvre. Contrary to the numerous volumes published in the past on the subject, each chapter offers specific case studies that have been previously ignored, or only partially mentioned, by other scholars.
| Author | : Catherine Ramsey-Portolano |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 149 |
| Release | : 2017-12-29 |
| Genre | : Literary Criticism |
| ISBN | : 1683931327 |
Performing Bodies: Female Illness in Italian Literature and Cinema (1860-1920) explores the variations in the portrayal of female illness in Italian fin de siècle literature and early cinema. Catherine Ramsey-Portolano begins her study with an overview of nineteenth-century theories on female inferiority and nervous disorders, especially hysteria. 19th-century European scientific and philosophical discourse on women’s bodies, which focused on female biological functions and malfunctions, accompanied an abundant fin de siècle literary representation of female illness, a theme which also carried over into the cinematic genre of diva films of the 1910s. Ramsey-Portolano’s analysis of fin de siècle Italian literary texts first discusses those novels in which illness represents the consequence and at times punishment for women who transgressed traditional societal roles and norms of behavior. Ramsey-Portolano also demonstrates, however, that there also existed within a portrayal of female illness which suggested sickness as a form of agency for women. Rather than depicting women as powerless victims who succumb to illness due to the pressures and limitations of patriarchal society, this second group of novels posits illness as a means for women to take control of their bodies and demonstrate self-mastery through illness as a chosen form of behavior. Performing Bodies: Female Illness in Italian Literature and Cinema (1860-1920) concludes with a discussion of the role of female illness in Italian cinema of the 1910s. Ramsey-Portolano analyzes the films Tigre reale (1916) and Malombra (1917), featuring the divas Pina Menichelli and Lyda Borelli, to show how illness granted centrality to the female character. By placing the diva and her point of view at the center of the film’s action, these films posit the female character as the active one in advancing the story, thus providing a progressive model for female Italian viewers and an early example of the female gaze in Italian cinema. Performing Bodies: Female Illness in Italian Literature and Cinema (1860-1920) examines how in Italian literature and film, as well as in society, women were confined to traditional roles and illness often represented the consequence for transgressing those roles. Feigning illness offered women a way to “own” the illness and become manipulators and masters not only of their bodies but of their stories and destinies.
| Author | : Thomas Cragin |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 202 |
| Release | : 2018-02-20 |
| Genre | : Literary Criticism |
| ISBN | : 1683931386 |
In no other country in Europe has national identity been so closely bound to memories of the war. Italy’s Republic was born of World War II, its constitution defined by anti-Fascism, its parties self-identified with national Resistance. Because of their importance to the nation’s identity, the nature and meaning of the war have been the focus of great contention, from 1943 to the present day. In recent years Italy has taken on a national evaluation of the more troubling and contested aspects of its role in the war, including its support of Fascism and collaboration after 1943, its treatment of Jews and other minorities, deep national divisions that created a civil war between 1943 and 1945, and the centrality of war myth to lingering postwar problems. Scholars of Italian history, literature, and cinema play a fundamental role in this appraisal, and this volume of essays attests to the importance of film and literature to the ways in which changing political, social and cultural imperatives have altered the war’s memory. These articles expand our understanding of the shifting phases in national memory by highlighting significant features of each era’s portrayal of the war. Contributions come from eight scholars who capture the full variety of disciplinary and sub-disciplinary approaches that are current today, including film genre studies, cultural history, gender studies, Holocaust studies, and the very new fields of emotion studies, shame theory, and environmental studies. Their innovative application of questions and methods that speak to important new subfields in Italian Studies make this volume an invaluable tool for scholars and their students.
| Author | : Ursula Fanning |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 261 |
| Release | : 2017-09-07 |
| Genre | : Literary Criticism |
| ISBN | : 1683930320 |
This book highlights the centrality of the autobiographical enterprise to Italian women’s writing through the twentieth century—a century that has frequently been referred to as the century of the self. Ursula Fanning addresses the thorny issue of essentialism potentially involved in underlining links between women’s writing and autobiographical modes, and ultimately rejects it in favor of an argument based on the cultural, linguistic, and literary marginalization of women writers within the Italian context. It is concerned with Italian women writers’ various ways of grappling with constructions of subjectivity throughout the century and sets out to explore them. Fanning reads autobiographical writing as subject to many of the same constraints as fiction and, in doing so, draws attention to the significance of the recurring use of the terms “pure” and “impure” in many critical and theoretical discussions of the autobiographical (where “pure” is used to suggest a truthful representation of a life, while “impure” suggests the messy undertaking of mixing lived experience with fiction). Recurring patterns and paradigms are found in the works of the various writers considered (eighteen in all), and these paradigms are analyzed through close readings of their works. These close readings offer insights into approaches to the constructions of subjectivity in the narratives and are informed by feminist theories. The chapters focus on selves in relationship, taking their lead from the patterns unfolding in the writers’ work, hence the subjects are constructed as daughters (with different views of the self in relation to fathers and mothers), within the confines of the romantic relationship (which involves reconsiderations and rewritings of the romance plot), as maternal subjects, and as writers (with an eye on their relationship to the literary canon, as well as to the relationship with readers). This book argues that there is such a thing as gendered subjectivity and that its constructions may be traced through the texts analyzed.
| Author | : Gabriella Romani |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 309 |
| Release | : 2017-06-06 |
| Genre | : Literary Criticism |
| ISBN | : 1611478014 |
The late eighteenth and the nineteenth centuries witness significant advancement in the production and, crucially, the consumption of culture in Italy. During the long process towards and beyond Italy becoming a nation-state in 1861, new modes of writing and performing – the novel, the self-help manual, theatrical improvisation – develop in response to new practices and technologies of production and distribution. Key to the emergence of an inclusive national audience in Italy is, however, the audience itself. A wide and varied body of consumers of culture, animated by the notion of an Italian national cultural identity, create in this period an increasingly complex demand for different cultural products. This body is energized by the wider access to education and to the Italian language brought about by educational reforms, by growing urbanization, by enhanced social mobility, and by transcultural connections across European borders. This book investigates this process, analyzing the ways in which authors, composers, publishers, performers, journalists, and editors engage with the anxieties and aspirations of their diverse audiences. Fourteen essays by specialists in the field, exploring individual contexts and cases, demonstrate how interests related to gender, social class, cultural background and practices of reading and spectatorship, exert determining influence upon the production of culture in this period. They describe how women, men, and children from across the social and regional strata of the emerging nation contribute incrementally but actively to the idea and the growing reality of an Italian national cultural life. They show that from newspapers to salon performances, from letters to treatises in social science, from popular novels to literary criticism, from philosophical discussions to opera theaters, there is evidence in Italy in this period of unprecedented participation, crossing academic and popular cultures, in the formation of a national audience in Italy. This cultural transformation later produces the mass culture in Italy which underpins the major movements of the twentieth century and which undergoes new challenges and reformulations in the Italy we know today.
| Author | : Samantha Holland |
| Publisher | : Emerald Group Publishing |
| Total Pages | : 272 |
| Release | : 2019-03-13 |
| Genre | : Social Science |
| ISBN | : 1787698971 |
This edited collection focuses on gender and contemporary horror in film, examining how and if representations of gender in horror have changed.
