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| Author | : Jodi Hauptman |
| Publisher | : The Museum of Modern Art |
| Total Pages | : 236 |
| Release | : 2004 |
| Genre | : Architecture |
| ISBN | : 9780870706646 |
Published on the occasion of the exhibition held at the Museum of Modern Art, New York, Mar. 30-Aug. 29, 2005.
| Author | : David Hopkins |
| Publisher | : Oxford University Press |
| Total Pages | : 289 |
| Release | : 2000-09-14 |
| Genre | : Art |
| ISBN | : 019284234X |
Following a clear timeline, the author highlights key movements of modern art, giving careful attention to the artists' political and cultural worlds. Styles include Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and performance art. 65 color illustrations. 65 halftones.
| Author | : Pepe Karmel |
| Publisher | : The Museum of Modern Art |
| Total Pages | : 288 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 9780870700378 |
Published to accompany the exhibition Jackson Pollock held the Museum of Modern Art, New York, from 1 November 1998 to 2 February 1999.
| Author | : Don Quaintance |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Art |
| ISBN | : 9780935112382 |
This elegant and distinguished book showcases the unique and mesmerizing art of mid-century American artist, Gray Foy. Long eclipsed from public and private view, this large cache of drawings was discovered after Foy's death, mostly hidden in drawers and closets. The five-year effort to prepare the astonishing discovery for publication culminates in this stunning volume of drawings whose rare beauty will appeal to cognoscenti and general readers alike. Born in 1922 in Dallas, Foy spent his youth in Los Angeles and went on to study art at Southern Methodist University in Texas and Columbia University in New York. His drawings appeared in numerous group exhibitions (including several Whitney Annuals), and he received a Guggenheim Fellowship. Foy's drawings are executed with a draftsmanship whose meticulously detailed qualities challenge the viewer's visual acuity. His early work, related to both Magic Realism and Surrealism, conveys affinities with artists as varied as Salvador Dalí and M.C. Escher, and is characterized by complexly interwoven compositions in which human figures, flora and fauna, and terrains and interiors morph into vivid dreamscapes. His mature drawings focus on botanical and geological forms in the process of transformation, metaphorically suggestive of the passage of time and the mutability of perception. There has been renewed interest in Gray Foy's art as a result of a 2004 article in the New York Times by Steve Martin about the artist and his 1942 masterpiece, Dimensions, which Martin acquired and donated to the Museum of Modern Art. Now for the first time, Gray Foy's work has been collected in Gray Foy: Drawings 1941-1975, which includes sixty-one full-color plates, an exhaustive chronology, and a selection of Foy's commercial illustrations for book jackets, magazines, and record album covers.
| Author | : Kelly Chorpening |
| Publisher | : John Wiley & Sons |
| Total Pages | : 576 |
| Release | : 2020-11-10 |
| Genre | : Art |
| ISBN | : 1119194571 |
The first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience. This book discusses key themes in contemporary drawing practice, addresses the working conditions and context of artists, and considers a wide range of personal, social, and political considerations that influence artistic choices. Topics include the politics of eroticism in South American drawing, anti-capitalist drawing from Eastern Europe, drawing and conceptual art, feminist drawing, and exhibitions that have put drawing practices at the centre of contemporary art. This textbook: Demonstrates ways contemporary issues and concerns are addressed through drawing Reveals how drawing is used to make powerful social and political statements Situates works by contemporary practitioners within the context of their historical moment Explores how contemporary art practices utilize drawing as both process and finished artifact Shows how concepts of observation, representation, and audience have changed dramatically in the digital era Establishes drawing as a mode of thought Part of the acclaimed Wiley Blackwell Companions to Art History series, A Companion to Contemporary Drawing is a valuable text for students of fine art, art history, and curating, and for practitioners working within contemporary fine art practice.
| Author | : Rebecca Peabody |
| Publisher | : Getty Publications |
| Total Pages | : 189 |
| Release | : 2011-12-31 |
| Genre | : Sculpture, American |
| ISBN | : 1606060694 |
Anglo-American Exchange in Postwar Sculpture, 1945-1975 redresses an important art historical oversight. Histories of American and British sculpture are usually told separately, with artists and their work divided by nationality; yet such boundaries obscure a vibrant exchange of ideas, individuals, and aesthetic influences. In reality, the postwar art world saw dynamic interactions between British and American sculptors, critics, curators, teachers, and institutions. Using works of art as points of departure, this book explores the international movement of people, objects, and ideas, demonstrating the importance of Anglo-American exchange to the history of postwar sculpture.
| Author | : John Prados |
| Publisher | : |
| Total Pages | : 704 |
| Release | : 2009 |
| Genre | : History |
| ISBN | : |
The first major synthesis of the war since 2001, drawing upon a host of newly declassified documents, presidential tapes, and overlooked foreign sources to give the most comprehensive look to date of the war that still haunts America.
| Author | : Tom Wolfe |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 116 |
| Release | : 2008-10-14 |
| Genre | : Art |
| ISBN | : 1429961201 |
"America's nerviest journalist" (Newsweek) trains his satirical eye on Modern Art in this "masterpiece" (The Washington Post) Wolfe's style has never been more dazzling, his wit never more keen. He addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. The Painted Word is Tom Wolfe "at his most clever, amusing, and irreverent" (San Francisco Chronicle).
| Author | : Matthias C. Hühne |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2016-09 |
| Genre | : Advertising |
| ISBN | : 9783981655025 |
Collector's Limited Edition A super stylish journey: The ultimate sourcebook for the best airline graphic design presented in a handcrafted, aluminum covered clamshell caseArguably no other book has been produced with such technical sophistication in recent years and few design books have received such an overwhelming worldwide media resonance. Airline Visual Identity 1945-1975 rounds up the most imaginative, influential and surprising designs of the airlines' commercial art from the "golden age of flying." It provides an unprecedented, systematic outline of the development of the visual identities of thirteen pioneering airlines, combining innovative research and stunning, museum-like presentations of hundreds of spectacular aviation posters, photos and other illustrations. Conceived by some of the world's top creative minds, such as Ivan Chermayeff, Otl Aicher, Massimo Vignelli, Academy Award winner Saul Bass, or advertising titan Mary Wells Lawrence, the designs found in the book's case studies also illustrate the shift from traditional methods of corporate design and advertising to comprehensive modern branding programs which took place in the same period.To reproduce all of the images as precisely as possible, a total of seventeen different colors, five different varnishes, and two different methods of foil printing and embossing were used. The result is a book of exceptional vivacity that pushes the limits of modern art printing technology. The Premium Edition has received glowing reviews in leading media around the world, including The New York Times, Newsweek, CNN, New Republic, Slate, Adweek, and dozens of others in the United States, France, Britain, Germany, China, Japan, Switzerland, Austria, Australia, Spain, Italy, Norway, etc. Created by internationally recognized art book publisher Callisto and designed by distinguished Berlin-based designer Yvonne Quirmbach, Airline Visual Identity 1945-1975 was produced in a renowned printing facility in northern Italy on deluxe 200g Fedrigoni paper. The clamshell case, also designed by Yvonne Quirmbach and limited to an edition of 999, was handcrafted in Berlin, Germany and features a metal cover similar in appearance to the aluminum alloy used to manufacture jet aircraft in the 1960s.
