My Last Duchess (Complete Edition): Dramatic Lyrics from one of the most important Victorian poets and playwrights, regarded as a sage and philosopher-poet, known for Porphyria's Lover, The Pied Piper of Hamelin, The Book and the Ring

My Last Duchess (Complete Edition): Dramatic Lyrics from one of the most important Victorian poets and playwrights, regarded as a sage and philosopher-poet, known for Porphyria's Lover, The Pied Piper of Hamelin, The Book and the Ring
Author: Robert Browning
Publisher: e-artnow
Total Pages: 177
Release: 2015-05-07
Genre: Poetry
ISBN: 8026838157

'My Last Duchess' is a poem, frequently anthologised as an example of the dramatic monologue. It first appeared in 1842 in Browning's Dramatic Lyrics. The poem is written in 28 rhymed couplets of iambic pentameter. The poem is set during the late Italian Renaissance. The speaker (presumably the Duke of Ferrara) is giving the emissary of the family of his prospective new wife (presumably a third or fourth since Browning could have easily written 'second' but did not do so) a tour of the artworks in his home. He draws a curtain to reveal a painting of a woman, explaining that it is a portrait of his late wife; he invites his guest to sit and look at the painting. Robert Browning (1812 - 1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humor, social commentary, historical settings, and challenging vocabulary and syntax. The speakers in his poems are often musicians or painters whose work functions as a metaphor for poetry.

The Laboratory (From Dramatic Romances and Lyrics)

The Laboratory (From Dramatic Romances and Lyrics)
Author: Robert Browning
Publisher: e-artnow
Total Pages: 178
Release: 2015-05-07
Genre: Poetry
ISBN: 8026836464

This carefully crafted ebook: "The Laboratory (From Dramatic Romances and Lyrics)" is formatted for your eReader with a functional and detailed table of contents. "The Laboratory" is a poem and dramatic monologue. This poem, set in seventeenth century France, is the monologue of a woman speaking to an apothecary as he prepares a poison, which she intends to use to kill her rival in love. It was inspired by the life of Marie Madeleine Marguerite D'Aubray, marquise de Brinvilliers (1630-1676), who poisoned her father and two brothers and planned to poison her husband. Robert Browning (1812-1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humor, social commentary, historical settings, and challenging vocabulary and syntax. The speakers in his poems are often musicians or painters whose work functions as a metaphor for poetry.

The Laboratory - From The Dramatic Romances and Lyrics

The Laboratory - From The Dramatic Romances and Lyrics
Author: Robert Browning
Publisher: e-artnow
Total Pages: 178
Release: 2015-05-07
Genre: Poetry
ISBN: 8026838181

'The Laboratory' is a poem and dramatic monologue. This poem, set in seventeenth century France, is the monologue of a woman speaking to an apothecary as he prepares a poison, which she intends to use to kill her rival in love. It was inspired by the life of Marie Madeleine Marguerite D'Aubray, marquise de Brinvilliers (1630-1676), who poisoned her father and two brothers and planned to poison her husband. Robert Browning (1812-1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humor, social commentary, historical settings, and challenging vocabulary and syntax. The speakers in his poems are often musicians or painters whose work functions as a metaphor for poetry.

Browning's Lyrics

Browning's Lyrics
Author: Eleanor Cook
Publisher: University of Toronto Press
Total Pages: 418
Release: 1974-12-15
Genre: Literary Criticism
ISBN: 1442637633

Browning's lyrics are favourite choices for anthologies but are rarely examined closely. This is the first full-length study of the lyrics, and includes detailed analyses of such well-known poems as Love Among the Ruins, Two in the Campagna, A Serenade at the Villa, A Toccata of Galuppi's, By the Fireside, and James Lee's Wife. Eleanor Cook explores Browning's use of repeated images and themes in the lyrics, examines these patterns in other poems and in his letters, and analyses their growth and change in all his work. She demonstrates how the lyrics may be linked with Browning's other work and shows something of his essential artistic unity. His imaginary is found to be more consistent and complex than is usually assumed. Students of Browning will find this work stimulating and instructive, while lovers of Browning will read it with pure pleasure. The reader will return to many of the poems with a rciher sense of their continuing vitality. In an earlier form this study was awarded the first A.S.P. Woodhouse Prize by the University of Toronto.

Becoming Browning

Becoming Browning
Author: Clyde de L. Ryals
Publisher: Ohio State University Press
Total Pages: 312
Release: 1983
Genre:
ISBN: 0814203523

The Function of Song in Contemporary British Drama

The Function of Song in Contemporary British Drama
Author: Elizabeth Hale Winkler
Publisher: University of Delaware Press
Total Pages: 382
Release: 1990
Genre: Literary Criticism
ISBN: 9780874133585

This comprehensive study formulates an original theory that dramatic song must be perceived as a separate genre situated between poetry, music, and theater. It focuses on John Arden, Margaretta D'Arcy, Edward Bond, Peter Barnes, John Osborne, Peter Nichols, Harold Pinter, Tom Stoppard, Peter Shaffer, and John McGrath.

Women's Romantic Theatre and Drama

Women's Romantic Theatre and Drama
Author: Lilla Maria Crisafulli
Publisher: Ashgate Publishing, Ltd.
Total Pages: 308
Release: 2010
Genre: Literary Collections
ISBN: 9780754655770

Bringing together leading British, North American, and Italian critics, this collection makes a crucial intervention in the reclamation of women's theatrical activities during the Romantic period. As they examine key figures like Elizabeth Inchbald, Joanna Baillie, Elizabeth Vestris, and Jane Scott, the contributors take up topics such as women's history plays, ethics and sexuality, the politics of drama and performance, and the role of women as managers and producers.