Dramas of Nationhood

Dramas of Nationhood
Author: Lila Abu-Lughod
Publisher: University of Chicago Press
Total Pages: 338
Release: 2008-05-30
Genre: Social Science
ISBN: 0226001989

How do people come to think of themselves as part of a nation? Dramas of Nationhood identifies a fantastic cultural form that binds together the Egyptian nation—television serials. These melodramatic programs—like soap operas but more closely tied to political and social issues than their Western counterparts—have been shown on television in Egypt for more than thirty years. In this book, Lila Abu-Lughod examines the shifting politics of these serials and the way their contents both reflect and seek to direct the changing course of Islam, gender relations, and everyday life in this Middle Eastern nation. Representing a decade's worth of research, Dramas of Nationhood makes a case for the importance of studying television to answer larger questions about culture, power, and modern self-fashionings. Abu-Lughod explores the elements of developmentalist ideology and the visions of national progress that once dominated Egyptian television—now experiencing a crisis. She discusses the broadcasts in rich detail, from the generic emotional qualities of TV serials and the depictions of authentic national culture, to the debates inflamed by their deliberate strategies for combating religious extremism.

Dramas of Nationhood

Dramas of Nationhood
Author: Lila Abu-Lughod
Publisher: University of Chicago Press
Total Pages: 352
Release: 2005
Genre: Performing Arts
ISBN: 9780226001968

Television is the cultural form that binds together the nation of Egypt. This text analyses Egyptian TV, not only to provide an understanding of the effect of the medium on Egyptian people, but also to examine TVs greater role in culture.

Dramas of the Past on the Twentieth-Century Stage

Dramas of the Past on the Twentieth-Century Stage
Author: Alexander Feldman
Publisher: Routledge
Total Pages: 272
Release: 2013-01-17
Genre: Performing Arts
ISBN: 1136155007

This book defines and exemplifies a major genre of modern dramatic writing, termed historiographic metatheatre, in which self-reflexive engagements with the traditions and forms of dramatic art illuminate historical themes and aid in the representation of historical events and, in doing so, formulates a genre. Historiographic metatheatre has been, and remains, a seminal mode of political engagement and ideological critique in the contemporary dramatic canon. Locating its key texts within the traditions of historical drama, self-reflexivity in European theatre, debates in the politics and aesthetics of postmodernism, and currents in contemporary historiography, this book provides a new critical idiom for discussing the major works of the genre and others that utilize its techniques. Feldman studies landmarks in the theatre history of postwar Britain by Weiss, Stoppard, Brenton, Wertenbaker and others, focusing on European revolutionary politics, the historiography of the World Wars and the effects of British colonialism. The playwrights under consideration all use the device of the play-within-the-play to explore constructions of nationhood and of Britishness, in particular. Those plays performed within the framing works are produced in places of exile where, Feldman argues, the marginalized negotiate the terms of national identity through performance.

Media Worlds

Media Worlds
Author: Faye D. Ginsburg
Publisher: Univ of California Press
Total Pages: 432
Release: 2002-10-23
Genre: Social Science
ISBN: 0520928164

This groundbreaking volume showcases the exciting work emerging from the ethnography of media, a burgeoning new area in anthropology that expands both social theory and ethnographic fieldwork to examine the way media—film, television, video—are used in societies around the globe, often in places that have been off the map of conventional media studies. The contributors, key figures in this new field, cover topics ranging from indigenous media projects around the world to the unexpected effects of state control of media to the local impact of film and television as they travel transnationally. Their essays, mostly new work produced for this volume, bring provocative new theoretical perspectives grounded in cross-cultural ethnographic realities to the study of media.

Egypt's Culture Wars

Egypt's Culture Wars
Author: Samia Mehrez
Publisher: Routledge
Total Pages: 618
Release: 2008-04-01
Genre: Social Science
ISBN: 1134109512

This ground-breaking work presents original research on cultural politics and battles in Egypt at the turn of the twenty first century. It deconstructs the boundaries between ‘high’ and ‘low’ culture drawing on conceptual tools in cultural studies, translation studies and gender studies to analyze debates in the fields of literature, cinema, mass media and the plastic arts. Anchored in the Egyptian historical and social contexts and inspired by the influential work of Pierre Bourdieu, it rigorously places these debates and battles within the larger framework of a set of questions about the relationship between the cultural and political fields in Egypt.

Visualizing Secularism and Religion

Visualizing Secularism and Religion
Author: Maha Yahya
Publisher: University of Michigan Press
Total Pages: 569
Release: 2012-05-22
Genre: Social Science
ISBN: 0472028138

Over the past two decades secular polities across the globe have witnessed an increasing turn to religion-based political movements, such as the rise of political Islam and Hindu nationalism, which have been fueling new and alternative notions of nationhood and national ideologies. The rise of such movements has initiated widespread debates over the meaning, efficacy, and normative worth of secularism. Visualizing Secularism and Religion examines the constitutive role of religion in the formation of secular-national public spheres in the Middle East and South Asia, arguing that in order to establish secularism as the dominant national ideology of countries such as Turkey, Lebanon, and India, the discourses, practices, and institutions of secular nation-building include rather than exclude religion as a presence within the public sphere. The contributors examine three fields---urban space and architecture, media, and public rituals such as parades, processions, and commemorative festivals---with a view to exploring how the relation between secularism, religion, and nationalism is displayed and performed. This approach demands a reconceptualization of secularism as an array of contextually specific practices, ideologies, subjectivities, and "performances" rather than as simply an abstract legal bundle of rights and policies.

Revolutionary Womanhood

Revolutionary Womanhood
Author: Laura Bier
Publisher: Stanford University Press
Total Pages: 409
Release: 2011-08-24
Genre: History
ISBN: 0804779066

“Laura Bier unpacks the complicated dynamics and legacy of an historical moment in which women were understood to be crucial to modern nation-building.” —Lila Abu-Lughod, author of Do Muslim Women Need Saving? The first major historical account of gender politics during the Nasser era, Revolutionary Womanhood analyzes feminism as a system of ideas and political practices, international in origin but local in iteration. Drawing connections between the secular nationalist projects that emerged in the 1950s and the gender politics of Islamism today, Laura Bier reveals how discussions about education, companionate marriage, and enlightened motherhood, as well as veiling, work, and other means of claiming public space created opportunities to reconsider the relationship between modernity, state feminism, and postcolonial state-building. Bier highlights attempts by political elites under Nasser to transform Egyptian women into national subjects. These attempts to fashion a “new” yet authentically Egyptian woman both enabled and constrained women’s notions of gender, liberation, and agency. Ultimately, Bier challenges the common assumption that these emerging feminisms were somehow not culturally or religiously authentic, and details their lasting impact on Egyptian womanhood today. “Addresses a major void in the historical literature on Egypt. Showing how gendered politics proved central to Nasserist attempts to modernize, the book broadens our understanding of state feminism, secularism, and the postcolonial period. A very welcome addition, the work combines theoretical sophistication with rich evidence and well-crafted arguments.” —Beth Baron, author of Egypt as a Woman “Laura Bier’s well-researched and engaging text skillfully illustrates how Nasser spun ‘the woman question’ to define his Arab socialist agenda.”—Lisa Pollard, author of Nurturing the Nation

Writing Women's Worlds

Writing Women's Worlds
Author: Lila Abu-Lughod
Publisher: Univ of California Press
Total Pages: 306
Release: 2008-04-07
Genre: Social Science
ISBN: 0520256514

Extrait de la couverture : " In 1978 Lila Abu-Lughod climbed out of a dusty van to meet members of a small Awlad 'Ali Bedouin community. Living in this Egyptian Bedouin settlement for extended periods during the following decade, Abu-Lughod took part in family life, with its moments of humor, affection, and anger. As the new teller of these tales Abu-Lughod draws on anthropological and feminist insights to construct a critical ethnography. She explores how the telling of these stories challenges the power of anthropological theory to render adequately the lives of others and the way feminist theory appropriates Third World women. Writing Women's Worlds is thus at once a vivid set of stories and a study in the politics of representation."

Author: Samia Mehrez
Publisher: American Univ in Cairo Press
Total Pages: 354
Release: 2010-01-01
Genre:
ISBN: 9789774163746

A look at some of the raging debates in the arts in Egypt

Local Contexts of Islamism in Popular Media

Local Contexts of Islamism in Popular Media
Author: Lila Abu-Lughod
Publisher: Amsterdam University Press
Total Pages: 25
Release: 2006-01-01
Genre: Religion
ISBN: 9053568247

After the events of 9/11, media representations of Muslims in the West—never known for their accuracy—became even more stereotypically negative. Few of us realize, however, the profusion of similar sentiments that existed within Arab Muslim media outlets ten or even fifteen years earlier. Lila Abu-Lughod here examines these images of religious extremism in popular Arab media, focusing most closely on such depictions in Egyptian television shows of the 1990s. Concluding with an exploration of the influence of media on religion itself, Local Contexts of Islamism in Popular Media will add new fuel to current debates in media studies and world politics.