Drama, Performance and Debate

Drama, Performance and Debate
Author: Jan Bloemendal
Publisher: BRILL
Total Pages: 382
Release: 2012-10-31
Genre: History
ISBN: 9004240632

In this volume, 15 contributions discuss the role or roles of early modern ('literacy' and non-literary) forms of theatre in the formation of public opinion or its use in making statements in public or private debates.

The Performance of Power

The Performance of Power
Author: Sue-Ellen Case
Publisher: University of Iowa Press
Total Pages: 306
Release: 1991-05-01
Genre: Performing Arts
ISBN: 1587290340

Recently in the field of theatre studies there has been an increasing amount of debate and dissonance regarding the borders of its territory, its methodologies, subject matter, and scholarly perspectives. The nature of this debate could be termed "political" and, in fact, concerns "the performance of power"—the struggle over power relations embedded in texts, methodologies, and the academy itself. This striking new collection of nineteen divergent essays represents this performance of power and the way in which the recent convergence of new critical theories with historical studies has politicized the study of the theatre. Neither play text, performance, nor scholarship and teaching can safely reside any longer in the "free," politically neutral, self-signifying realm of the aesthetic. Politicizing theatrical discourse means that both the hermeneutics and the histories of theatre reveal the role of ideology and power dynamics. New strategies and concepts—and a vital new phase of awareness—appear in these illuminating essays. A variety of historical periods, from the Renaissance through the Victorian and up to the most contemporary work of the Wooster group, illustrate the ways in which contemporary strategies do not require contemporary texts and performances but can combine with historical methods and subjects to produce new theatrical discourse.

Performing Arguments

Performing Arguments
Author: Maura Giles-Watson
Publisher: BRILL
Total Pages: 268
Release: 2024-03-04
Genre: Literary Criticism
ISBN: 9004535306

Performing Arguments: Debate in Early English Poetry and Drama proposes a fresh performance-centered view of rhetoric by recovering, tracing, and analyzing the trope and tradition of aestheticized argumentation as a mode of performance across several early ludic genres: Middle English debate poetry, the fifteenth-century ‘disguising’ play, the Tudor Humanist debate interlude, and four Shakespearean works in which the dynamics of debate invite the plays’ reconsideration under the new rubric of ‘rhetorical problem plays.’ Performing Arguments further establishes a distinction between instrumental argumentation, through which an arguer seeks to persuade an opponent or audience, and performative argumentation, through which the arguer provides an aesthetic display of verbal or intellectual skill with persuasion being of secondary concern, or of no concern at all. This study also examines rhetorical and performance theories and practices contemporary with the early texts and genres explored, and is further influenced by more recent critical perspectives on resonance and reception and theories of audience response and reconstruction.

Speech & Debate (TCG Edition)

Speech & Debate (TCG Edition)
Author: Stephen Karam
Publisher: Theatre Communications Group
Total Pages: 126
Release: 2017-07-24
Genre: Drama
ISBN: 1559368659

“You might think a play that grapples with serious modern social issues—homophobia, teenage alienation, the limits of online privacy—would have no room for a warbling Abraham Lincoln doing an interpretive dance. But then you might not expect to encounter a piece of theater as ingenious and cannily plotted as Stephen Karam’s Speech & Debate. It is a suspenseful tale that fuses keen-eyed civic critique with riotous and even campy humor.” – Celia Wren, Washington Post “Hilarious...Speech & Debate’s real accomplishment is its picture of the borderland between late adolescence and adulthood, where grown-up ideas and ambition coexist with childish will and bravado...We never feel we’re being educated, just immensely entertained.” – Caryn James, New York Times “A provocative play...A lot of shows about teens ring inauthentic. Not this one.” – Chris Jones, Chicago Tribune “Stephen Karam’s savvy comedy is bristling with vitality, wicked humor, terrific dialogue, and a direct pipeline into the zeitgeist of contemporary youth.” – David Rooney, Variety In this unconventional dark comedy, three misfit high school students in Salem, Oregon form a unique debate club, complete with a musical version of The Crucible, an unusual podcast, and a plot to take down their corrupt drama teacher. With his signature wit, Karam traces the cohort’s attempts to fend off the menace of encroaching adulthood with caustic humor and subversive antics. Stephen Karam’s plays include The Humans (Tony Award and Pulitzer Prize finalist), Sons of the Prophet (Pulitzer Prize finalist), and Speech & Debate. His adaptation of The Cherry Orchard premiered on Broadway for the Roundabout Theatre Company.

Science in performance

Science in performance
Author: Simon Parry
Publisher: Manchester University Press
Total Pages: 281
Release: 2020-09-08
Genre: Performing Arts
ISBN: 1526150891

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book is about science in theatre and performance. It explores how theatre and performance engage with emerging scientific themes from artificial intelligence to genetics and climate change. The book covers a wide range of performance forms from Broadway musicals to educational theatre, from Somali drama to grime videos. It features work by pioneering companies including Gob Squad, Headlong Theatre and Theatre of Debate as well as offering fresh analysis of global blockbusters such as Wicked and Urinetown. The book offers detailed description and analysis of theatre and performance practices as well as broader commentary on the politics of theatre as public engagement with science. Science in performance is essential reading for researchers, students and practitioners working between science and the arts within fields such as theatre and performance studies, science communication, interdisciplinary arts and health humanities.

World Political Theatre and Performance

World Political Theatre and Performance
Author:
Publisher: BRILL
Total Pages: 253
Release: 2020-06-22
Genre: Drama
ISBN: 9004430997

World Political Theatre and Performance brings together scholars and practitioners from multiple locations to analyse counter-hegemonic theatre and performance. International case studies are framed by a common reflection on the meaning of radical practice in the face of global neoliberalism.

Rethinking Chinese Socialist Theaters of Reform

Rethinking Chinese Socialist Theaters of Reform
Author: Xiaomei Chen
Publisher: University of Michigan Press
Total Pages: 321
Release: 2021-03-01
Genre: Performing Arts
ISBN: 047207475X

The profound political, economic, and social changes in China in the second half of the twentieth century have produced a wealth of scholarship; less studied however is how cultural events, and theater reforms in particular, contributed to the dynamic landscape of contemporary Chinese society. Rethinking Chinese Socialist Theaters of Reform fills this gap by investigating the theories and practice of socialist theater and their effects on a diverse range of genres, including Western-style spoken drama, Chinese folk opera, dance drama, Shanghai opera, Beijing opera, and rural theater. Focusing on the 1950s and ’60s, when theater art occupied a prominent political and cultural role in Maoist China, this book examines the efforts to remake theater in a socialist image. It explores the unique dynamics between official discourse, local politics, performance practice, and audience reception that emerged under the pressures of highly politicized cultural reform as well as the off-stage, lived impact of rapid policy change on individuals and troupes obscured by the public record. This multidisciplinary collection by leading scholars covers a wide range of perspectives, geographical locations, specific research methods, genres of performance, and individual knowledge and experience. The richly diverse approach leads readers through a nuanced and complex cultural landscape as it contributes significantly to our understanding of a crucial period in the development of modern Chinese theater and performance.

The Book of Broadway Musical Debates, Disputes, and Disagreements

The Book of Broadway Musical Debates, Disputes, and Disagreements
Author: Peter Filichia
Publisher: Rowman & Littlefield
Total Pages: 367
Release: 2022-09-01
Genre: Music
ISBN: 1493067958

The Book of Broadway Musical Debates, Disputes and Disagreements is purposely meant to start arguments and to settle them. Broadway musical fans won’t always agree with the conclusions musical theater judge Peter Filichia reaches, but the best part of any drama is the conflict. Among lovers of musical theater, opinions are never in short supply, and Filichia addresses the most dividing questions and opinions in one book. What will you say when he asks, “What is the greatest opening number of a Broadway musical?” Will your answer be “The Circle of Life” from The Lion King, “Heaven on Their Minds” from Jesus Christ Superstar, or “Beautiful Girls” from Follies? Will you agree with his answer to “Whose Broadway performance in a musical was later best captured on film?” Did you immediately think of Robert Preston in The Music Man or Barbra Streisand in Funny Girl? More questions that will add to the fire include “What song from a musical is the most beloved?” and “What’s the worst song that a Broadway musical ever inflicted on us?” They’re all in The Book of Broadway Musical Debates, Disputes and Disagreements. Let the arguments begin!

Theatre, Opera and Consciousness.

Theatre, Opera and Consciousness.
Author: Daniel Meyer-Dinkgräfe
Publisher: Rodopi
Total Pages: 236
Release: 2013
Genre:
ISBN: 9401209294

The study of consciousness has developed considerably over the past ten years, with an emphasis on seeking to explain subjective experience. Our understanding of key questions relating to the performing arts, in theory and practice, benefits from the insights of consciousness studies. Theatre, Opera and Consciousness discusses selected concerns of theatre history from a consciousness studies perspective, develops a new perspective on ethical implications of theatre practice, reassesses the concept of the guru, and offers a new approach to the actor’s cool-down. The book expands the framework from theatre to opera, and presents a new consideration of the spiritual aspects of singing in opera, conducting for opera, and the opera experience for singers and spectators alike.