Dostoevsky In The Arts And Beyond
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Author | : Olga Tabachinkova |
Publisher | : Ethics International Press |
Total Pages | : 393 |
Release | : 2024-08-30 |
Genre | : Literary Criticism |
ISBN | : 1804413410 |
The book is a substantial contribution to international Dostoevsky research, exploring Dostoevsky’s contemporary relevance from a multicultural and multidisciplinary perspective. It offers some fresh readings of Dostoevsky’s texts, presenting new complex studies on the writer and his works in the mirror of several arts of the last three decades. The book is divided into three Parts, featuring researchers from Bulgaria, Great Britain, Russia and Ukraine. Part One deals with conceptual issues, treating Dostoevsky above all as a prophet and philosopher, and thus determines the ideological system of coordinates for the studies presented in the rest of the book. Part Two examines Dostoevsky’s legacy through the lenses of literary theory, music, and Illustration art, and Part Three, via world cinema and theatre. The volume has gathered together an array of original and innovative studies from world leading experts in Dostoevsky’s creative universe, to make an authoritative input into the field.
Author | : Svetlana Evdokimova |
Publisher | : Ars Rossica |
Total Pages | : 413 |
Release | : 2016 |
Genre | : Literary Criticism |
ISBN | : 9781618115263 |
This volume deals with Dostoevsky's wide-ranging interests and engagement with philosophical, religious, political, economic, and scientific discourses of his time. It includes contributions by prominent Dostoevsky scholars, social scientists, scholars of religion and philosophy.
Author | : Julia Friedman |
Publisher | : Northwestern University Press |
Total Pages | : 306 |
Release | : 2010 |
Genre | : Art |
ISBN | : 0810126176 |
Beyond Symbolism and Surrealism sheds light on the oeuvre of Alexei Remizov (1877-1957), a great modernist eccentric who has remained largely unknown to Western audiences. Although his original prose garnered him early acclaim and has since entered the Russian literary canon, Remizov's artistic capacity was fully realized only after his experimentation with words and images culminated in a writing process that relies as much on drawing as it does on language. --
Author | : Yuri Corrigan |
Publisher | : Northwestern University Press |
Total Pages | : 359 |
Release | : 2017-10-15 |
Genre | : Literary Criticism |
ISBN | : 081013571X |
Dostoevsky was hostile to the notion of individual autonomy, and yet, throughout his life and work, he vigorously advocated the freedom and inviolability of the self. This ambivalence has animated his diverse and often self-contradictory legacy: as precursor of psychoanalysis, forefather of existentialism, postmodernist avant la lettre, religious traditionalist, and Romantic mystic. Dostoevsky and the Riddle of the Self charts a unifying path through Dostoevsky's artistic journey to solve the “mystery” of the human being. Starting from the unusual forms of intimacy shown by characters seeking to lose themselves within larger collective selves, Yuri Corrigan approaches the fictional works as a continuous experimental canvas on which Dostoevsky explored the problem of selfhood through recurring symbolic and narrative paradigms. Presenting new readings of such works as The Idiot, Demons, and The Brothers Karamazov, Corrigan tells the story of Dostoevsky’s career-long journey to overcome the pathology of collectivism by discovering a passage into the wounded, embattled, forbidding, revelatory landscape of the psyche. Corrigan’s argument offers a fundamental shift in theories about Dostoevsky's work and will be of great interest to scholars of Russian literature, as well as to readers interested in the prehistory of psychoanalysis and trauma studies and in theories of selfhood and their cultural sources.
Author | : Fyodor Dostoevsky |
Publisher | : Modern Library |
Total Pages | : 322 |
Release | : 2012-07-11 |
Genre | : Fiction |
ISBN | : 030782408X |
This collection, unique to the Modern Library, gathers seven of Dostoevsky's key works and shows him to be equally adept at the short story as with the novel. Exploring many of the same themes as in his longer works, these small masterpieces move from the tender and romantic White Nights, an archetypal nineteenth-century morality tale of pathos and loss, to the famous Notes from the Underground, a story of guilt, ineffectiveness, and uncompromising cynicism, and the first major work of existential literature. Among Dostoevsky's prototypical characters is Yemelyan in The Honest Thief, whose tragedy turns on an inability to resist crime. Presented in chronological order, in David Magarshack's celebrated translation, this is the definitive edition of Dostoevsky's best stories.
Author | : Chloë Kitzinger |
Publisher | : Northwestern University Press |
Total Pages | : 357 |
Release | : 2021-09-15 |
Genre | : Literary Criticism |
ISBN | : 0810143984 |
What makes some characters seem so real? Mimetic Lives: Tolstoy, Dostoevsky, and Character in the Novel explores this question through readings of major works by Leo Tolstoy and Fyodor Dostoevsky. Working at the height of the Russian realist tradition, Tolstoy and Dostoevsky each discovered unprecedented techniques for intensifying the aesthetic illusion that Chloë Kitzinger calls mimetic life—the reader’s sense of a character’s autonomous, embodied existence. At the same time, both authors tested the practical limits of that illusion by extending it toward the novel’s formal and generic bounds: philosophy, history, journalism, theology, myth. Through new readings of War and Peace, Anna Karenina, The Brothers Karamazov, and other novels, Kitzinger traces a productive tension between mimetic characterization and the author’s ambition to transform the reader. She shows how Tolstoy and Dostoevsky create lifelike characters and why the dream of carrying the illusion of “life” beyond the novel consistently fails. Mimetic Lives challenges the contemporary truism that novels educate us by providing enduring models for the perspectives of others, with whom we can then better empathize. Seen close, the realist novel’s power to create a world of compelling fictional persons underscores its resources as a form for thought and its limits as a direct source of spiritual, social, or political change. Drawing on scholarship in Russian literary studies as well as the theory of the novel, Kitzinger’s lucid work of criticism will intrigue and challenge scholars working in both fields.
Author | : Fyodor Dostoyevsky |
Publisher | : The Plough Publishing House |
Total Pages | : 214 |
Release | : 2003 |
Genre | : Literary Criticism |
ISBN | : 1570755094 |
A collection of excerpts from Dostoyevsky's writings, demonstrating his spiritual thoughts and grouped under such headings as "Man's Rebellion Against God" and "Life in God."
Author | : Alexander Spektor |
Publisher | : Northwestern University Press |
Total Pages | : 388 |
Release | : 2020-10-15 |
Genre | : Literary Criticism |
ISBN | : 0810142473 |
Reader as Accomplice: Narrative Ethics in Dostoevsky and Nabokov argues that Fyodor Dostoevsky and Vladimir Nabokov seek to affect the moral imagination of their readers by linking morally laden plots to the ethical questions raised by narrative fiction at the formal level. By doing so, these two authors ask us to consider and respond to the ethical demands that narrative acts of representation and interpretation place on authors and readers. Using the lens of narrative ethics, Alexander Spektor brings to light the important, previously unexplored correspondences between Dostoevsky and Nabokov. Ultimately, he argues for a productive comparison of how each writer investigates the ethical costs of narrating oneself and others. He also explores the power dynamics between author, character, narrator, and reader. In his readings of such texts as “The Meek One” and The Idiot by Dostoevsky and Bend Sinister and Despair by Nabokov, Spektor demonstrates that these authors incite the reader’s sense of ethics by exposing the risks but also the possibilities of narrative fiction.
Author | : Rowan Williams |
Publisher | : A&C Black |
Total Pages | : 305 |
Release | : 2008-01-01 |
Genre | : Religion |
ISBN | : 1847064256 |
Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it.
Author | : Thomas Gaiton Marullo |
Publisher | : Cornell University Press |
Total Pages | : 384 |
Release | : 2020-11-15 |
Genre | : Literary Criticism |
ISBN | : 1501751867 |
This second book in a three-volume work on the young Fyodor Dostoevsky is a diary-portrait of his early years drawn from letters, memoirs, and criticism of the writer, as well as from the testimony and witness of family and friends, readers and reviewers, and observers and participants in his life. The result of an exhaustive search of published materials on Dostoevsky, this volume sheds crucial light on the many unexplored corners of Dostoevsky's life in the time between the success of his first novel, Poor Folk, and the failure of his next four works. Thomas Gaiton Marullo lets the original writers speak for themselves—the good and the bad, the truth and the lies—and adds extensive notes with correctives, counterarguments, and other pertinent information. Marullo looks closely at Dostoevsky's increasingly tense ties with Vissarion Belinsky, Nikolai Nekrasov, Ivan Turgenev, and other figures of the Russian literary world. He then turns to the individuals who afforded Dostoevsky security and peace amid the often negative reception from fellow writers and readers of his early fiction. Finally, Marullo shows us Dostoevsky's break with the Belinsky circle; his struggle to stay afloat emotionally and financially; and his determination to succeed as a writer while staying true to his vision, most notably, his insights into human psychology that would become a hallmark of his later fiction. This clear and comprehensive portrait of one of the world's greatest writers provides a window into his younger years in a way no other biography has to date.