Dorothy Dandridge
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| Author | : Donald Bogle |
| Publisher | : HarperCollins |
| Total Pages | : 752 |
| Release | : 2021-12-14 |
| Genre | : Biography & Autobiography |
| ISBN | : 0063209314 |
Available once again, the definitive biography of the pioneering Black performer—the first nominated for a Best Actress Academy Award—who broke new ground in Hollywood and helped transform American society in the years before Civil Rights movement—a remarkable woman of her time who also transcended it. “An ambitious, rigorously researched account of the long-ignored film star and chanteuse. . . . Bogle has fashioned a resonant history of a bygone era in Hollywood and passionately documented the contribution of one of its most dazzling and complex performers."—New York Times Book Review In the segregated world of 1950s America, few celebrities were as talented, beautiful, glamorous, and ultimately influential as Dorothy Dandridge. Universally admired, she was Hollywood's first full-fledged Black movie star. Film historian Donald Bogle offers a panoramic portrait of Dorothy Dandridge’s extraordinary and ultimately tragic life and career, from her early years as a child performer in Cleveland, to her rise as a nightclub headliner and movie star, to her heartbreaking death at 42. Bogle reveals how this exceptionally talented and intensely ambitious entertainer broke down racial barriers by integrating some of America's hottest nightclubs and broke through Tinseltown’s glass ceiling. Along with her smash appearances at venues such as Harlem’s famed Cotton Club, Dorothy starred in numerous films, making history with her role in Otto Preminger’s Carmen Jones, playing opposite Harry Belafonte. Her performance earned her an Academy Award nomination for Best Actress—the first Oscar nod for a woman of color. But Dorothy’s wealth, fame, and success masked a reality fraught with contradiction and illusion. Struggling to find good roles professionally, uncomfortable with her image as a sex goddess, coping with the aftermath of two unhappy marriages and a string of unfulfilling affairs, and overwhelmed with guilt for her disabled daughter, Dorothy found herself emotionally and financially bankrupt—despair that ended in her untimely death. Woven from extensive research and unique interviews, as magnetic as the woman at its heart, Dorothy Dandridge captures this dazzling entertainer in all her complexity: her strength and vulnerability, her joy and her pain, her trials and her triumphs.
| Author | : Earl Mills |
| Publisher | : Holloway House Publishing |
| Total Pages | : 242 |
| Release | : 1997-07 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780870678998 |
In 1955 the beautiful Dorothy Dandridge became the first ever African American to be nominated for the Academy Award for Best Performance. In show business since the age of three years, she became Hollywood's first major black female star with the 1954 release of Carmen Jones in which she co-starred with Harry Belafonte. Other major roles were to follow, but her downfall was her terrible taste in men. She married two of them, both treated her badly, the last leaving her nearly bankrupt. Then tragedy struck in the form of her mysterious death which still puzzles many.
| Author | : Dorothy Dandridge |
| Publisher | : Harper Paperbacks |
| Total Pages | : 240 |
| Release | : 2000-04-26 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780060956752 |
Dorothy Dandridge's life story is the stuff Hollywood dreams--and nightmares. Completed shortly before her tragic death in 19665, Everything and Nothing recounts her rags-to-riches-to-rags story form her personal point of view. Dandridge recalls her humble beginnings in Depression-era Cleveland, Ohio, her rise to fame and success as the first African American to receive a Best Actress Oscar nomination (for her role in Carmen Jones), the disappointments and pain of her childhood and family life, and her downward spiral into alcoholism and financial troubles, Everything and Nothing is a mesmerizing and harrowing journey through the life and times of one of Hollywood's most unforgettable stars.
| Author | : Earl Mills |
| Publisher | : |
| Total Pages | : 255 |
| Release | : 1991 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780870675805 |
| Author | : Donald Bogle |
| Publisher | : Running Press Adult |
| Total Pages | : 663 |
| Release | : 2019-05-07 |
| Genre | : Performing Arts |
| ISBN | : 076249140X |
The films, the stars, the filmmakers-all get their due in Hollywood Black, a sweeping overview of blacks in film from the silent era through Black Panther, with striking photos and an engrossing history by award-winning author Donald Bogle. The story opens in the silent film era, when white actors in blackface often played black characters, but also saw the rise of independent African American filmmakers, including the remarkable Oscar Micheaux. It follows the changes in the film industry with the arrival of sound motion pictures and the Great Depression, when black performers such as Stepin Fetchit and Bill "Bojangles" Robinson began finding a place in Hollywood. More often than not, they were saddled with rigidly stereotyped roles, but some gifted performers, most notably Hattie McDaniel in Gone With the Wind (1939), were able to turn in significant performances. In the coming decades, more black talents would light up the screen. Dorothy Dandridge became the first African American to earn a Best Actress Oscar nomination for Carmen Jones (1954), and Sidney Poitier broke ground in films like The Defiant Ones and1963's Lilies of the Field. Hollywood Black reveals the changes in images that came about with the evolving social and political atmosphere of the US, from the Civil Rights era to the Black Power movement. The story takes readers through Blaxploitation, with movies like Shaft and Super Fly, to the emergence of such stars as Cicely Tyson, Richard Pryor, Eddie Murphy, and Whoopi Goldberg, and of directors Spike Lee and John Singleton. The history comes into the new millennium with filmmakers Barry Jenkins (Moonlight), Ava Du Vernay (Selma),and Ryan Coogler (Black Panther); megastars such as Denzel Washington, Will Smith, and Morgan Freeman; as well as Halle Berry, Angela Bassett, Viola Davis, and a glorious gallery of others. Filled with evocative photographs and stories of stars and filmmakers on set and off, Hollywood Black tells an underappreciated history as it's never before been told.
| Author | : Mia Mask |
| Publisher | : University of Illinois Press |
| Total Pages | : 323 |
| Release | : 2010-10-01 |
| Genre | : Performing Arts |
| ISBN | : 0252091825 |
This insightful study places African American women's stardom in historical and industrial contexts by examining the star personae of five African American women: Dorothy Dandridge, Pam Grier, Whoopi Goldberg, Oprah Winfrey, and Halle Berry. Interpreting each woman's celebrity as predicated on a brand of charismatic authority, Mia Mask shows how these female stars have ultimately complicated the conventional discursive practices through which blackness and womanhood have been represented in commercial cinema, independent film, and network television. Mask examines the function of these stars in seminal yet underanalyzed films. She considers Dandridge's status as a sexual commodity in films such as Tamango, revealing the contradictory discourses regarding race and sexuality in segregation-era American culture. Grier's feminist-camp performances in sexploitation pictures Women in Cages and The Big Doll House and her subsequent blaxploitation vehicles Coffy and Foxy Brown highlight a similar tension between representing African American women as both objectified stereotypes and powerful, self-defining icons. Mask reads Goldberg's transforming habits in Sister Act and The Associate as representative of her unruly comedic routines, while Winfrey's daily television performance as self-made, self-help guru echoes Horatio Alger narratives of success. Finally, Mask analyzes Berry's meteoric success by acknowledging the ways in which Dandridge's career made Berry's possible.
| Author | : Jamal Williams |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 66 |
| Release | : 2017-11-02 |
| Genre | : |
| ISBN | : 9781979341578 |
This is an award winning play about Dorothy Dandridge. It has been produced all over the country and is considered one of the most complete rendition of the tragic star and icon. It is a fictional telling of Dorothy's last day alive. The play takes place in her backstage dressing room at the Velvet Club in Los Angeles where she comes face to face with her mortality as well as defining moments in her life and career. It is a solo piece that is a challenge for an accomplished actor. The story tells the story that just because one is considered a famous, rich, and beautiful star it doesn't always lead to a filling life.
| Author | : Valerie C. Gilbert |
| Publisher | : McFarland |
| Total Pages | : 303 |
| Release | : 2021-09-10 |
| Genre | : Performing Arts |
| ISBN | : 1476663386 |
This book uses a black/white interracial lens to examine the lives and careers of eight prominent American-born actresses from the silent age through the studio era, New Hollywood, and into the present century: Josephine Baker, Nina Mae McKinney, Fredi Washington, Lena Horne, Dorothy Dandridge, Lonette McKee, Jennifer Beals and Halle Berry. Combining biography with detailed film readings, the author fleshes out the tragic mulatto stereotype, while at the same time exploring concepts and themes such as racial identity, the one-drop rule, passing, skin color, transracial adoption, interracial romance, and more. With a wealth of background information, this study also places these actresses in historical context, providing insight into the construction of race, both onscreen and off.
| Author | : Donald Bogle |
| Publisher | : Burns & Oates |
| Total Pages | : 454 |
| Release | : 2003 |
| Genre | : Performing Arts |
| ISBN | : 9780826415189 |
This study of black images in American motion pictures, is re-issued for its 30th anniverary in its 4th edition. It includes the entire 20th century through black images in film, from the silent era to the unequalled rise of the new African American cinema and stars of today. From The Birth of a Nation, Gone with the Wind, and Carmen Jones to Shaft, Do the Right Thing, Waiting to Exhale, The Hurricane, and Bamboozled, Donald Bogle reveals the way the image of blacks in American cinema has changed - and also the shocking way in which it has often remained the same.
| Author | : Arthur Knight |
| Publisher | : Duke University Press |
| Total Pages | : 352 |
| Release | : 2002-08-14 |
| Genre | : Performing Arts |
| ISBN | : 0822384108 |
From the earliest sound films to the present, American cinema has represented African Americans as decidedly musical. Disintegrating the Musical tracks and analyzes this history of musical representations of African Americans, from blacks and whites in blackface to black-cast musicals to jazz shorts, from sorrow songs to show tunes to bebop and beyond. Arthur Knight focuses on American film’s classic sound era, when Hollywood studios made eight all-black-cast musicals—a focus on Afro-America unparalleled in any other genre. It was during this same period that the first black film stars—Paul Robeson, Louis Armstrong, Lena Horne, Harry Belafonte, Dorothy Dandridge—emerged, not coincidentally, from the ranks of musical performers. That these films made so much of the connection between African Americans and musicality was somewhat ironic, Knight points out, because they did so in a form (song) and a genre (the musical) celebrating American social integration, community, and the marriage of opposites—even as the films themselves were segregated and played before even more strictly segregated audiences. Disintegrating the Musical covers territory both familiar—Show Boat, Stormy Weather, Porgy and Bess—and obscure—musical films by pioneer black director Oscar Micheaux, Lena Horne’s first film The Duke Is Tops, specialty numbers tucked into better-known features, and lost classics like the short Jammin’ the Blues. It considers the social and cultural contexts from which these films arose and how African American critics and audiences responded to them. Finally, Disintegrating the Musical shows how this history connects with the present practices of contemporary musical films like O Brother, Where Art Thou? and Bamboozled.
