To Quote Myself

To Quote Myself
Author: Khaya Dlanga
Publisher: Pan Macmillan South africa
Total Pages: 327
Release: 2016-02-01
Genre: Biography & Autobiography
ISBN: 1770104720

From rural roots to social media sensation: Khaya Dlanga's inspiring journey In To Quote Myself, Khaya Dlanga, one of South Africa's most influential social media personalities, shares entertaining and moving stories from his remarkable life. From his humble beginnings in rural Transkei to his rise as a prominent figure in advertising and comedy, Dlanga's journey is one of perseverance and wit. With candor and humor, he recounts his experiences at school, his time studying advertising, and his stint as a stand-up comedian. Dlanga also fearlessly delves into his political views and the challenges he faced, including a period of homelessness, on his path to becoming one of South Africa's most influential marketers. Throughout To Quote Myself, readers are treated to a dose of the truly weird and wonderful that is routinely a part of Dlanga's life, making for a memoir that is as insightful as it is entertaining.

Who Got the Camera?

Who Got the Camera?
Author: Eric Harvey
Publisher: University of Texas Press
Total Pages: 358
Release: 2021-10-05
Genre: Music
ISBN: 1477321349

Reality first appeared in the late 1980s—in the sense not of real life but rather of the TV entertainment genre inaugurated by shows such as Cops and America’s Most Wanted; the daytime gabfests of Geraldo, Oprah, and Donahue; and the tabloid news of A Current Affair. In a bracing work of cultural criticism, Eric Harvey argues that reality TV emerged in dialog with another kind of entertainment that served as its foil while borrowing its techniques: gangsta rap. Or, as legendary performers Ice Cube and Ice-T called it, “reality rap.” Reality rap and reality TV were components of a cultural revolution that redefined popular entertainment as a truth-telling medium. Reality entertainment borrowed journalistic tropes but was undiluted by the caveats and context that journalism demanded. While N.W.A.’s “Fuck tha Police” countered Cops’ vision of Black lives in America, the reality rappers who emerged in that group’s wake, such as Snoop Doggy Dogg and Tupac Shakur, embraced reality’s visceral tabloid sensationalism, using the media's obsession with Black criminality to collapse the distinction between image and truth. Reality TV and reality rap nurtured the world we live in now, where politics and basic facts don’t feel real until they have been translated into mass-mediated entertainment.

The Pop Palimpsest

The Pop Palimpsest
Author: Lori Burns
Publisher: University of Michigan Press
Total Pages: 381
Release: 2018-01-29
Genre: Music
ISBN: 0472123513

Within popular music there are entire genres (jazz “standards”), styles (hip hop), techniques (sampling), and practices (covers) that rely heavily on references between music of different styles and genres. This interdisciplinary collection of essays covers a wide range of musical styles and artists to investigate intertextuality—the shaping of one text by another—in popular music. The Pop Palimpsest offers new methodologies and frameworks for the analysis of intertextuality in popular music, and provides new lenses for examining relationships between a variety of texts both musical and nonmusical. Enriched by perspectives from multiple subdisciplines, The Pop Palimpsest considers a broad range of intertextual relationships in popular music to explore creative practices and processes and the networks that intertextual practices create between artists and listeners.

The Unstable Boys

The Unstable Boys
Author: Nick Kent
Publisher: Constable
Total Pages: 225
Release: 2021-01-28
Genre: Fiction
ISBN: 1472132890

London 1968: The Unstable Boys are the name on every music insider's lips and tipped to follow in the footsteps of the Beatles and the Rolling Stones. This is their chance to hit the bigtime. They don't know they're about to be obliterated by a series of tragedies and a chaotic breakup that puts paid to the band's starry-eyed dreams of stratospheric success. One day you're the dog's bollocks; the next day you're a nobody - fame is a fickle friend. London 2016: Bestselling crime writer Michael Martindale has reached breaking point. Estranged from his wife and children following the very public fallout of his disastrous affair, he is alone, with only his self-pity to keep him warm at night. Until he makes the mistake of publicly declaring his admiration for his teenage musical obsession, the Unstable Boys. When the band's twisted and feral frontman, the Boy, turns up on his doorstep, Martindale quickly learns that sometimes you should be careful what you wish for. Razor-sharp and laced with a caustic wit, The Unstable Boys is a dark comic caper with an unmistakeable musicality from legendary music journalist Nick Kent.

The 'Hood Comes First

The 'Hood Comes First
Author: Murray Forman
Publisher: Wesleyan University Press
Total Pages: 413
Release: 2024-08-06
Genre: Music
ISBN: 0819501662

Off Broadway Musicals, 1910-2007

Off Broadway Musicals, 1910-2007
Author: Dan Dietz
Publisher: McFarland
Total Pages: 657
Release: 2010-03-10
Genre: Performing Arts
ISBN: 0786457317

Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer.